"A green hunting cap squeezed the top of the fleshy balloon of a head. The green earflaps, full of large ears and uncut hair and the fine bristles that grew in the ears themselves, stuck out on either side like turn signals indicating two directions at once. Full, pursed lips protruded beneath the bushy black moustache and, at their corners, sank into little folds filled with disapproval and potato chip crumbs."

Meet Ignatius J. Reilly, the hero of John Kennedy Toole's tragicomic tale, A Confederacy of Dunces. This 30-year-old medievalist lives at home with his mother in New Orleans, pens his magnum opus on Big Chief writing pads he keeps hidden under his bed, and relays to anyone who will listen the traumatic experience he once had on a Greyhound Scenicruiser bound for Baton Rouge. ("Speeding along in that bus was like hurtling into the abyss.") But Ignatius's quiet life of tyrannizing his mother and writing his endless comparative history screeches to a halt when he is almost arrested by the overeager Patrolman Mancuso--who mistakes him for a vagrant--and then involved in a car accident with his tipsy mother behind the wheel. One thing leads to another, and before he knows it, Ignatius is out pounding the pavement in search of a job.

Over the next several hundred pages, our hero stumbles from one adventure to the next. His stint as a hotdog vendor is less than successful, and he soon turns his employers at the Levy Pants Company on their heads. Ignatius's path through the working world is populated by marvelous secondary characters: the stripper Lana Lee and her talented cockatoo; the septuagenarian secretary Miss Trixie, whose desperate attempts to retire are constantly, comically thwarted; gay blade Dorian Greene; sinister Miss Lee, proprietor of the Night of Joy nightclub; and Myrna Minkoff, the girl Ignatius loves to hate. The many subplots that weave through A Confederacy of Dunces are as complicated as anything you'll find in a Dickens novel, and just as beautifully tied together in the end. But it is Ignatius--selfish, domineering, and deluded, tragic and comic and larger than life--who carries the story. He is a modern-day Quixote beset by giants of the modern age. His fragility cracks the shell of comic bluster, revealing a deep streak of melancholy beneath the antic humor. John Kennedy Toole committed suicide in 1969 and never saw the publication of his novel. Ignatius Reilly is what he left behind, a fitting memorial to a talented and tormented life. --Alix Wilber

From Library Journal
Narrator Barrett Whitener renders Toole's cast of caricatures with verve enough to satisfy admirers. Toole wrote this novel in Puerto Rico during a hitch in the U.S. Army. In 1966 it was rejected by Simon & Schuster. In 1969 Toole committed suicide. Toole's mother then tried to get it published. After seven years of rejection she showed it to novelist Walker Percy, under whose encouragement it was published by Louisiana State University Press. Many critics praised it as a comic masterpiece that memorably evokes the city of New Orleans and whose robust protagonist is a modern-day Falstaff, Don Quixote, or Gargantua. Toole's prose is energetic, and his talent, had it matured, may have produced a masterpiece. However, listeners who do not feel charmed or amused by a fat, flatulent, gluttonous, loud, lying, hypocritical, self-deceiving, self-centered blowhard who masturbates to memories of a dog and pretends to profundity when he is only full of beans are not likely to survive the first cassette. For fans.?Peter Josyph, New YorkCopyright 1998 Reed Business Information, Inc.

From AudioFile
In this Pulitzer Prize-winning tale, a giant adult brat in New Orleans is so monstrously self-absorbed, opinionated and cocksure of himself as to create hilarious mayhem wherever he goes. Barrett Whitener strikes just the right note of Rabelaisian iconoclasm. He does justice, not only to each memorably drawn character, but also to the witty, elegant writing. Alas, he falters a bit on the humor; as the novel progresses, one detects a hint of fatigue in his voice, or at least a waning of invention. As good as Whitener is, this is a book that yields its treasures best on the printed page. Y.R. (c)AudioFile, Portland, Maine

FROM OUR EDITORS

Published a decade after the death of the author, this wildly inventive comic masterpiece features one of the most unforgettable characters in modern fiction: Ignatius Reilly, a mammoth misfit Medievalist hilariously at odds with the 20th-century world.

ANNOTATION

Awarded the Pulitzer Prize, A Confederacy of Dunces was not published until a decade after the death of the author. This wildly inventive and amusing novel features one of the most unforgettable characters in modern fiction: Ignatius Reilly. He's a mammoth misfit Medievalist hilariously at odds with the world of the twentieth century, and his adventures take him to 'way down, to New Orleans' lower depths.

FROM THE PUBLISHER

Released by Louisiana State University Press in April 1980, A Confederacy of Dunces is nothing short of a publishing phenomenon. Turned down by countless publishers and submitted by the author's mother years after his suicide, the book won the 1981 Pulitzer Prize for Fiction. Today, there are over 1,500,000 copies in print worldwide in eighteen languages." "Set in New Orleans, A Confederacy of Dunces outswifts Swift, one of whose essays gives the book its title. As its characters burst into life, they leave the region and literature forever changed by their presences - Ignatius and his mother; Miss Trixie, the octogenarian assistant accountant at Levy Pants; inept, wan Patrolman Mancuso; Darlene, the Bourbon Street stripper with a penchant for poultry; Jones, the jivecat in space-age dark glasses. Satire and farce animate A Confederacy of Dunces; tragic awareness ennobles it." "Louisiana State University Press celebrates A Confederacy of Dunces' twentieth year with this anniversary edition, which includes a new introduction by Andrei Codrescu that examines the relationship of this modern-day classic to the city whose pulse it so brilliantly captures.

FROM THE CRITICS

Library Journal

Oooo-eeee! Toole's outrageous rambling farce comes to life with the wonderful voices of Arte Johnson--surely one of the greatest matches ever of the written to the spoken word. Toole's novel, written in the early 1960s and published posthumously in the early 1980s, is one of the great comic works of the century and still fresh 35 years later. Toole's finest achievement is protagonist Ignatius J. Reilly, a great intellectual and deadbeat glutton who roams the squalor and charm of New Orleans causing enormous chaos, selling a few hot dogs from his weenie wagon, and suffering a pyloric valve shutdown at the general looniness of the characters he meets in places like the Night of Joy nightclub. Johnson has created a unique voice for each of the many fantastic, overblown crazies woven into this wild story. It's unfortunate that the audio version is abridged. Still, the spirit of the original is here. Highly recommended for all listeners who love a great belly laugh at the human condition.--Barbara Valle, El Paso P.L., TX

AudioFile - Yuri Rasovsky

A giant adult brat in New Orleans is so monstrously self-absorbed, opinionated and cocksure of himself as to create hilarious mayhem wherever he goes. In this carefully abridged version of a Pulitzer Prize-winning tale, Arte Johnson goes way over the top, leaving no stone of comic phrasing and vocal mugging unturned. If you remember his silly face from "Laugh-In," you can imagine how much fun he must have been in-studio. His lack of discipline mutes the jollity a hair for listeners, but he still provides plenty of laughs. Y.R. ￯﾿ﾽAudioFile, Portland, Maine

Time

"If a book's price is measured against the laughs it provokes, A confederacy of Dunces is the bargain of the year."

Henry Kisor

The hero of John Kennedy Toole's incomparable comic classic is one Ignatius J. Reilly, "huge, obese, fractious, fastidious, a latter-day Gargantua, a Don Quixote of the French Quarter. His story bursts with wholly original characters, denizens of New Orleans' lower depths, incredible true-to-life dialogue, and the zaniest series of high and low comic adventures." -- Chicago Sun-Times

Newsweek