From Publishers Weekly
Exhaustingly extensive and well-researched, this study of developments in contemporary weapons technology evinces a gee-whiz love of military widgets. It also contains journalist Hambling's desire to explore the murkily overlapping scientific, military and corporate worlds. The result is a book that is for short stretches a breezy guide to everything from vortex cannons to tasers, and everyone from Tesla to Turing. Hambling describes complex procedures and devices in a lucid, uncondescending way, and a reader seeking a quick description of, say, how a rocket plane works or what an E-bomb is need look no further. But the scale and scope of the book indicate an ambition to be something other than a supplementary reference to the novels of Tom Clancy and the press briefings of Donald Rumsfeld. Hambling's underlying thesis is that advances in military technology eventually benefit civilian life (e.g., the Internet), and that the domestic technologies and business opportunities of the future, like nanotechnology, are already to be found in today's military hardware. While gently and inconclusively touched on, the moral implications of this are never really explored in any depth, and the military-industrial complex is seen mostly as an ethically neutral dispenser of fascinatingly nasty devices. The lack of broader context, along with a wearyingly episodic structure, create frustrating limits. (Apr.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Sillitoe enjoys high regard in British fiction, particularly for his classic long short story "The Loneliness of the Long Distance Runner," about a young man in reform school who competes in a long-distance race and, as he does so, what his thoughts are on victory and "reform." Of course, that story appears in this compendium of the author's best short fiction to date, drawn from five previous collections. Critical consensus is that despite such effective novels as Saturday Night and Sunday Morning (1958), Sillitoe expresses himself best in the short form. The "interiorness" of "The Loneliness of the Long Distance Runner" is characteristic of most of his stories. For instance, "The Sniper" offers a disturbing portrait of an old man's haunted mind. Sillitoe's stories often showcase characters whose reality is not quite in sync with how others view reality, as in the stunning story "Uncle Earnest," in which a lonely man befriends a schoolgirl and sustains quite a shock when confronted with other people's lurid interpretation of his motives. Brad Hooper
Copyright © American Library Association. All rights reserved
Book Description
With his 1959 novella The Loneliness of the Long- Distance Runner, Alan Sillitoe brought a poetic new voice to working-class England. Certainly no stranger to the harsh realities of blue-collar life himself, Sillitoe was born one of five children to a poor Nottingham factory family. He left school at age fourteen to find work in the very factories from which his father found himself unemployed, and began his writing career during a stint in the Royal Air Force. With the publication of Saturday Night Sunday Morning in 1958 and the subsequent arrival of The Loneliness of the Long-Distance Runner a year later, Sillitoe quickly established himself as a standout in England's embittered yet immensely talented "Angry Young Men" school of writers, which included, among others, Kingsley Amis and John Osborne. However, like Amis, Sillitoe moved beyond the anger of his youth and compiled an impressively diverse array of work. New and Collected Stories brings together more than forty pieces of short fiction, encompassing Sillitoe's entire career, and includes several previously unpublished stories. It is an essential and comprehensive collection from an often-overlooked gem in the canon of modern fiction and an abiding literary voice for working-class Britain.
New and Collected Stories with the Attribution of Alan Sillitoe FROM THE PUBLISHER
New and Collected Stories brings together more than forty pieces of short fiction, encompassing Alan Sillitoe's entire career, and includes several previously unpublished stories. It is an essential collection from an often-overlooked gem in the canon of modern fiction and an abiding literary voice for working-class Britain.
FROM THE CRITICS
Publishers Weekly
Exhaustingly extensive and well-researched, this study of developments in contemporary weapons technology evinces a gee-whiz love of military widgets. It also contains journalist Hambling's desire to explore the murkily overlapping scientific, military and corporate worlds. The result is a book that is for short stretches a breezy guide to everything from vortex cannons to tasers, and everyone from Tesla to Turing. Hambling describes complex procedures and devices in a lucid, uncondescending way, and a reader seeking a quick description of, say, how a rocket plane works or what an E-bomb is need look no further. But the scale and scope of the book indicate an ambition to be something other than a supplementary reference to the novels of Tom Clancy and the press briefings of Donald Rumsfeld. Hambling's underlying thesis is that advances in military technology eventually benefit civilian life (e.g., the Internet), and that the domestic technologies and business opportunities of the future, like nanotechnology, are already to be found in today's military hardware. While gently and inconclusively touched on, the moral implications of this are never really explored in any depth, and the military-industrial complex is seen mostly as an ethically neutral dispenser of fascinatingly nasty devices. The lack of broader context, along with a wearyingly episodic structure, create frustrating limits. (Apr.) Copyright 2005 Reed Business Information.
Library Journal
Nathaniel Gye lectures on parapsychology at Cambridge University but doesn't necessarily believe in a spirit world. When the widow of a dead security guard (and former university employee) wrongly accused of stealing a fabulous Renaissance painting asks him to attend a s ance, Nathaniel is understandably reluctant. But the voice of the accused provides clues to the theft and debunks his alleged suicide. Only later does Gye investigate, incurring the wrath of an Italian mobster and uncovering a devious scam. A clever plot full of artful dodging, thwarted seduction, and masterly illusion: for all collections. A Cambridge graduate, Wilson is the author of over 50 books and lives in England. Copyright 2005 Reed Business Information.
Kirkus Reviews
Cambridge University parapsychology lecturer Nathaniel Gye comes to the aid of a corpse. The voice of security guard Bob Gomer wafts over a seance table, imploring his MS-stricken wife Pearl to contact Dr. Gye (Tripletree, 2003) and prove that he didn't commit suicide and that he wasn't guilty of stealing Antonello da Messina's Renaissance masterpiece Portrait of a Doge while transporting it in a locked van from Heathrow to Bath's Millenium Gallery. Through the medium Mrs. George, Gomer also warns that Gye's wife Katherine, editor of Panache, should stay away from Italy. Of course she goes anyway, and is promptly robbed, then abducted by menacing folks who want her husband to stop dabbling in their affairs. Gye, who has hotfooted it to Florence to find her and continue dabbling into the art theft, is stymied when a master forger dies before they can talk, prompting the release of Katherine, who is now even more determined than him to see things through. The investigation proceeds from Venice to Rome to Bath-with stops along the way to discuss matters with a retired barrister, an illusionist, several unscrupulous Italians, Gomer's brother-in-law, the CID inspector who originally thought Gomer a suicide, and the medium's car-crazy son Kevin-before a final seance explains all. Okay as a locked-van puzzle, but weighted down with Gye's journal entries and outre escapes from gangster widows, international conspiracies, and ectoplasmic manifestations.