The Great Gatsby ANNOTATION
The timeless story of Jay Gatsby and his love for Daisy Buchanan is widely acknowledged to be the closest thing to the Great American Novel ever written.
FROM THE PUBLISHER
One of the classics of twentieth-century literature, The Great Gatsby is now available in a definitive, textually accurate edition.
The story of the fabulously wealthy Jay Gatsby and his love for the beautiful Daisy Buchanan has been acclaimed by generations of readers. But the first edition contained a number of errors resulting from Fitzgerald's extensive revisions and a rushed production schedule. Subsequent printings introduced further departures from the author's words. This edition, based on the Cambridge critical text, restores all the language of Fitzgerald's masterpiece. Drawing on the manuscript and surviving proof of the novel, along with Fitzgerald's later revisions and corrections, this is the authorized text - The Great Gatsby as Fitzgerald intended it.
SYNOPSIS
Many consider The Great Gatsby the closest thing to the Great American Novel ever written. First published in 1925, it is the timeless story of Jay Gatsby and his love for Daisy Buchanan. Gatsby lives in the New York suburb of West Egg, where those with "new money" reside. Gatsby's mansion is right across the bay from the home of his wartime love, Daisy Buchanan, pictured always in white.
Gatsby seeks to keep his illusion of Daisy as perfect alive. He uses his money, gained through illegal means, to do so, and uses his neighbor, Nick Carroway, to try to reach Daisy. The love of money as the root of evil is a pervading theme.
FROM THE CRITICS
Edwin C. Clark
. . . It expresses one phase of the great grotesque spectacle of our American scene. It is humor, irony, ribaldry, pathos and loveliness. . . . A curious book, a mystical, glamorous story of today. It takes a deeper cut at life than hitherto has been essayed by Mr. Fitzgerald. He writes well -- he always has -- for he writes naturally, and his sense of form is becoming perfected. -- Books of the Century; New York Times review, April 1925