From Book News, Inc.
Presents a succession of attempts to represent and theorize national culture--and a further succession of efforts to revise or repudiate that enterprise--focusing on the fate of the idea of a bounded national culture, and how this notion has dramatically changed in sync with changes in underlying models of global relationships. The volume is divided into three parts: constructing tradition in the postwar period; decentering the core; and culture in the contemporary global system. Paper edition (unseen), $14.95. Annotation copyright Book News, Inc. Portland, Or.


Review
" National Culture does provide the energetic and persevering reader with a wealth of information on theoretical perspectives on global culture relationships... The penultimate chapter, 'Outside the Marxian Tradition' is particularly strong."--Sarah M. Corse, Contemporary Sociology


Review
"A model of theoretical work that doesn't smother literary analysis. I cannot think of a better introduction to ways of thinking about culture in an age of globalization."--K. Anthony Appiah, Harvard University


Book Description
"The three worlds theory is perhaps still the basis for our dominant assumptions about geopolitical and geocultural order," writes Frederick Buell, "but its hold on our imagination and faith is passing fast. In its place, a startlingly different model--the notion that the world is somehow interconnected into a single system--has emerged, expressing the perception that global relationships constitute not three separate worlds but a single network."In the wake of disillusionment with anticolonial nationalism, and in response to a wide variety of economic, political, demographic, and technological changes, Buell argues, we have come increasingly to view the world as complexly interconnected. In National Culture and the New Global System he considers how the notion of national culture has been conceived--and reconceived--in the postwar period. For much of the period, the "three world" theory provided economic, political, and cultural models for mapping a world of nation-states. More recently, new notions of interconnectedness have been developed, ones that have had profound--and sometimes startling--effects on cultural production and theory. Surveying recent cultural history and theory, Buell shows how our understanding of cultural production relates closely to transformations in models of the world order."Buell uses a very wide range of examples from around the globe to explain and explore the major theoretical frameworks currently available for understanding cultural production in the global system. His book is a model of theoretical work that doesn't smother literary analysis. I cannot think of a better introduction to ways of thinking about culture in an age of globalization."--K. Anthony Appiah, Harvard University


About the Author
Frederick Buell is professor of English at Queens College in Flushing, New York.

FROM THE PUBLISHER

"The three worlds theory is perhaps still the basis for our dominant assumptions about geopolitical and geocultural order," writes Frederick Buell, "but its hold on our imagination and faith is passing fast. In its place, a startlingly different model--the notion that the world is somehow interconnected into a single system--has emerged, expressing the perception that global relationships constitute not three separate worlds but a single network."

In the wake of disillusionment with anticolonial nationalism, and in response to a wide variety of economic, political, demographic, and technological changes, Buell argues, we have come increasingly to view the world as complexly interconnected. In National Culture and the New Global System he considers how the notion of national culture has been conceived--and reconceived--in the postwar period. For much of the period, the "three world" theory provided economic, political, and cultural models for mapping a world of nation-states. More recently, new notions of interconnectedness have been developed, ones that have had profound--and sometimes startling--effects on cultural production and theory. Surveying recent cultural history and theory, Buell shows how our understanding of cultural production relates closely to transformations in models of the world order.

FROM THE CRITICS

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