Drawings of Peter Lanyon FROM THE PUBLISHER
Peter Lanyon stood at the forefront of landscape painting in Europe during the late 1950s and early 1960s. A prominent St. Ives artist, he was associated with Barbara Hepworth, Ben Nicholson and Naum Gabo: his work also has affinities with Abstract Expressionism. Lanyon's career started just as the study of drawing was being liberated from nineteenth-century academic constrictions. His many drawings range from records of trips to the Netherlands and Italy to portrait sketches and abstract studies. Lanyon also used drawings extensively in the development of some of his most important paintings. In this substantial and original study, Margaret Garlake explores Lanyon's theory and practice of drawing: the contribution of drawings to the evocation of place in paintings; his use of models and the metamorphosis of the human body into landscape images, as well as his use of three-dimensional constructions as equivalents to drawing.
SYNOPSIS
The English landscape painter Peter Lanyon (1918-1964) also produced many drawings--both in the development of some of his most important paintings and as art in their own right: portrait sketches, abstract studies, and records of trips to the Netherlands and Italy. Garlake, a specialist in 20th century British art and editor of the Sculpture Journal, explores Lanyon's theory and practice of drawing. Her study covers the contribution of drawings to the evocation of place in his paintings, his use of models and the metamorphosis of the human body into landscape images, and his use of three-dimensional constructions as equivalents to drawing. The study is illustrated in b&w with just four (though scrumptious) color plates. Annotation ©2004 Book News, Inc., Portland, OR
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