Book Description
This edition of The Mammoth Book of Best New Horror comes with another generous sampling of the past year's best horror fiction, earning acclamations from the likes of Kirkus Reviews and Publishers Weekly. With contributions from such favorites as Ramsey Campbell and Kim Newman, along with the talented likes of Neil Gaiman, China Mieville, Graham Joyce, Paul McCauley, Stephen Gallagher, Caitlin R. Kiernan, Jay Russell, Glen Hirshberg and many more, the hair-raising tales in this edition hold nightmares for travelers in alien lands, unveil the mystery and menace lurking in our everyday reality, explore the terrors of the supernatural, and honor horror's classic tradition. Like all of the other volumes in this series, award-winning editor Stephen Jones once again brings us the best new horror, revisiting momentous events and chilling achievements on the dark side of fantasy in 2004.
Mammoth Book of Best New Horror, Vol. 15 FROM THE PUBLISHER
The fourteenth volume in this series is going strong, and with another generous sampling of the past year's best horror fiction, it again earns "merits" from Publishers Weekly. With contributions from such favorites as Ramsey Campbell and Kim Newman, along with the talented likes of Neil Gaiman, China Mieville, Graham Joyce, Paul McCauley, Stephen Gallagher, Caitlin R. Kiernan, Jay Russell, Glen Hirshberg and many more, the hairraising tales in this edition hold nightmares for travelers in alien lands, unveil the mystery and menace lurking in our everyday reality, explore the terrors of the supernatural, and honor horror's classic tradition. As always, editor Stephen Jones provides an illuminating and engaging overview of the past year in horror fiction, as well as an affecting necrology and a guide to contacts among publishers, organizations, booksellers, and magazines in the eerier fields of fiction.
FROM THE CRITICS
Publishers Weekly
Lovers of bone-crunching visceral horrors and prose that pulses with inventive morbidity, beware: Jones's selection of 20 choice cuts from the previous year's fear fiction is more kindly predisposed to subtle stories informed by the genre's classic tradition. Some are period chillers, such as Paul McAuley's novella, "Dr. Pretorius and the Lost Temple," a well-told Victorian penny dreadful involving psychic detection, Roman remains, subterranean survivals and occult experiments to create life. Jay Russell's "Hides" features Robert Louis Stevenson in a tale of recrudescent horrors that linger in Donner's Pass. In "Ill Met by Daylight," Basil Copper pays tribute to the fiction of turn-of-the-century ghost story master M.R. James. Both China Mieville, in "Details," and Caitlin R. Kiernan, in "Nor the Demons Down Under the Sea," obliquely invoke the Cthulhu Mythos in stories that put a modern spin on Lovecraft's cosmic terrors. Neil Gaiman's "October in the Chair" is a delicate dark fantasy homage to Ray Bradbury's Halloween Gothic. Even stories that don't explicitly reference horror's hallowed icons show the impact of their lessons in tasteful restraint, among them Don Tumasonis's "The Wretched Thicket of Thorn," which conjures an awesome monster that's all the more frightening for never being shown directly. In his indispensable overview of horror in 2002, Jones speaks of "the diversity of taste and erudition that binds our community." This volume, like volumes past, exuberantly celebrates that diversity. (Nov. 5) Copyright 2003 Reed Business Information.
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