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Book Info | | | enlarge picture
| The Fountainheads: Wright, Rand, the FBI and Hollywood | | Author: | Donald Leslie Johnson | ISBN: | 078641958X | Format: | Handover | Publish Date: | June, 2005 | | | | | | | | | Book Review | | |
Book Description Speculation abounds about the relationship between Frank Lloyd Wright and Ayn Rand. Was Wright the inspiration for Howard Roark, the architect hero of Rands The Fountainhead? What can be made of their collaboration on the books failed 1944 movie adaptation, and what can be gleaned from the 1949 Hollywood production of The Fountainhead? Where does the FBIWright was dubbed a communist sympathizer, and Rand was called before the House Un-American Activities Committeefit into the story? Art, architecture, philosophy, film and politics come together in this exploration, which relies on the writings of Wright and Rand, FBI files, visual evidence and more to cement their connection. Chapters are devoted to Wright and Rand, the two together, their parts in both the failed production of The Fountainhead and the successful one, and the effect FBI harassment had on the movie and on their lives. Subsequent chapters discuss Wrights place as a Hollywood architect, and offer telling set designs and architectural images from the 1949 production of The Fountainhead. Several appendices supplement the illustrated text, and there is a filmography of movies mentioned in the book. A bibliography and index are also included.
About the Author Donald Leslie Johnson taught at Flinders University until his retirement and is presently Adjunct Professor of architectural history at the University of South Australia. He is the author of several books and numerous articles on architectural history.
The Fountainheads: Wright, Rand, the FBI and Hollywood FROM THE PUBLISHER Speculation abounds about the relationship between Frank Lloyd Wright and Ayn Rand. Was Wright the inspiration for the architect hero of Rand's The Fountainhead? What can be made of their collaboration on the book's failed 1944 movie adaptation, or gleaned from the 1949 Hollywood production? Wright was dubbed a communist sympathizer, and Rand was a Rand was friendly witness for the House Un-American Activities Committee; what effect did FBI harassment have on the movie and their lives?
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