David Guterson's Our Lady of the Forest navigates between the mystical and the cynical in its slowly paced telling of a Marian encounter in North Fork, Washington. The story opens in the North Fork campground among homeless mushroom pickers. The town is reeling from the loss of its logging industry, and its residents make their way by scavenging odd jobs and selling the produce of the forest. Living in the campground, 16-year-old Anne Holmes is a runaway asthmatic whose recent interest in Catholicism follows a period of petty thievery, drug use, and frequent masturbation (an interest that Guterson notes is shared by the town priest, Father Don Collins). While off on her rounds of mushrooming one morning, she encounters a bright light--the Virgin Mary, she believes. Soon, she has drawn a band of thousands as people flock to North Fork to witness the vision and be healed. But, through Carolyn Greer, a world-weary fellow-mushroom-picker who longs for nothing more than an extended vacation to "Cabo"-- readers learn that Anne actually sees nothing, or at least no one else shares the Marian apparition that gives Anne lofty commands each day.

At times Guterson lets his characters' pettiness, opportunism, and cynicism overrun the delicacy of Anne's world. Carolyn's vehement atheism and materialistic languor undermine what could have been a stronger counter-point to her spiritual friend. Even Father Collins, who struggles between fatherly compassion and sexual longing for the young visionary, is too full of self-loathing for readers to embrace him. Yet, the novel's exploration of Anne's abrupt and intense faith pierces the narrative and brings light to it. And as Anne's visions grow in intensity and her health begins to fail, one can't help but long for divine intervention on her behalf. --Patrick O'Kelley

From Publishers Weekly
When Ann Holmes starts having visions of the Virgin Mary, the bedraggled teen runaway becomes the last hope for the inhabitants of a dank, economically depressed logging town and the hordes of miracle-seekers who descend on it. In this panoramic, psychologically dense novel, she also becomes a symbol of the intimate intertwining of the sacred and the profane in American life. Guterson (Snow Falling on Cedars; East of the Mountains), tells the story from the viewpoint of four lost souls groping for redemption: Ann; Carolyn, an aging, overeducated, cynical drifter who takes Ann under her wing to profit from her growing fame; a local priest wrestling with his doubts about, and lust for, the visionary; and a tormented ex-logger trying to atone for the accident that paralyzed his son. Guterson's evocative prose, pithy dialogue and piercing insights cut through the fog of sin and guilt that shadows these wounded characters like the overcast sky of the Pacific Northwest. And as Ann's visions stimulate a tourism boom and draw the attention of media vultures and a skeptical Catholic Church, Guterson explores larger social themes-the demise of blue-collar America; the ironic symbiosis of religious devotion and commercial exploitation; the replacement of faith in God by faith in psychopharmacology; and the link between the exaltation of women's saintliness and the reality of women's degradation. Searching for the miraculous in the mundane, this ambitious and satisfying work builds vivid characters and trenchant storytelling into a serious and compassionate look at the moral quandaries of modern life.Copyright 2003 Reed Business Information, Inc.

From School Library Journal
Adult/High School-Guterson gives readers a contemporary world in which spiritual and ancient concerns are brought to the forefront of awareness. Subsisting as an itinerant mushroom picker in the rain forest of Washington, an abused runaway teen experiences visions of the Blessed Virgin Mary, who speaks to her and directs her to encourage the building of a shrine in the place of the visions' occurrence. A slightly older young woman, who has no belief in the tenets of any faith, introduces Ann to the local Roman Catholic priest, a man who is both intellectual and spiritual, and who is bothered by his own predilection for impure thoughts about the young seer. News of Ann's visions brings in hordes of believers and the curious, including another local, a middle-aged man who has isolated himself since the accident that paralyzed his teenaged son. Guterson keeps this diverse handful of central characters in constant tension, allowing readers to empathize with all of them while questioning their motives. Teens concerned with matters of faith, belief, the mysteries surrounding unbidden experiences with mythically powerful beings, and the fallible nature of both the best and the worst adults will find a lot here to ponder and discuss. Familiarity with Christianity isn't necessary to accessing this tale, although such a background will add another layer of complexity to readers' considerations of the story.Francisca Goldsmith, Berkeley Public Library, CACopyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From AudioFile
In an economically depressed timber-rich region of Washington State, a runaway 16-year-old girl sees a vision of the Virgin Mary in the forest. The vision forces a reaction on the part of many in the community, among them a local priest who struggles with faith and desire, an out-of-work logger who has made himself detestable to all who might have loved him, and the girl's older, cynical friend and caretaker. Blair glides easily from one to another, not by doing voices, but by communicating personality characteristics. She identifies and then reflects what is most essential in each, whether piety, skepticism, anger, or scorn. M.O. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine

