From Booklist
In a witty, engaging introduction, Connelly, author of the celebrated Harry Bosch series, makes the case for why Las Vegas serves as such an excellent backdrop for crime fiction. It's an easy case to make: bright lights, pretty girls, all that money, and all that desperation set the stage for any number of crimes. In this collection of 22 new stories by a mix of well- and lesser-known authors, murder takes the spotlight from slot machines and chorus girls. Contributions from James Swain, author of the acclaimed Tony Valentine series, and Edgar winner S. Z. Rozan will attract the most attention, but nearly all the tales manage to use the usual Vegas topics--desert heat, the Mafia, big scores gone wrong--in new and unusual ways. In Wendy Hornsby's "Dust Up," for instance, thugs in the process of whacking a turncoat mistake a birdwatcher for a federal agent; the birdwatcher, in turn, thinks the thugs are poachers out to eliminate an endangered bird. Only in Vegas. Mary Frances Wilkens
Copyright © American Library Association. All rights reserved
Review
"This series can be counted on to showcase the best of mainstream crime fiction."---Booklist on The Best American Mystery Stories 2003, edited by Michael Connelly and Otto Penzler
"The Narrows, Michael Connelly's best crime novel since City of Bones, unfolds within his increasingly seductive world. ... The Narrows is so enveloping that it may send readers back to the early lives of these characters. "
—The New York Times
"Mr. Connelly's terrific 14th novel...a suspenseful book marked by flashes of insight and moments of pathos, as well as by dry wit and graceful prose." — Wall Street Journal on The Narrows
"This is scarifying in a big way—a Thomas Harris kind of scary, which is high praise indeed."
— Stephen King, Entertainment Weekly on The Narrows
"Connelly is a master and this novel is yet another of his masterpieces."---Publishers Weekly
on The Narrows
Book Description
Las Vegas. Lost Wages. Sin City. An artificial oasis of pleasure, spectacle, and entertainment, the gambling capital of America has reinvented itself so many times that its doubtful that anyone knows for sure what's real and what isn't in the miles of neon and scorching heat. Las Vegas is considered the ultimate players destination-no matter what your game. Almost anything is available-for a price, mind you, and sometimes losers walk away from the tables with even less than just an empty wallet or purse-sometimes they don't walk away at all.
Now the International Association of Crime Writers and New York Times-bestselling author Michael Connelly have gathered twenty-two crime and mystery stories about the ultimate playground, Las Vegas, and what can happen behind the glitz and glamour. From a gambler who must-must-win at the roulette table to stay alive to a courier who's only mistake was accepting a package with Las Vegas as the final destination, come to the true city that never sleeps, where fortunes are made and lost every day, and where snake-eyes aren't found just on a pair of dice.
Featuring stories by:James Swain, S.J. Rozan, Wendy Hornsby, Michael Collins, T.P Keating, J. Madison Davis, Sue Pike, Joan Richter, Libby Hellmann, Tom Savage, Edward Wellen, K.j.a. Wishnia, Linda Kerslake, John Wessel, Lise McClendon, Ronnie Klaskin, Ruth Cavin, A.B. Robbins , Gay Toltl Kinman, Micki Marz, Rick Mofina, Jeremiah Healy
About the Author
Michael Connelly is the author of the bestselling Harry Bosch novels, including A Darkness More Than Night,City of Bones and Lost Light; and the bestselling novels The Poet, Chasing the Dime, Blood Work and Void Moon. He lives in Florida.
Murder in Vegas: New Crime Tales of Gambling and Desperation FROM THE PUBLISHER
Las Vegas. Lost Wages. Sin City. An artificial oasis of pleasure, spectacle, and entertainment, the gambling capital of America has reinvented itself so many times that its doubtful that anyone knows for sure what's real and what isn't in the miles of neon and scorching heat. Las Vegas is considered the ultimate players destination-no matter what your game. Almost anything is available-for a price, mind you, and sometimes losers walk away from the tables with even less than just an empty wallet or purse-sometimes they don't walk away at all.
Now the International Association of Crime Writers and New York Times-bestselling author Michael Connelly have gathered twenty-two crime and mystery stories about the ultimate playground, Las Vegas, and what can happen behind the glitz and glamour. From a gambler who must-must-win at the roulette table to stay alive to a courier who's only mistake was accepting a package with Las Vegas as the final destination, come to the true city that never sleeps, where fortunes are made and lost every day, and where snake-eyes aren't found just on a pair of dice.
FROM THE CRITICS
Kirkus Reviews
An undistinguished collection of 22 new stories by members of the International Association of Crime Writers. Editor Connelly could have improved the volume by including a tale of his own to supplement his two-page introduction, but he may have been at a loss for words. As matters stand, James Swain's wry "The Sunshine Tax," S.J. Rozan's dour "Passline" and Wendy Hornsby's ironic "Dust Up," the three leadoff batters, are the best of the bunch. Matters go steadily downhill thereafter. Every Vegas cliche is covered, from the gaudy showgirl (T.P. Keating) to the Elvis impersonator (Linda Kerslake) to a pair of Siberian tigers (Gay Toltl Kinman). Obligatory figures include a drug courier (Jeremiah Healy), an Indian casino accountant (Lise McClendon), a tour guide (John Wessel), an actor (Micki Marz), a magician (A.B. Robbins), an obsessed fan (Sue Pike), a stripper (K.J.A. Wishnia) and two assassins (Tom Savage). There's an armored car heist (Rick Mofina), a kidnapped kid (Ronnie Klaskin), a missing Asian (Michael Collins), buried drugs (Libby Fischer Hellmann), a gambling junket (Joan Richie), a little S&M (J. Madison Davis), a trip to a nearby ghost town (Edward Weller) and a stroll down memory lane with the K.K.K. (Ruth Cavin). The most recycled motifs include the Bellagio and the Mirage, slots and craps, and dreams gone bust. And Red Rock Canyon becomes a repository for far too many corpses and plot twists. Anyone for Atlantic City?