From Publishers Weekly
According to Coleman, the media's attitude is "death sells... if it bleeds, it leads." The author, who has written and lectured extensively on the impact of media, mounts a convincing case against newspapers, TV and books that sensationalize murders and suicides, thus encouraging others to imitate destructive crimes. He traces the problem's roots to Goethe's The Sorrows of Young Werther (1774), which spotlighted a fellow who shot himself over a failed romance and inspired many young men to do the same. The novel encouraged widespread use of the term "the Werther Effect" when referring to copycat catastrophes. Coleman addresses Marilyn Monroe's 1962 death, pointing out that thanks to extensive coverage of the star's passing, "the suicide rate in the United States increased briefly by 12%." Other subjects include the 2002 Washington-area snipers John Muhammad and John Lee Malvo, whose actions spawned numerous sniper killings; suicide clusters among fourth-century Greeks; cult leaders Charles Manson and David Koresh, who attained gruesome glamour through melodramatic press perusal; Jack the Ripper—who created copycat killers from the late 1800s into the 20th century—and today's suicide bombers. Although readers may feel there's little they can do to muzzle media destructiveness, Coleman presents his advice to with enough punch to intrigue the public and possibly exert a minor influence on the press. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
Dr. Steven Stack sociologist, Center for Suicide Research The media are still largely in a state of denial on how their coverage of death contributes to the violence and destructiveness in our society -- but Coleman's book should wake them up!
Benjamin Radford author of Media Mythmakers: How Journalists, Activists, and Advertisers Mislead Us Coleman raises troubling questions about the media's hidden role in perpetuating the very crimes and tragedies they sensationalize.
Tess Gerritsen, M.D. author of The Sinner A fascinating and frightening look at the bizarre_ limits of human behavior.
Review
Publishers Weekly A convincing case.
Book Description
VIOLENCE BEGETS VIOLENCE BEGETS VIOLENCE... A disturbed student shoots up his classroom -- and suddenly a wave of mass murder is sweeping through our nation's schools. A young child is taken from her home -- and for months afterward child abductions are frantically reported on an almost daily basis. A surfer is attacked by a shark -- and the public spends an entire summer fearing an onslaught of the deadly underwater predators. Why do the terrible events we see in the media always seem to lead to more of the same? Noted author and cultural behaviorist Loren Coleman explores how the media's over-saturated coverage of murders, suicides, and deadly tragedies makes an impact on our society. This is The Copycat Effect -- the phenomenon through which violent events spawn violence of the same type. From recognizing the emerging patterns of the Copycat Effect, to how we can deal with and counteract its consequences as individuals and as a culture, Loren Coleman has uncovered a tragic flaw of the information age -- a flaw which must be corrected before the next ripples of violence spread.
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"VIOLENCE BEGETS VIOLENCE BEGETS VIOLENCE... A disturbed student shoots up his classroom -- and suddenly a wave of mass murder is sweeping through our nation's schools. A young child is taken from her home -- and for months afterward child abductions are frantically reported on an almost daily basis. A surfer is attacked by a shark -- and the public spends an entire summer fearing an onslaught of the deadly underwater predators. Why do the terrible events we see in the media always seem to lead to more of the same? Noted author and cultural behaviorist Loren Coleman explores how the media's over-saturated coverage of murders, suicides, and deadly tragedies makes an impact on our society. This is The Copycat Effect -- the phenomenon through which violent events spawn violence of the same type. From recognizing the emerging patterns of the Copycat Effect, to how we can deal with and counteract its consequences as individuals and as a culture, Loren Coleman has uncovered a tragic flaw of the information age -- a flaw which must be corrected before the next ripples of violence spread. "
The Copycat Effect: How the Media and Popular Culture Trigger the Mayhem in Tomorrow's Headlines FROM THE CRITICS
Publishers Weekly
According to Coleman, the media's attitude is "death sells... if it bleeds, it leads." The author, who has written and lectured extensively on the impact of media, mounts a convincing case against newspapers, TV and books that sensationalize murders and suicides, thus encouraging others to imitate destructive crimes. He traces the problem's roots to Goethe's The Sorrows of Young Werther (1774), which spotlighted a fellow who shot himself over a failed romance and inspired many young men to do the same. The novel encouraged widespread use of the term "the Werther Effect" when referring to copycat catastrophes. Coleman addresses Marilyn Monroe's 1962 death, pointing out that thanks to extensive coverage of the star's passing, "the suicide rate in the United States increased briefly by 12%." Other subjects include the 2002 Washington-area snipers John Muhammad and John Lee Malvo, whose actions spawned numerous sniper killings; suicide clusters among fourth-century Greeks; cult leaders Charles Manson and David Koresh, who attained gruesome glamour through melodramatic press perusal; Jack the Ripper-who created copycat killers from the late 1800s into the 20th century-and today's suicide bombers. Although readers may feel there's little they can do to muzzle media destructiveness, Coleman presents his advice to with enough punch to intrigue the public and possibly exert a minor influence on the press. (Sept.) Copyright 2004 Reed Business Information.