From Booklist
Guterson follows up Snow Falling on Cedars (1994) and East of the Mountains (1999) with another novel set in the Pacific Northwest. The rain-sodden timber town of North Fork has been hit hard by the downturn in the timber industry, and the only businesses that thrive are the bars, patronized by out-of-work loggers and itinerant mushroom pickers. One of these, Ann Holmes, is a fragile teenage runaway who is convinced that the Virgin Mary visits her in the rain forest. Too many psilocybin mushrooms, or is Ann a true visionary? Before long, thousands of pilgrims arrive in North Fork, overrunning the local motels and laundromats, trampling the forest floor, and hanging religious gimcracks on bushes and trees. Meanwhile, the locals respond in different ways. Some, like Ann's cynical de facto manager Carolyn Greer, see a moneymaking opportunity. Father Collins, the young priest to whom Ann brings a message from the Virgin, has to reconcile his own skepticism, longings, and beliefs. And Tom Cross, whose life has imploded since a logging accident that paralyzed his son, is looking for redemption. Though some readers may be frustrated by the slow pace, Guterson's third novel is thoughtful, humane, richly detailed, and atmospheric. It should be welcomed by those who loved Snow Falling on Cedars. Mary Ellen Quinn
Copyright © American Library Association. All rights reserved

Review
“This is Guterson’s best book.” –Chicago Sun-Times

“Another virtuoso performance from David Guterson . . . Gripping . . . Marks an expansion of his vision . . . Transporting . . . Balances on the tension between belief and despair without ever losing its sense of mystery.” –L.A. Times Book Review

“Spellbinding . . . Mesmerizing . . . Brilliantly conceived . . . A marvelous and affecting spectacle, both timeless and contemporary, that makes for electric reading.” –Seattle Times

“Explores a complex and challenging set of questions without a hint of condescension . . . The dimensions of this compelling novel are catholic in the larger sense.” –Christian Science Monitor

“An intense and affecting journey of faith, miracle and humanity.” –Denver Post

“Blends some of the appeal of Stephen King’s uncanny tales . . . and John Updike’s fables . . . Thoroughly absorbing . . . Guterson writes virtuoso dialogue.” –Seattle Weekly

“Magnificent . . . Reading it, I kept putting [Guterson] in the best possible literary company . . . I was in a state of elation while I was reading . . . A marvelous book, in every sense.” –Jonathan Raban

“An intense, gripping read . . . Finely etched characters, the most intriguing and fully realized cast in any Guterson novel . . . Should resonate with many readers searching for belief in the post-9/11 world.” –Seattle Post-Intelligencer

“Surely one of this year’s best novels . . . Outstanding . . . [Displays] heart, compassion, and a willingness to tackle the most fundamental, and insolvable questions of faith, belief, and personal responsibility.” –Pittsburgh Tribune-Review


From the Hardcover edition.

Review
?This is Guterson?s best book.? ?Chicago Sun-Times

?Another virtuoso performance from David Guterson . . . Gripping . . . Marks an expansion of his vision . . . Transporting . . . Balances on the tension between belief and despair without ever losing its sense of mystery.? ?L.A. Times Book Review

?Spellbinding . . . Mesmerizing . . . Brilliantly conceived . . . A marvelous and affecting spectacle, both timeless and contemporary, that makes for electric reading.? ?Seattle Times

?Explores a complex and challenging set of questions without a hint of condescension . . . The dimensions of this compelling novel are catholic in the larger sense.? ?Christian Science Monitor

?An intense and affecting journey of faith, miracle and humanity.? ?Denver Post

?Blends some of the appeal of Stephen King?s uncanny tales . . . and John Updike?s fables . . . Thoroughly absorbing . . . Guterson writes virtuoso dialogue.? ?Seattle Weekly

?Magnificent . . . Reading it, I kept putting [Guterson] in the best possible literary company . . . I was in a state of elation while I was reading . . . A marvelous book, in every sense.? ?Jonathan Raban

?An intense, gripping read . . . Finely etched characters, the most intriguing and fully realized cast in any Guterson novel . . . Should resonate with many readers searching for belief in the post-9/11 world.? ?Seattle Post-Intelligencer

?Surely one of this year?s best novels . . . Outstanding . . . [Displays] heart, compassion, and a willingness to tackle the most fundamental, and insolvable questions of faith, belief, and personal responsibility.? ?Pittsburgh Tribune-Review


From the Hardcover edition.

