This brilliantly ironic satire is set in a future world where television and computers are connected directly into people's brains when they are babies. The result is a chillingly recognizable consumer society where empty-headed kids are driven by fashion and shopping and the avid pursuit of silly entertainment--even on trips to Mars and the moon--and by constant customized murmurs in their brains of encouragement to buy, buy, buy.
Anderson gives us this world through the voice of a boy who, like everyone around him, is almost completely inarticulate, whose vocabulary, in a dead-on parody of the worst teenspeak, depends heavily on three words: "like," "thing," and the second most common English obscenity. He's even made this vapid kid a bit sympathetic, as a product of his society who dimly knows something is missing in his head. The details are bitterly funny--the idiotic but wildly popular sitcom called "Oh? Wow! Thing!", the girls who have to retire to the ladies room a couple of times an evening because hairstyles have changed, the hideous lesions on everyone that are not only accepted, but turned into a fashion statement. And the ultimate awfulness is that when we finally meet the boy's parents, they are just as inarticulate and empty-headed as he is, and their solution to their son's problem is to buy him an expensive car.
Although there is a danger that at first teens may see the idea of brain-computers as cool, ultimately they will recognize this as a fascinating novel that says something important about their world. (Ages 14 and older) --Patty Campbell
From Publishers Weekly
In this chilling novel, Anderson (Burger Wuss; Thirsty) imagines a society dominated by the feed a next-generation Internet/television hybrid that is directly hardwired into the brain. Teen narrator Titus never questions his world, in which parents select their babies' attributes in the conceptionarium, corporations dominate the information stream, and kids learn to employ the feed more efficiently in School. But everything changes when he and his pals travel to the moon for spring break. There Titus meets home-schooled Violet, who thinks for herself, searches out news and asserts that "Everything we've grown up with the stories on the feed, the games, all of that it's all streamlining our personalities so we're easier to sell to." Without exposition, Anderson deftly combines elements of today's teen scene, including parties and shopping malls, with imaginative and disturbing fantasy twists. "Chats" flow privately from mind to mind; Titus flies an "upcar"; people go "mal" (short for "malfunctioning") in contraband sites that intoxicate by scrambling the feed; and, after Titus and his friends develop lesions, banner ads and sit-coms dub the lesions the newest hot trend, causing one friend to commission a fake one and another to outdo her by getting cuts all over her body. Excerpts from the feed at the close of each chapter demonstrate the blinding barrage of entertainment and temptations for conspicuous consumption. Titus proves a believably flawed hero, and ultimately the novel's greatest strength lies in his denial of and uncomfortable awakening to the truth. This satire offers a thought-provoking and scathing indictment that may prod readers to examine the more sinister possibilities of corporate- and media-dominated culture. Ages 14-up.Copyright 2002 Cahners Business Information, Inc.
