From Publishers Weekly
Like 2002's well-received Voyage of the Shadowmoon, this second novel in Australian author McMullen's Moonworlds Saga expertly blends fantastic melodrama and broad farce. It also demonstrates the truth of the old saying that a little knowledge is a dangerous thing. Vain sorcerers create Dragonwall, a world-encircling magical barrier, to improve the weather, but they discover that the wall's etheric energy offers them an irresistible temptation to incinerate their rivalsâ"or any entity that imagines it could exist outside their control. It's up to more cautious, self-doubting people to destroy Dragonwall, including a cowardly court musician, a centuries-old reformed vampire, a guilt-laden priestess and a drunken but chivalrous young lout who wishes to better himself. It takes a while for all those characters to get to where they need to be, literally or figuratively, and meanwhile agents of the Dragonwall sorcerers are plotting to thwart them. McMullen tells a lively tale that jumps from person to person as the plot meanders along, but the book is especially attractive for its tricky shifts from dark, passionate intrigue to sly but rowdy slapstick, like a Storm Constantine story line performed by Monty Python. There may be a lot of story to come before the world's balance of magical powers is restored, but readers won't mind if additional books in the series are as entertaining as this one. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
In 2002, on the heels of his critically acclaimed Greatwinter trilogy, a saga firmly rooted in sf territory, Australian rising star McMullen launched the Moonworlds series with The Voyage of the Shadowmoon, a story owing more to fantasy. In the second helping of the saga's eccentric wizards, embattled medieval cities, and enigmatic "glass" dragons, McMullen adds to a nucleus of characters from Voyage a few colorful new ones: Laron, a 700-year-old vampire in a 14-year-old body; Terikel, an ancient sage from a vanishing magical sect; and Wallas, a royal musician masquerading as a commoner after being falsely accused of regicide. While Voyage featured an insidious device known as Silverdeath, here the itinerant protagonists confront Dragonwall, a series of megaliths designed by powerful wizards to undo Silverdeath's destruction that, unfortunately, may prove just as deadly. McMullen has a gift worthy of the best mainstream authors for creating memorable, finely nuanced characters, making him must-reading for fantasy enthusiasts weary of routine sword-and-sorcery outings. Carl Hays
Copyright © American Library Association. All rights reserved
Review
"Such is McMullen's expertise at action-packed scenes, so admirable is his evocaative prose, and so fecund is his invention, that you will finish this book in a gallop."
Book Description
A broad and complicated novel filled with wonderful characters, woven through with low humor and great courage, and built upon grand acts of heroism and love. It is the tale of Laron, the chivalrous 700-year-old vampire, the appallingly dangerous and beautiful Velander, and the long-suffering Terikel, as they investigate a secret project of arcane magic, a magic so dangerous it could destroy their world . . .
Glass Dragons FROM THE PUBLISHER
"Glass Dragons continues the tale of Laron, the chivalrous seven-hundred-year-old vampire, the appallingly dangerous and beautiful Velander, and the long-suffering Terikel as they investigate a secret project of arcane magic, a magic so dangerous it could destroy their world - a project that threatens to fall into the wrong hands." Glass Dragons is a broad and complicated tale filled with characters both new and old, woven through with low humor and great courage, and built upon grand acts of heroism and love.
FROM THE CRITICS
Publishers Weekly
Like 2002's well-received Voyage of the Shadowmoon, this second novel in Australian author McMullen's Moonworlds Saga expertly blends fantastic melodrama and broad farce. It also demonstrates the truth of the old saying that a little knowledge is a dangerous thing. Vain sorcerers create Dragonwall, a world-encircling magical barrier, to improve the weather, but they discover that the wall's etheric energy offers them an irresistible temptation to incinerate their rivals-or any entity that imagines it could exist outside their control. It's up to more cautious, self-doubting people to destroy Dragonwall, including a cowardly court musician, a centuries-old reformed vampire, a guilt-laden priestess and a drunken but chivalrous young lout who wishes to better himself. It takes a while for all those characters to get to where they need to be, literally or figuratively, and meanwhile agents of the Dragonwall sorcerers are plotting to thwart them. McMullen tells a lively tale that jumps from person to person as the plot meanders along, but the book is especially attractive for its tricky shifts from dark, passionate intrigue to sly but rowdy slapstick, like a Storm Constantine story line performed by Monty Python. There may be a lot of story to come before the world's balance of magical powers is restored, but readers won't mind if additional books in the series are as entertaining as this one. (Mar. 26) Forecast: McMullen at first comes off as a cheekier (and less thoughtful) version of Terry Pratchett, but he also has a serious side that will attract Pratchett fans and others who prefer substance to their humor. Copyright 2004 Reed Business Information.
Library Journal
In this sequel to Voyage of the Shadowmoon, the honorable vampire Laren, the priestess Terikel, and the voluptuous Lady Velander continue their journey aboard the exploratory ship Shadowmoon. Their search for a doomsday weapon known as the Dragonwall leads them to an encounter with a fugitive bard, a runaway sailor, and a widowed princess. Australian author McMullen depicts a world filled with intrigue and strange magic, where the borders between the living and the dead are thin and where mystical weapons have the power to destroy the world. His sometimes whimsical, always literate style brings a gentle touch of wry humor to a tale of courage and cowardice, love and death, mystery and magic. Suitable for most fantasy collections. Copyright 2004 Reed Business Information.