Book Description
From the best-selling author of Snow Falling on Cedars—an emotionally charged, provocative new novel about a teenage girl who claims to see the Virgin Mary.

Ann Holmes seems an unlikely candidate for revelation. A sixteen-year-old runaway, she is an itinerant mushroom picker who lives in a tent. But on a November afternoon, in the foggy woods of North Fork, Washington, the Virgin comes to her, clear as day.

Father Collins—a young priest new to North Fork—finds Ann disturbingly alluring. But it is up to him to evaluate—impartially—the veracity of Ann’s sightings: Are they delusions, or a true calling to God? As word spreads and thousands, including the press, converge upon the town, Carolyn Greer, a smart-talking fellow mushroomer, becomes Ann’s disciple of sorts, as well as her impromptu publicity manager. And Tom Cross, an embittered logger who’s been out of work since his son was paralyzed in a terrible accident, finds in Ann’s visions a last chance for redemption for both himself and his son.

As Father Collins searches his own soul and Ann’s, as Carolyn struggles with her less than admirable intentions, as Tom alternates between despair and hope, Our Lady of the Forest tells a suspenseful, often wryly humorous, and deeply involving story of faith at a contemporary crossroads.


From the Hardcover edition.

From the Inside Flap
From the best-selling author of Snow Falling on Cedars—an emotionally charged, provocative new novel about a teenage girl who claims to see the Virgin Mary.

Ann Holmes seems an unlikely candidate for revelation. A sixteen-year-old runaway, she is an itinerant mushroom picker who lives in a tent. But on a November afternoon, in the foggy woods of North Fork, Washington, the Virgin comes to her, clear as day.

Father Collins—a young priest new to North Fork—finds Ann disturbingly alluring. But it is up to him to evaluate—impartially—the veracity of Ann’s sightings: Are they delusions, or a true calling to God? As word spreads and thousands, including the press, converge upon the town, Carolyn Greer, a smart-talking fellow mushroomer, becomes Ann’s disciple of sorts, as well as her impromptu publicity manager. And Tom Cross, an embittered logger who’s been out of work since his son was paralyzed in a terrible accident, finds in Ann’s visions a last chance for redemption for both himself and his son.

As Father Collins searches his own soul and Ann’s, as Carolyn struggles with her less than admirable intentions, as Tom alternates between despair and hope, Our Lady of the Forest tells a suspenseful, often wryly humorous, and deeply involving story of faith at a contemporary crossroads.


From the Hardcover edition.

From the Back Cover
“This is Guterson’s best book.” –Chicago Sun-Times

“Another virtuoso performance from David Guterson . . . Gripping . . . Marks an expansion of his vision . . . Transporting . . . Balances on the tension between belief and despair without ever losing its sense of mystery.” –L.A. Times Book Review

“Spellbinding . . . Mesmerizing . . . Brilliantly conceived . . . A marvelous and affecting spectacle, both timeless and contemporary, that makes for electric reading.” –Seattle Times

“Explores a complex and challenging set of questions without a hint of condescension . . . The dimensions of this compelling novel are catholic in the larger sense.” –Christian Science Monitor

“An intense and affecting journey of faith, miracle and humanity.” –Denver Post

“Blends some of the appeal of Stephen King’s uncanny tales . . . and John Updike’s fables . . . Thoroughly absorbing . . . Guterson writes virtuoso dialogue.” –Seattle Weekly

“Magnificent . . . Reading it, I kept putting [Guterson] in the best possible literary company . . . I was in a state of elation while I was reading . . . A marvelous book, in every sense.” –Jonathan Raban

“An intense, gripping read . . . Finely etched characters, the most intriguing and fully realized cast in any Guterson novel . . . Should resonate with many readers searching for belief in the post-9/11 world.” –Seattle Post-Intelligencer

“Surely one of this year’s best novels . . . Outstanding . . . [Displays] heart, compassion, and a willingness to tackle the most fundamental, and insolvable questions of faith, belief, and personal responsibility.” –Pittsburgh Tribune-Review


From the Hardcover edition.