Library Journal
Coleman (Bigfoot!: The True Story of Apes in America) discusses the tendency for people to imitate behaviors or events they see and how the mass media, which can demonstrably affect people's behavior, facilitate this tendency. Arranged thematically, this anecdotal collection covers incidents of death and destruction, with a few concluding recommendations for the industry to police itself. Coleman documents his barrage of anecdotal evidence through an extensive bibliography but does not offer an organized system of notes. He offers plausible support for his thesis by citing, e.g., suicide clusters, cult killings, and school shootings, but the section on copycat suicides in American baseball seems out of place. Coleman's argument contains a disturbing undercurrent regarding entertainment media, as when he faults The Deer Hunter for scenes involving Russian roulette. One is left wondering whether he wants to warn the public or sanitize art. Though a bit heavy for the general reader and lacking strong organization, this is really the only survey available on this topic, and larger public libraries and academic libraries should consider.-Audrey Snowden, John F. Kennedy Sch., Queretaro, Mexico Copyright 2004 Reed Business Information.
Kirkus Reviews
Single-minded examination of how violent and tragic behaviors tend to replicate themselves in our ultra-connected society. Social scientist Coleman has specialized in the phenomenon known as the Werther Effect, referring to the protagonist of Goethe's 1774 novel, The Sorrows of Young Werther, whose melodramatic suicide purportedly inspired widespread imitation. Today, Coleman fears "the power of mass communication and culture to create an epidemic of similar behaviors," citing the Werther effect and the contemporary concept of memes (ideas that replicate themselves like viruses) in combination with the saturation impact of mainstream films, video games, and trauma-centered nightly news. These and other media, he believes, bear unexamined responsibility for numerous unsettling phenomena. Devoting separate chapters to disparate events like sniper sprees, suicide via airplane, suicidal cults, post-office killings, and teenage suicide, Coleman finds that, in each case, frequently overlooked event repetitions over time likely influenced the most shocking, current iterations, such as the Muhammed/Malvo sniper attacks and 9/11. By carefully cataloguing long strings of traumatic events, the author offers persuasive and sometimes chilling evidence that murders and suicides often inspire imitation, as in the "suicide clusters" among seemingly normal teenagers that occurred in affluent and blue-collar towns alike during the 1980s and '90s. (Bolstering this theory, he also tracks suicide patterns among ballplayers, musicians, and Kurt Cobain cultists.) Coleman asserts that the media's tendency to emphasize "sensational stories of local violence," like school shootings, "feed[s] the copycat effectfrenzies." Other chapters explore such gruesome elements of crowd psychology as the magnetic attraction San Francisco's Golden Gate Bridge holds for potential suicides: one unofficial yearly average estimates nearly 300 attempts per year. The author's scolding tone, however, diminishes the persuasiveness of a text that concludes by offering seven suggestions to defuse the negative effects of "the major socially reinforcing element in the mix: the media itself."Adequate exploration of a theory that seems less than startling by the conclusion, thanks to undue repetition of its main points.
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