From School Library Journal
Grade 8 Up-Taking a nap on the way to the moon for spring break might be boring, so Titus does his best to stay alert and have fun with his friends. The "feed" in his brain is continuously spewing advertisements, music, game shows, hairstyle alerts and many other necessary bits of information. Hundreds of years ago, people actually had to use their eyes and fingers to get information by computer, but now, in M.T. Anderson's future world (Candlewick, 2002), the computer chips are built right in, and bombard everyone with exactly what the corporate world wants them to know. In the midst of this overwhelming flow of information, Titus becomes friends with Violet, a girl who cares about what's happening in the world, is not afraid to question things, and is opposed to the "feed." What will happen when their feeds are damaged and they decide to go against the feed? Anderson's book is written to be read aloud. Titus's stream of words and the rhythm of the "teenspeak" are read to perfection by actor David Baker. The intermittent feed commercials give listeners a taste of this society and help them understand the media attack the teens here are forced to endure. Baker's presentation will make this satiric cautionary tale very real for listeners.Lynn Evarts, Sauk Prairie High School, Prairie du Sac, WICopyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From AudioFile
Enter a chilling, twisted future in which one's every thought and movement is directed and regulated by the "feed," a computer chip implanted in the brain. This dystopia is seen through the eyes of teenagers: some who embrace the feed and revel in its unbridled consumerism, and one who rails against society's rampant ignorance and banality. David Aaron Baker's superb use of inflection renders the teen voices realistic, from their vapid musings to profane outbursts that substitute for conversation. The ensemble cast, representing the cacophony of the feed, resembles the worst of today's inane commercials. This brilliant production for older teen listeners enhances Anderson's portrait of a world gone sour, in which even the adults have forgotten how to use language, and everything is dying, including the kids. S.G. Winner of AudioFile Earphones Award © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine
From Booklist
Gr. 9-12. In this strange, disturbing future world, teens travel to the moon for spring break, live in stacked-up neighborhoods with artificial blue sky, and are bombarded by a constant advertising and media blitz through their feeds. They live with a barrage of greed and superficiality, which only one teen, Violet, tries to fight. Intrigued by Violet's uniqueness, Titus begins a relationship with her in spite of his peers' objections. Yet even he cannot sustain the friendship as her feed malfunctions and she begins to shut down. "They" refuse to repair her feed because she is too perceptive and rebellious. This didactic, also very disturbing book plays on every negative teen stereotype. The young people are bored unthinking pawns of commercialism, speaking only in obnoxious slang, ignoring or disrespecting the few adults around. The future is vapid and without direction. Yet many teens will feel a haunting familiarity about this future universe. As a cautionary tale, the story works; it is less successful as YA literature. Frances Bradburn
Copyright © American Library Association. All rights reserved
Card catalog description
In a future where most people have computer implants in their heads to control their environment, a boy meets an unusual girl who is in serious trouble.
Feed FROM OUR EDITORS
Finalist for the 2002 National Book Award, Young People's Literature
Honor book for the 2003 Boston Globe/Horn Book Award (Fiction category)
The Barnes & Noble Review
Brave New World takes a romantic teen twist in this disarming, engrossing novel set in a hyper-computerized future.
Spending time partying on the moon and riding around in his "upcar," Titus is an average teen of the future, complete with a computer chip implant -- the "Feed" -- that lets corporate marketers and government agencies broadcast directly into his brain. Then Titus meets Violet, and an anti-Feed hacker shuts down their Feeds for a short time; but when Violet's Feed is seriously damaged, she begins spouting some radical ideas.
M. T. Anderson has predicted the future, and it's startling indeed. Although Titus is a good, well-meaning kid, his blissful ignorance of the control over him leaves readers thinking twice about the destiny of earth's citizens. Beneath the book's techno-veneer, however, lies a romantic tale between a boy who gives into the system and a girl who sees beyond it. All told, Feed is a "meg" remarkable work of science fiction, and once readers begin, they'll be caught up in its powerful grip. Matt Warner
ANNOTATION
In a future where most people have computer implants in their heads to control their environment, a boy meets an unusual girl who is in serious trouble.
FROM THE PUBLISHER
So says Titus, a teenager whose ability to read, write, and even think for himself has been almost completely obliterated by his "feed," a transmitter implanted directly into his brain. Feeds are a crucial part of life for Titus and his friends. After all, how else would they know where to party on the moon, how to get bargains at Weatherbee & Crotch, or how to accessorize the mysterious lesions everyone's been getting? But then Titus meets Violet, a girl who cares about what's happening to the world and challenges everything Titus and his friends hold dear. A girl who decides to fight the feed.
FROM THE CRITICS
Publishers Weekly
In this chilling novel, Anderson imagines a society dominated by the feed-a next-generation Internet/television hybrid that is directly hardwired into the brain. In a starred review, PW called this a "thought-provoking and scathing indictment of corporate-and media-dominated culture." Ages 14-up. (Mar.) Copyright 2004 Reed Business Information.
