From Publishers Weekly
This latest entry in National Geographic’s series of famous writers on famous cities is like the British dish bubble and squeak: a hash of thrown together bits and pieces that might be tasty but isn’t very filling. An avid reader, Quindlen (Living Out Loud, etc.) developed an acute case of literature-induced Anglophilia at an early age. As a precocious youngster, she was enchanted by the terrace houses, green squares and horse-drawn carriages of the written worlds of Daniel Defoe, William Makepeace Thackeray, Charles Dickens and Henry James’s London. Later swept away by Virginia Woolf and the Mitford sisters, Quindlen doesn’t actually visit London until her mid-40s while on a trip to promote one of her own books. Quindlen’s narrative essays, while thematic, lack enough specific locations to make them consistently interesting. While she comments on the extraordinary fact that one can still find one’s way around London based on 18th-century literary plot points, she doesn’t take explicit literary tours herself, leaving readers to wonder to what extent the expectations of a lifelong love affair with the London of her mental library are met. Instead, Quindlen shifts the focus away from herself and toward her experience of traveling with her 20-something writer son, comparing and contrasting their generational impressions of the city. Map not seen by PW.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Best-selling novelist and Newsweek columnist Quindlen has always been an "indefatigable" reader, and British novels set in London, "indisputably the capital of literature," have been a particular passion. Quindlen acquired a vivid impression of the city from absorbing Dickens, Eliot, Galsworthy, Doyle, Woolf, and Lessing, writers for whom London was as much a living character as their indelible protagonists. But she admits she was reluctant to travel there and obliterate the imagined with the actual. Finally, a book tour sends her to this fabled place, and she does revel in London's evocative complexity as she undertakes pilgrimages to literary landmarks. Deftly contrasting "the London frozen in the amber of great fiction" with today's city, Quindlen discerns the key lesson of English literature: the "unvarying nature both of social problems and personal dramas." The continuity that links, for instance, characters and predicaments in Monica Ali's Brick Lane (2003) to those in Dickens' works. A consistently enlightening and enjoyable writer, Quindlen presents a smart, bookish, wry, and stimulating portrait of the most literary of cities. Donna Seaman
Copyright © American Library Association. All rights reserved

Book Description
Anna Quindlen first visited London from a chair in her suburban Philadelphia home. "'The city streets were filled with fog and the cobbled pavers were slightly slick with moisture, so that the man and woman struggling down the street slid on its surface. It was just after the war, and some of the buildings were empty holes left over from the blitz.' The book describing this was by Patricia Wentworth, one of a series of mystery novels she wrote that wind up always, inevitably, in the capital, at the cozy flat of the essential English spinster."Quindlen has been to London countless times since, in the pages of books. From Dickensian London, rich with narrow alleyways and jocular street vendors, to the London of Conan Doyle and Margery Allingham, with its salt-of-the-earth police officers and crowded train stations. She visited Victoria Station, Hyde Park, Soho, and Kensington in her imagination long before ever setting foot in the city. By the time Quindlen actually visited London in 1995, it was less like an introduction and more like a homecoming. Here, she thought, is where Evelyn Waugh's bright young things danced until dawn. Here is where foolish Lydia Bennett eloped with the dastardly Wickham. Here is where Oliver Twist sought his fortune, and where Adam Dalgliesh has his private flat. New York, Paris, and Dublin are vividly portrayed in fiction, but London has always been the star, both because of the primacy of English literature and the specificity of the city's descriptions. In Imagined London, Quindlen walks through the city, moving within blocks from the great books of the 18th century to the detective stories of the 20th to the new modernist tradition of the 21st. Her book is about traveling and reading in a city in fact and a city in fiction and where and how the two cities intersect.

FROM OUR EDITORS

Sir Arthur Conan Doyle's Dr. Watson once described London as "that great cesspool into which all the loungers and idlers of the Empire are irresistibly drained." Fortunately, others have experienced the city on the Thames more sympathetically. In Imagined London, American novelist Anna Quindlen describes her lifelong love affair with London.

FROM THE CRITICS

Pamela Paul - The New York Times

Rather than lead us to the usual landmarks, Quindlen muses on her real passion: English literature and its London legacy. No literary snob, she veers from Henry to P. D. James and explores Sherlock Holmes's beat, Nancy Mitford's romps and Evelyn Waugh's targets, with room for plenty of Dickens. Best read by committed Anglophiles, Quindlen's appreciation of the literary city shows just how much a reading experience can enrich the physical journey.

Publishers Weekly

This latest entry in National Geographic's series of famous writers on famous cities is like the British dish bubble and squeak: a hash of thrown together bits and pieces that might be tasty but isn't very filling. An avid reader, Quindlen (Living Out Loud, etc.) developed an acute case of literature-induced Anglophilia at an early age. As a precocious youngster, she was enchanted by the terrace houses, green squares and horse-drawn carriages of the written worlds of Daniel Defoe, William Makepeace Thackeray, Charles Dickens and Henry James's London. Later swept away by Virginia Woolf and the Mitford sisters, Quindlen doesn't actually visit London until her mid-40s while on a trip to promote one of her own books. Quindlen's narrative essays, while thematic, lack enough specific locations to make them consistently interesting. While she comments on the extraordinary fact that one can still find one's way around London based on 18th-century literary plot points, she doesn't take explicit literary tours herself, leaving readers to wonder to what extent the expectations of a lifelong love affair with the London of her mental library are met. Instead, Quindlen shifts the focus away from herself and toward her experience of traveling with her 20-something writer son, comparing and contrasting their generational impressions of the city. Copyright 2004 Reed Business Information.

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