About the Author
David Guterson is the author of a collection of short stories, The Country Ahead of Us, the Country Behind; Family Matters: Why Homeschooling Makes Sense; Snow Falling on Cedars, which won the 1995 PEN/Faulkner Award, the Pacific Northwest Bookseller Association Award, and was an international bestseller; and the national bestseller East of the Mountains.


From the Trade Paperback edition.

Excerpt. © Reprinted by permission. All rights reserved.
I
Annunciation
NOVEMBER 10-NOVEMBER 13, 1999

The girl's errand in the forest that day was to gather chanterelle mushrooms in a bucket to sell in town at dusk. According to her own account and the accounts of others in the North Fork Campground who would later be questioned by the diocesan committee, by Father Collins of Saint Joseph's of North Fork, by the bishop's representative, and by reporters covering the purported apparitions--including tabloid journalists who treated the story like a visitation by Martians or the birth of a two-headed infant--the girl left her camp before eight o'clock and walked alone into the woods. She wore a sweatshirt with its hood drawn tight. She didn't speak to others of her intentions. Setting out with no direction in mind, she crossed a maple bottom and a copse of alders, traversed a creek on a rotten log, then climbed a ridge into deep rain forest and began searching for mushrooms in earnest.

As she went the girl ate potato chips and knelt beside rivulets to drink. She swallowed the antihistamine that kept her allergies at bay. Other than looking for mushrooms, she listened for the lonely music of birds and--she confessed this later to Father Collins--stopped twice to masturbate. It was a still day with no rain or fog and no wind stirring branches in the trees, the kind of stillness that stops time, or seems to, for a hiker. The girl paused often to consider it and to acknowledge her aloneness. She prayed the rosary on her knees--it was Wednesday, November tenth, so she said the Glorious Mysteries--before following an elk trail into country she hadn't visited or perhaps didn't recall, a flat grown up with Douglas firs, choked by blowdowns and vine maple draped with witches'-hair. Here she lay in a bed of moss and was seized by a dream that she lay in moss while a shape, a form--a bird of prey, a luminous man--bore down on her from above.

Rising, she found chanterelles buried in the interstices of liverworts and in the shadows of windfalls. She cut them low, brushed them clean and set them carefully in her bucket. For a long time she picked steadily, moving farther into the woods, pleased because it was a rainless day on which she was finding enough mushrooms to justify being there. They drew her on like a spell.

At noon she read from her pocket catechism, then prayed--Give us this day our daily bread--before crossing herself and eating more potato chips and a package of two chocolate donuts. Resting, she heard the note of a thrush, but muted, faint, and distant. Sunlight now filtered through the trees on an angle through the highest branches and she sought out a broad, strong shaft of it, stippled with boiling dust and litterfall, and lay on her back in its luminous warmth, her face turned toward heaven. Again she slept and again she dreamed, this time of a furtive woman in the trees, lit in darkness as though by a spotlight, who exhorted her to rise from the ground and continue her search for chanterelles.

The girl got up and traveled on. She was lost now in an incidental way and the two strange dreams disturbed her. Feeling a vague desire again, she put her hand between her legs, aimlessly, still walking. A cold or flu had hold of her, she thought. Her allergies and asthma seemed heightened too. Her period had started.

The newspapers reported that her name was Ann Holmes, after her maternal grandmother, who died from sepsis and pneumonia a week before Ann was born. Ann and her mother, fifteen at Ann's birth, had lived with Ann's grandfather, a long-haul trucker, a man with complicated gambling debts, in a series of rental homes. The newspapers, though, did not uncover that her mother's boyfriend, a methamphetamine addict, had raped Ann opportunistically beginning when she was fourteen. Afterward he would lie beside her with an expression of antic, contorted suffering etching his hairless long face. Sometimes he cried or apologized, but more often he threatened to kill her.

When Ann was fifteen she took a driver's education class, which she missed only once, on a Friday afternoon, in order to have an abortion. Eight months later she expelled her second fetus into the toilet at a minimart on the heels of a bout with nausea. On her sixteenth birthday she bought a two-door car, dented or crumpled in more than one panel, for three hundred and fifty dollars earned foraging for truffles and chanterelles. The next morning, she drove away.

