From Publishers Weekly
Published for the September 21 opening of the Smithsonian's National Museum of the American Indian on Washington Mall, the three main sections of this majestic book ("Our Universes," "Our Peoples" and "Our Lives") feature more than 300 color illustrations of Native artworks, from Inka to Iroquois, with poems by N. Scott Momaday, Louise Erdrich, Linda Hogan and others; extensive essays on Native mythology, history and identity; and even an excerpt from the Sherman Alexie script for Smoke Signals. The essays, which range from straightforward histories to deeply felt testimonials, are written by a wide range of Native cultural personages, including Wilma Mankiller (the first woman to be elected by the Cherokee Nation as its principal chief), Gabrielle Tayac (daughter of medicine man Chief Turkey Tayac in the Chesapeake Bay region) and Vine Deloria Jr., author of Custer Died for Your Sins. Despite the very generous and impressive selection of art, which even includes three multipage "Portfolios" of ancient, historical and contemporary Native artwork, the visual aspect of the book inevitably comes in second. This is not entirely the editors' fault: the intricacy and incredible range of Native artwork, which here includes both South and North American art, is simply too enormous to share space equally with the absorbing writing.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* This lavishly illustrated and informative volume coincides with the long-anticipated opening of the Smithsonian's new National Museum of the American Indian, and its comprehensive text is matched with a treasury of art and artifacts from the museum's extensive collection. The first section, "Our Universe," describes the diversity of Native American stories and ceremonies while underlining the profound beliefs shared by all tribes. "Our Peoples" covers historical events from the Native American point of view, including the coming of Columbus, the Revolutionary War, the drafting of treaties, and the establishment of the controversial Indian Schools, and shows how events were chronicled in Native American art, such as a Dakota buffalo robe depicting the measles epidemic of 1818-1819. In "Our Lives," various authors discuss how modern communication and transportation systems help to connect Indian peoples as never before. The volume concludes with a lively selection of modern interpretations of traditional art and stories, thus documenting the growing numbers of Native American artists, writers, and filmmakers. Prodigious in scope and intimate in detail, this book, like the museum it celebrates, is a landmark. Deborah Donovan
Copyright © American Library Association. All rights reserved

Book Description
The Smithsonian's new National Museum of the American Indian will be the last museum to be built on the National Mall and its opening will be a major, national media event. To commemorate the opening, the National Geographic Society has collaborated with the museum's curators and advisers to produce a lavishly illustrated, comprehensive volume based on major themes relevant to American Indian peoples. Written by a distinguished group of Native American scholars, poets, activists, and tribal leaders, the book will offer its non-Indian readers a closer understanding of Native perspectives, beliefs, and histories. The real power of this volume rests with its power to communicate firsthand the experiences, observations, and intellectual concepts of the hemisphere's indigenous peoples, who demonstrate that their ancient philosophies and folkways are integral, valuable, and still apply in modern times. This unprecedented book consists of three major sections --Our Universes explores Native spiritual beliefs; Our Peoples presents historical and contemporary events from a Native American point of view; and Our Lives illustrates the diversity of Native peoples today--each with a lead essay, supporting pieces, and sidebars on selected topics. There are more than 300 illustrations (250 in color), some of them archival, but most show rare and beautiful Indian artifacts seldom seen which when organized together in one volume showcase the rich tradition of Native American artistic achievement.

FROM OUR EDITORS

This colorful coffee table pictorial serves as the grand accompaniment to the opening of the Smithsonian's National Museum of the American Indian in Washington, D.C. In addition to more than 300 color illustrations of artworks, Native Universe contains extensive essays on Native mythology, history, culture, and identity. The book also includes poems by N. Scott Momaday, Louise Erdrich, Linda Hogan, and others.

FROM THE PUBLISHER

The Smithsonian's new National Museum of the American Indian will be the last museum to be built on the National Mall and its opening will be a major, national media event. To commemorate the opening, the National Geographic Society has collaborated with the museum's curators and advisers to produce a lavishly illustrated, comprehensive volume based on major themes relevant to American Indian peoples. Written by a distinguished group of Native American scholars, poets, activists, and tribal leaders, the book will offer its non-Indian readers a closer understanding of Native perspectives, beliefs, and histories. The real power of this volume rests with its power to communicate firsthand the experiences, observations, and intellectual concepts of the hemisphere's indigenous peoples, who demonstrate that their ancient philosophies and folkways are integral, valuable, and still apply in modern times. This unprecedented book consists of three major sections —Our Universes explores Native spiritual beliefs; Our Peoples presents historical and contemporary events from a Native American point of view; and Our Lives illustrates the diversity of Native peoples today—each with a lead essay, supporting pieces, and sidebars on selected topics. There are more than 300 illustrations (250 in color), some of them archival, but most show rare and beautiful Indian artifacts seldom seen which when organized together in one volume showcase the rich tradition of Native American artistic achievement.

FROM THE CRITICS

Publishers Weekly

Published for the September 21 opening of the Smithsonian's National Museum of the American Indian on Washington Mall, the three main sections of this majestic book ("Our Universes," "Our Peoples" and "Our Lives") feature more than 300 color illustrations of Native artworks, from Inka to Iroquois, with poems by N. Scott Momaday, Louise Erdrich, Linda Hogan and others; extensive essays on Native mythology, history and identity; and even an excerpt from the Sherman Alexie script for Smoke Signals. The essays, which range from straightforward histories to deeply felt testimonials, are written by a wide range of Native cultural personages, including Wilma Mankiller (the first woman to be elected by the Cherokee Nation as its principal chief), Gabrielle Tayac (daughter of medicine man Chief Turkey Tayac in the Chesapeake Bay region) and Vine Deloria Jr., author of Custer Died for Your Sins. Despite the very generous and impressive selection of art, which even includes three multipage "Portfolios" of ancient, historical and contemporary Native artwork, the visual aspect of the book inevitably comes in second. This is not entirely the editors' fault: the intricacy and incredible range of Native artwork, which here includes both South and North American art, is simply too enormous to share space equally with the absorbing writing. (Sept.) Copyright 2004 Reed Business Information.

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