KLIATT - Paula Rohrlick
To quote from the review of the hardcover in KLIATT, November 2002: It's spring break, and Titus and his teenage friends are partying on the moon when he spots a beautiful girl. He and Violet are just getting to know each other when a hacker causes their feeds to malfunctionthe chips in their brains that barrage them with ads and direct their thoughts and dreams. Titus recovers, but Violet's feed is damaged; she hasn't always had a feed, and she openly questions the poisoning of the planet, why everyone is developing lesions, and the way in which the feed insidiously feeds off them. This is a new way of looking at the world for Titus, who has never before questioned his technologically enhanced way of life, hanging out with his shallow, trendy friends. Violet and Titus enter into a relationship, each trying to understand the other, even as Violet starts to decline and die as her feed stops working. This provocative SF take on the excesses of our consumer society has echoes of A Clockwork Orange, as Anderson (author of the YA novels Thirsty and Burger Wuss) creates his own vocabulary ("It was brag," for example, meaning "great"; there are some old-fashioned expletives here as well). The invented words are not hard to understand, though, and the flashes of humor as well as the cleverly imagined grim future world should quickly draw readers into this look at teenage love and loss, and at consumerism carried to its logical extreme. (An ALA Best Book for YAs.) KLIATT Codes: S*Exceptional book, recommended for senior high school students. 2002, Candlewick Press, 299p., Ages 15 to 18.
School Library Journal
Gr 8 Up-Taking a nap on the way to the moon for spring break might be boring, so Titus does his best to stay alert and have fun with his friends. The "feed" in his brain is continuously spewing advertisements, music, game shows, hairstyle alerts and many other necessary bits of information. Hundreds of years ago, people actually had to use their eyes and fingers to get information by computer, but now, in M.T. Anderson's future world (Candlewick, 2002), the computer chips are built right in, and bombard everyone with exactly what the corporate world wants them to know. In the midst of this overwhelming flow of information, Titus becomes friends with Violet, a girl who cares about what's happening in the world, is not afraid to question things, and is opposed to the "feed." What will happen when their feeds are damaged and they decide to go against the feed? Anderson's book is written to be read aloud. Titus's stream of words and the rhythm of the "teenspeak" are read to perfection by actor David Baker. The intermittent feed commercials give listeners a taste of this society and help them understand the media attack the teens here are forced to endure. Baker's presentation will make this satiric cautionary tale very real for listeners.-Lynn Evarts, Sauk Prairie High School, Prairie du Sac, WI Copyright 2003 Reed Business Information.
Kirkus Reviews
"I don't know when they first had feeds. Like maybe, fifty or a hundred years ago. Before than, they had to use their hands and their eyes. Computers were all outside the body. They carried them around outside of them, in their hands, like if you carried your lungs in a briefcase and opened it to breathe." Titus and his friends have grown up on the feed-connected on a 24-hour basis through brain implants to a vast computer network, they have become their medium. "The braggest thing about the feed . . . is that it knows everything you want and hope for, sometimes before you even know what those things are." Titus is a master at navigating this world where to consume is to live, but when he meets Violet, a distinctly unusual girl whose philology-professor father has chosen to homeschool her instead of sending her to School(tm), he begins, very tentatively and imperfectly, to question this equation. Thrown together when their feeds are hacked at a party and they are temporarily disconnected, their very hesitant romance is played out against the backdrop of an utterly hedonistic world of trend and acquisition, a world only momentarily disturbed by the news reports of environmental waste and a global alliance of have-not nations against the obliviously consuming US. Anderson (Handel, Who Knew What He Liked, 2001, etc.) has crafted a wickedly clever narrative in which Titus's voice takes on perfectly the speech patterns of today's more vapid teens (" 'Oh, unit,' I was like, 'is this malfunction?' "). When Violet's feed begins to fail, and with it all her life functions, she decides to rebel against all that the feed stands for-the degradation of language, the self-absorption, the leaching ofall culture and independent thought from the world-and Titus must make his choice. The crystalline realization of this wildly dystopic future carries in it obvious and enormous implications for today's readers-satire at its finest. (Fiction. YA)