Ann was diminutive, sparrow-boned, and when she covered her head with her sweatshirt hood it was easy to mistake her for a boy of twelve, fair-skinned and dreamy. She often wheezed asthmatically, sneezed feebly, blew her nose, and coughed against her fist or palm. On most mornings her jeans were wet with the rain or dew transferred from the fronds of ferns and her hands looked pink and raw. She smelled of wood smoke, leaves and rank clothes and had lived for a month in the North Fork Campground in a canvas tent by the river. Others living there told reporters that she'd rigged up a plastic tarp with twine and often sat under it against a log, reading by firelight. Most described her as silent and subdued, though not unpleasant or inspiring unease, not threatening in her estrangement. Those who saw her in the woods that fall--other mushroom gatherers, mostly, but also several elk and deer hunters and once a Stinson Company timber cruiser--were struck by her inconsequence and by the wariness of her eyes in shadow underneath the drawn hood.

A mushroom picker named Carolyn Greer who lived in a van in the North Fork Campground claimed that on an evening in mid-October she had eaten dinner with Ann Holmes, sharing soup, bread and canned peaches and speaking with her of present matters but never of themselves, their histories. Ann had not had much to say. Mostly she stirred her soup pot, listened, and stared at the flames of the fire. She did indicate a concern for her car, whose transmission no longer allowed her to shift gears or to travel anywhere. The car's battery had petered out, and its windshield and windows appeared permanently clouded with an opaque, viscous vapor. It sat beside her canvas tent, gathering fallen cedar needles, both seats loaded with plastic bags, paper sacks, and cardboard boxes stuffed with her belongings.

Carolyn didn't tell the bishop's representative that while the soup was simmering they got high together. Primarily, it was nobody's business. Furthermore, it implicated her too. Carolyn indulged in pot regularly. It surprised her that Ann, after a few tokes, did not become effusive and talkative, like most stoned people around a campfire. Instead she became even more reserved, more hermetic and taciturn. Her face disappeared inside the hood of her sweatshirt. She spoke when spoken to, terse but polite, and poked incessantly at the wood coals. Her only subject was her dead car.

Stranded, Ann had resorted to the county bus, which stopped at a convenience store a half mile from the campground and dropped her in front of the MarketTime in North Fork for eighty-five cents, one way. She paid, the county driver reported, with exact change, sometimes using pennies, and replied in kind when he greeted her. Once he commented on the mushrooms in her bucket, on their number, size, and golden hue, and she gave him some loosely wrapped in newspaper she found at the back of the bus. On the highway, she slept with her head against the window. Frequently she read from a paperback book he eventually discerned was a catechism. When she got off in town she said thank you or good-bye, her hood still drawn around her face.

A half dozen times she accepted a ride from a mushroom and brush picker named Steven Mossberger, who wore a dense beard, Coke-bottle glasses, and a wool cap pulled low on his temples. Seeing her carrying her bucket of chanterelles and walking the road one afternoon, Mossberger rolled down the window of his pick-up, explained that he lived in the campground as she did, that he picked mushrooms just like her, then asked if she wanted a lift. Ann refused him without affront. No, thanks, she said. I'm okay.

The next time he saw her, in late October, he pulled over at dusk in a modest rain and she accepted without hesitating. When he leaned across to push ajar the door, she got in smelling of wet clothes and mushrooms, set the bucket of chanterelles on her lap, and said, It's a little wet out.

Where are you from? Mossberger asked.

Down in Oregon. Not far from the coast.

What's your name?

She gave him her first. He told her his full name. He put his hand out to shake hers and she slipped her hand into his.

He wanted to believe, afterward, that this moment was freighted with spiritual meaning, that in taking her hand he felt the hand of God, and he described it that way to the diocesan committee and to the bishop's representative--a hand that was more than other hands, he said, connecting him with something deeper than his own life--but in fact, he understood privately, what he felt was probably little more than the small thrill a man gets from shaking hands with a woman.

In North Fork, Ann sold her mushrooms to Bob Frame, a mechanic who worked on logging equipment and ran his mushroom business on the side. Garrulous and jocular most of the time, he spoke with an instinctive brevity and disdain to the first journalist who entreated him. The girl's mushrooms, Frame said, were always meticulously field cleaned, and her bucket contained few culls. Only once, on an evening of bitter rain, did she drink the coffee he kept about as a gratuity for his pickers. For a few minutes she sat by the electric heater, sipping from a Styrofoam cup, watching as he layered mushrooms in newspaper and weighed the day's take on a scale. It seemed to him, working close to her, that she hadn't bathed or laundered her clothing in a long time, maybe weeks. He did recall that she kept her pay in a leather pouch worn around her neck, not in the pocket of her jeans. Her shoes, he noted, were well-worn, the sole of one of them separating from the upper so that her damp wool sock showed through. Even in his shed she wore her sweatshirt hood and kept her hands in her sweatshirt pockets.

