From Publishers Weekly
20th-anniversary edition of Caputo's memoir of fighting in Vietnam. Copyright 1996 Reed Business Information, Inc.
The New York Times Book Review, Theodore Solotaroff
. . . the troubled conscience of America speaking passionately, truthfully, finally.
Review
“To call it the best book about Vietnam is to trivialize it . . . A Rumor of War is a dangerous and even subversive book, the first to insist—and the insistence is all the more powerful because it is implicit—that the reader ask himself these questions: How would I have acted? To what lengths would I have gone to survive? The sense of self is assaulted, overcome, subverted, leaving the reader to contemplate the deadening possibility that his own moral safety net might have a hole in it. It is a terrifying thought, and A Rumor of War is a terrifying book.”—John Gregory Dunne, Los Angeles Times Book Review
“Caputo’s troubled, searching meditations on the love and hate of war, on fear, and the ambivalent discord warfare can create in the hearts of decent men, are among the most eloquent I have read in modern literature.”—William Styron, The New York Review of Books
“Every war seems to find its own voice: Caputo . . . is an eloquent spokesman for all we lost in Vietnam.”—C. D. B. Bryan, Saturday Review
“A book that must be read and reread—if for no other reason than as an eloquent statement against war. It is a superb book.”—Terry Anderson, Denver Post
“This is news that goes beyond what the journalists brought us, news from the heart of darkness. It was long overdue.”—Newsweek
“Not since Siegfried Sassoon's classic of World War I, Memoirs of an Infantry Officer, has there been a war memoir so obviously true, and so disturbingly honest.”—William Broyles, Texas Monthly
Review
“To call it the best book about Vietnam is to trivialize it . . . A Rumor of War is a dangerous and even subversive book, the first to insist—and the insistence is all the more powerful because it is implicit—that the reader ask himself these questions: How would I have acted? To what lengths would I have gone to survive? The sense of self is assaulted, overcome, subverted, leaving the reader to contemplate the deadening possibility that his own moral safety net might have a hole in it. It is a terrifying thought, and A Rumor of War is a terrifying book.”—John Gregory Dunne, Los Angeles Times Book Review
“Caputo’s troubled, searching meditations on the love and hate of war, on fear, and the ambivalent discord warfare can create in the hearts of decent men, are among the most eloquent I have read in modern literature.”—William Styron, The New York Review of Books
“Every war seems to find its own voice: Caputo . . . is an eloquent spokesman for all we lost in Vietnam.”—C. D. B. Bryan, Saturday Review
“A book that must be read and reread—if for no other reason than as an eloquent statement against war. It is a superb book.”—Terry Anderson, Denver Post
“This is news that goes beyond what the journalists brought us, news from the heart of darkness. It was long overdue.”—Newsweek
“Not since Siegfried Sassoon's classic of World War I, Memoirs of an Infantry Officer, has there been a war memoir so obviously true, and so disturbingly honest.”—William Broyles, Texas Monthly
Book Description
When it first appeared, A Rumor of War brought home to American readers, with terrifying vividness and honesty, the devastating effects of the Vietnam War on the soldiers who fought there. And while it is a memoir of one young man’s experiences and therefore deeply personal, it is also a book that speaks powerfully to today’s students about the larger themes of human conscience, good and evil, and the desperate extremes men are forced to confront in any war.
A platoon commander in the first combat unit sent to fight in Vietnam, Lieutenant Caputo landed at Danang on March 8, 1965, convinced that American forces would win a quick and decisive victory over the Communists. Sixteen months later and without ceremony, Caputo left Vietnam a shell-shocked veteran whose youthful idealism and faith in the rightness of the war had been utterly shattered. A Rumor of War tells the story of that trajectory and allows us to see and feel the reality of the conflict as the author himself experienced it, from the weeks of tedium hacking through scorching jungles, to the sudden violence of ambushes and firefights, to the unbreakable bonds of friendship forged between soldiers, and finally to a sense of the war as having no purpose other than the fight for survival. The author gives us a precise, tactile view of both the emotional and physical reality of war.
When Caputo is reassigned to headquarters as “Officer in Charge of the Dead,” he chronicles the psychological cost of witnessing and recording the human toll of the war. And after his voluntary transfer to the frontlines, Caputo shows us that the major weapons of guerrilla fighting are booby traps and land mines, and that success is measured not in feet but in body counts. Nor does the author shrink from admitting the intoxicating intensity of combat, an experience so compelling that many soldiers felt nostalgic for it years after they’d left
Vietnam. Most troubling, Caputo gives us an unflinching view not only of remarkable bravery and heroism but also of the atrocities committed in Vietnam by ordinary men so numbed by fear and desperate to survive that their moral distinctions had collapsed.
More than a statement against war, Caputo’s memoir offers readers today a profoundly visceral sense of what war is and, as the author says, of “the things men do in war and the things war does to men.”
This edition includes a twentieth-anniversary postscript by the author.
Rumor of War FROM OUR EDITORS
"This book is not a work of the imagination. The events related are true, the characters real, though I have used fictitious names in some places. I have tried to describe accurately what the dominant even in the life of my generation, the Vietnam War, was like for the men who fought in it." In 1965, Marine Lieutenant Philip Caputo began his three-year enlistment as a member of the first ground combat unit to fight in Vietnam. He returned from his tour of duty physically whole but emotionally shattered. A decade later, Caputo's A Rumor of War helped to end American indifference to its Vietnam veterans, becoming -- along with Tim O'Brien's Going after Cacciato and James Webb's Fields of Fire, a basic text on the Vietnam war.
FROM THE PUBLISHER
In March of 1965, Marine Lieutenant Philip J. Caputo landed at Danang with the first ground combat unit committed to fight in Vietnam. Sixteen months later, having served on the line in one of modern history's ugliest wars, he returned homephysically whole, emotionally wasted, his youthful idealism shattered. A decade later, Caputo would write "A Rumor of War." It was the book that shattered America's deliberate indifference to the fate of the men it sent to fight in the jungles of Vietnam, and in the years since it was first published it has become a basic text on that war. But in the literature of war that stretches back to Homer, it has also taken its place as an esteemed classic. As William Broyleshimself a decorated Marine veteran of Vietnamwrote in Texas Monthly, "Not since Siegfried Sassoon's classic of World War I, "Memoirs of an Infantry Officer," has there been a war memoir so obviously true, and so disturbingly honest."
FROM THE CRITICS
Publishers Weekly
20th-anniversary edition of Caputo's memoir of fighting in Vietnam. (Nov.)