From Publishers Weekly
A movie based on Wright's modernized space opera could easily appeal to fans of The Matrix: both contain a charming bulletproof last-best-hope-of-mankind protagonist, sociological philosophy debated by hyperintelligent computers and fanatically purposeful people, and exciting (but relatively unimportant) action scenes. Many of the flatter descriptions might translate well to the screen, and the long, meandering discussions would be more tolerable with the addition of body language and vocal inflection. Such a film would, however, lack the grand polysyllabism that sets the tone of this volume and its predecessors, The Golden Age (2002) and The Phoenix Exultant (2003)-language both deeply literary and deeply essential. Wright's fondness for a well-turned phrase is genuine-he never repeats himself-and he's clearly taken the time to study the science and mythology that underlie his tale of a visionary wanderer returning to the utopia that has rejected him. Unfortunately, the author is so excited by his ideas that he pours torrents of them onto the head of the unsuspecting reader, a shower that leaves one more bedraggled and bewildered than refreshed. Once Wright starts parceling out his fascinating concepts a bit more stingily and decides whether he's writing fast-paced space opera or sociopsychological treatises, his work will really shine. Until then, most readers will have to take notes just to keep track of everything that's going on. Copyright 2003 Reed Business Information, Inc.


From Booklist
The third Phaethon Radamanthus vehicle (after The Golden Age [2002] and The Phoenix Exultant [BKL Ap 15 03]) starts with a battle for control of the starship Phoenix Exultant and ranges from the outer planets to the heart of the sun as Phaeton struggles to comprehend what's right and why and to prevent the destruction of the Golden Oecumene and his own near-utopian way of life. Meanwhile, the Golden Oecumene-Silent Oecumene face-off begins a war between the highly logical Sophotechs of the former and the machine minds of the latter, which are equipped to kill other AIs as a result of the refusal of self-aware machines to act as servants only, which makes them also capable of irrational behavior. The machine minds continue in some ways to be the most interesting characters in Wright's series, which is crammed with everything from bizarre high-tech space battles to the mental battles of obscure future philosophies. With this book, the first of Phaethon's trilogies concludes, freeing him to gallivant through the galaxy, spreading the Golden Oecumene. Regina Schroeder
Copyright © American Library Association. All rights reserved


Book Description
Begun with The Golden Age, continued with The Phoenix Exultant, and now concluding in The Golden Transcendence, The Golden Age trilogy is Grand Space Opera, an SF adventure saga in the tradition of A. E. Van Gogt, Roger Zelazny and Cordwainer Smith. It is an astounding story of super-science, a thrilling wonder story that recaptures the elan of SF's golden age writers in the suspenseful and passionate tale of Phaeton, a lone rebel unhappy in utopia.

The end of the Millennium is imminent, when all minds, human, posthuman, cybernetic, sophotechnic, will be temporarily merged into one solar-system-spanning supermind called the Transcendence. This is not only the fulfillment of a thousand years of dreams, it is a day of doom, when the universal mind will pass judgment on the all the races of humanity and transhumanity.

The mighty ship Phoenix Exultant is at last in the hands of her master, Phaethon the Exile is at her helm and his dream of starflight in alive once more. He is being hunted by alien agents, the eerie and deadly Lords of the Silent Oecumene, who would steal the Phoenix Exultant and turn it into a weapon.

The all-encompassing Mind of the Golden Transcendence is waking. Will it endorse Phaeton's dream or face the first interstellar war?

FROM THE PUBLISHER