Frame didn't tell the journalist that she could give no social security number when he requested one for his records. He'd paid her cash and noted nothing in his books of recompense made to an Ann Holmes, and because of that small worrisome omission he was angry with himself for having said anything about Ann Holmes at all. He spoke to no more journalists afterward and proclaimed in town that the media circus perpetually surrounding the visionary was a spectacle he couldn't participate in and still live with himself. In truth it was the specter of an IRS audit that made him afraid to speak of her, though he did tell his wife, swearing her to secrecy, that once when the girl freed her pouch from her sweatshirt she also inadvertently brought forth a necklace bearing a crucifix, which Bob said glowed a brilliant gold.

From Frame's shed Ann carried her bucket to MarketTime and bought a few things each evening. One checker recalled her proclivity for sugar wafers, small cartons of chocolate milk, deli burritos, and Starbursts. No one else remembered very much, except that she always wore her hood and counted her returned change. She asked for the key to the storeroom toilet more often than other customers and used the dish soap in the utility sink to wash her hands afterward. Occasionally she stuffed pennies in the cans for the Injured Loggers' Fund.

In early November, while foraging for chanterelles, two girls from North Fork came across Ann Holmes in the woods east of town. They were middle-school girls, seventh graders, who had employed the ruse of mushrooming all fall to smoke pot in the woods after school. Besides their mushroom buckets and pocketknives, they brought along a bag of marijuana, a small pipe, and matches. Deeply concerned about getting caught, careful girls who giggled for long stretches after smoking even a little pot, they were mindful of the need for chewing gum, eyedrops, and doses of cheap perfume. They were also ravenous, paranoid, and startled by noises in the forest. The singing of a bird could worry them. A plane overhead, a truck on a distant road, froze them in their tracks, wide-eyed.

They'd been stoned that afternoon for a half hour and were finding mushrooms here and there, giggling together in their usual manner, when they saw Ann Holmes perched on a log, watching them with her hands in her pockets and her sweatshirt hood drawn around her cheeks so that her face lay in shadow. At first they thought she was a boy of their own age, an unfamiliar boy not from their town, and even when they came close enough to see that her bucket was brimming with chanterelles, neither was certain that she wasn't a boy, though they inspected her face closely. Both were conscious of being stoned and wondered if it was observable somehow, if their behavior gave them away. They exerted themselves to act normal. Whoa, said one. You scored.

I should have brought along another bucket.

Amazing.

Ass kicking.

Have you ever noticed that bucket rhymes with fuck it?

Crystal.

Excuse me.

God, Crystal.

I'm sure. It rhymes.

God, Crystal. I'm sure.

They giggled now in a truncated manner, trying to stop themselves. They both put hands over their mouths in an effort to hold in laughter. Ann loosened her sweatshirt drawstring, pushed the hood away from her face, and ran her fingers through her hair. Her hair was short, the color of old straw, matted to her head, unkempt. The others could see now that Ann was a girl, which was not as good as a strange boy in the woods to talk about at school. Are you like from where? one asked.

I'm from the campground.

You were like born there?

They laughed again, covering their mouths. One of them nearly fell over.

You guys are baked, Ann said.

We're not baked we're totally hammered.

I'm like fried. Totally.

I'm like ripped.

Me, too.

They sat cross-legged on the forest floor. The one named Crystal pulled out a deck of cards. The other produced the bag of marijuana. Let's get baked, she suggested. Maybe a little, Ann replied.

They smoked dope, played Crazy Eights, ate a rope of red licorice, some Dots and a box of Red Hots. Ann asked if they believed in Jesus. Uh oh, said one. Are you a Jesus freak?


From the Hardcover edition.

FROM OUR EDITORS

The Barnes & Noble Review
From the bestselling author of Snow Falling on Cedars comes a darkly humorous contemporary novel of faith and redemption, focusing on an economically depressed community that suddenly becomes the center of hope for the despairing. After teenage runaway and itinerant mushroom picker Anne Holmes has a vision of the Virgin Mary in a nearby forest, her motley crew of friends and colleagues all respond in different ways, ranging from acceptance to utter disbelief. After word of her visions spreads, various miracle seekers gather on the site, throwing the local church and logging companies into a panic.

