In his passionate defense of wilderness and wild-ness, Edward Abbey is always worth reading for those who value a wolf's howl more than the ka-chink! of a cash register, and no matter what the subject, Cactus Ed always shoots from the hip. This collection of essays is no different, and contains the invaluable "A Writer's Credo," wherein Abbey tells would-be scribes to rock the boat and make a stand, else the noble craft is reduced to a mess of pottage, and the muse has no reason for staying.


From Library Journal
In this collection of previously published essays, Abbey writes on topics as diverse as immigration law, the nature of femininity, and the philosophy of Emerson. The book is divided into three sections: Politics, Travel, and Books and Art. Marvelous portraits of the Rio Grande and the Salmon rivers showcase Abbey's ability to evoke a feeling for the majesty of these places. His political essays are lively and provocative; those discussing books and art reveal him as one who has thought deeply about his craft. An original writer with strong convictions whose latest book is recommended for most collections. Randy Dykhuis, Grand Rapids P.L., Mich.Copyright 1988 Reed Business Information, Inc.


Review
"Edward Abbey's books remain an indispensable solace. His essays, and his novels, too, are 'antidotes to despair.'"-Wendell Berry



Book Description
From stories about cattlemen, fellow critics, his beloved desert, cities, and technocrats to thoughts on sin and redemption, this is one of our most treasured writers at the height of his powers.

ANNOTATION

Warhorse, gadfly, storyteller, naturalist -- there is no simple category to contain the vibrant prose voice of Edward Abbey. And this snappy collection of essays displays the author of Desert Solitaire and The Monkey-Wrench Gang at the height of his curmudgeonry.

FROM THE CRITICS

Library Journal