Review
“An unforgettable story of Montreal.…Remarkable for its truth and quiet power.”
–The New York Times Book Review

Review
?An unforgettable story of Montreal.?Remarkable for its truth and quiet power.?
?The New York Times Book Review

Book Description
In Alexandre Chenevert, the Montreal bank teller trapped by his narrow environment and acutely aware of his loneliness, Gabrielle Roy has created a vivid and poignant portrait of an ordinary man and his attempts to transcend his circumstances and his fate.

Set in 1947 amid the crumbled dreams of the post-War world, and drawing on modern themes of personal alienation and of the restorative force of nature, The Cashier is a tour de force of characterization and empathy by a literary virtuoso.


From the Inside Flap
In Alexandre Chenevert, the Montreal bank teller trapped by his narrow environment and acutely aware of his loneliness, Gabrielle Roy has created a vivid and poignant portrait of an ordinary man and his attempts to transcend his circumstances and his fate.

Set in 1947 amid the crumbled dreams of the post-War world, and drawing on modern themes of personal alienation and of the restorative force of nature, The Cashier is a tour de force of characterization and empathy by a literary virtuoso.

From the Back Cover
“An unforgettable story of Montreal.…Remarkable for its truth and quiet power.”
–The New York Times Book Review



About the Author
Gabrielle Roy was born in St. Boniface, Manitoba, in 1909. Her parents were part of the large Quebec emigration to western Canada in the late nineteenth century. The youngest of eight children, she studied in a convent school for twelve years, then taught school herself, first in isolated Manitoba villages and later in St. Boniface.

In 1937 Roy travelled to Europe to study drama, and during two years spent in London and Paris she began her writing career. The approaching war forced her to return to Canada, and she settled in Montreal.

Roy’s first novel, The Tin Flute, ushered in a new era of realism in Quebec fiction with its compassionate depiction of a working-class family in Montreal’s Saint-Henri district. Her later fiction often turned for its inspiration to the Manitoba of her childhood and her teaching career.

In 1947 Roy married Dr. Marcel Carbotte, and after a few years in France, they settled in Quebec City, which was to remain their home. Roy complemented her fiction with essays, reflective recollections, and three children’s books. Her many honours include three Governor General’s Awards, France’s Prix Fémina, and Quebec’s Prix David.

Gabrielle Roy died in Quebec City, Quebec, in 1983.

FROM THE PUBLISHER