The author evokes real sympathy for the confused inhabitants of the impoverished town, as each character becomes a symbol for a segment of the world at large: the believer, the cynic, the doubter, and the lost. Even when detailing great sorrow and anguish, Guterson easily sidesteps pessimism to give a compassionate, penetrating view of life's beauty. Stylish, weighty, and shrewd, the narrative is as much a chronicle of our social dilemmas as it is about the doubts and moral uncertainties of our protagonists. A masterfully crafted and moving novel, Our Lady of the Forest will impress and astonish you with its examination of the nature of belief in our unsettled times. Tom Piccirilli

FROM THE PUBLISHER

Ann Holmes seems an unlikely candidate for revelation. A sixteen-year-old runaway, she is an itinerant mushroom picker who lives in a tent. But on a November afternoon, in the foggy woods of North Fork, Washington, the Virgin comes to her, clear as day.

Father Collins - a young priest new to North Fork - finds Ann disturbingly alluring. But it is up to him to evaluate - impartially - the veracity of Ann's sightings: Are they delusions, or a true calling to God? As word spreads and thousands, including the press, converge upon the town, Carolyn Greer, a smart-talking fellow mushroomer, becomes Ann's disciple of sorts, as well as her impromptu publicity manager. And Tom Cross, an embittered logger who's been out of work since his son was paralyzed in a terrible accident, finds in Ann's visions a last chance for redemption for both himself and his son.

As Father Collins searches his own soul and Ann's, as Carolyn struggles with her less than admirable intentions, as Tom alternates between despair and hope, Our Lady of the Forest tells a suspenseful, often wryly humorous, and deeply involving story of faith at a contemporary crossroads.

FROM THE CRITICS

The New York Times

The entire novel is marked by this turn toward the homely and the unnoticed. In his previous works of fiction, Guterson sought the moral high ground, giving us characters tinged with nobility living in places carved out of beauty. His brand of moral fiction, influenced by John Gardner, could at times seem insufferably righteous. Now, in Our Lady of the Forest, he overcomes his virtue problem, writing with more humor than ever before. For the first time, he seems interested in the mess and mud of real life … Guterson's previous do-the-right-thing morality is happily set aside in favor of a humanism that allows his people to lust, to be funny, to fail, to hurt one another. No one here does the right thing; no one knows what the right thing would be. Even the landscape is freed from being perfect. — Claire Dederer

The Washington Post

In the tradition of Franz Werfel's Song of Bernadette and Brian Moore's Cold Heaven, David Guterson has written a tale of what happens to a group of believers and nonbelievers when someone has visions of the Virgin Mary. — Carolyn See

Publishers Weekly

When Ann Holmes starts having visions of the Virgin Mary, the bedraggled teen runaway becomes the last hope for the inhabitants of a dank, economically depressed logging town and the hordes of miracle-seekers who descend on it. In this panoramic, psychologically dense novel, she also becomes a symbol of the intimate intertwining of the sacred and the profane in American life. Guterson (Snow Falling on Cedars; East of the Mountains), tells the story from the viewpoint of four lost souls groping for redemption: Ann; Carolyn, an aging, overeducated, cynical drifter who takes Ann under her wing to profit from her growing fame; a local priest wrestling with his doubts about, and lust for, the visionary; and a tormented ex-logger trying to atone for the accident that paralyzed his son. Guterson's evocative prose, pithy dialogue and piercing insights cut through the fog of sin and guilt that shadows these wounded characters like the overcast sky of the Pacific Northwest. And as Ann's visions stimulate a tourism boom and draw the attention of media vultures and a skeptical Catholic Church, Guterson explores larger social themes-the demise of blue-collar America; the ironic symbiosis of religious devotion and commercial exploitation; the replacement of faith in God by faith in psychopharmacology; and the link between the exaltation of women's saintliness and the reality of women's degradation. Searching for the miraculous in the mundane, this ambitious and satisfying work builds vivid characters and trenchant storytelling into a serious and compassionate look at the moral quandaries of modern life. (Oct. 3) Forecast: The gloominess of this uncompromising novel may deflect some readers, but others will be drawn in by its intensity. Look for it to hit bestseller lists, though the 350,000 first printing may be ambitious. Copyright 2003 Reed Business Information.

Library Journal

Posters, reading group guides, and a 16-city author tour-Guterson is getting what you would surely expect of a "highly recommended" novel (see review, p. 166). Copyright 2003 Reed Business Information.

School Library Journal