From Publishers Weekly
Shevelow entertainingly raises the curtain on author-actress Charlotte Cibber Charke (1713–1760), a cross-dresser famed for her portrayal of male characters. The author, a specialist in 18th-century British literature and culture, offers a full-scale biography of this enigmatic eccentric, who also wrote plays and novels (including Henry Dumont). She was the youngest daughter of England's poet laureate, the actor-playwright Colley Cibber. Estranged from him and abandoned by her philandering husband, Charke supported herself and her daughter by acting, often in male roles, and then began wearing male clothing offstage. After a 1737 cutback in productions, she worked traditionally male jobs (grocer, innkeeper, pastry cook, proofreader, puppeteer, sausage seller, valet), assuming a male identity for years under the name Charles Brown. Contrasting Charke's early theatrical triumphs with her later misfortunes, poverty and despair, Shevelow quotes extensively from Charke's autobiography, A Narrative of the Life of Mrs. Charlotte Charke (1755), and ends with 30 pages of notes and a bibliography. With more than a few speculative passages, this splendiferous recreation of the past is rich in period detail, and theater buffs will applaud. Illus. not seen by PW. Agent, Amy Rennert at the Rennert Agency. (Apr. 4) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From Booklist
*Starred Review* Charlotte Charke (1713-60) is a plum of a subject for -eighteenth-century culture-specialist Shevelow. Youngest child of noted actor, playwright, stage manager, and poet laureate Colley Cibber, she took to the stage, as had her brother, Theophilus. Although she married at 17 (unhappily and fairly briefly) and bore a daughter, tall, slim Charlotte became known for her cross-dressing both onstage and off-, which, with her public parodies of her father, led to an estrangement she was never able to mend. As she bent gender roles with her dress, she also did with her work, managing theater troupes, starting a puppet theater, and writing her autobiography (the first written by a British actress). Still, she was a poor money manager, and with her companion, Mrs. Brown, she often lived hand to mouth. In vivid language, Shevelow describes the dirt and danger of London streets, the economics and politics of the theater world, the paralyzing effect of the Stage Licensing Act of 1737, and the creative means taken to evade it; since Charlotte has primarily been the subject of academics in feminist and lesbian contexts, Shevelow deals briefly but sensitively with what is known about Charlotte's sexuality. This is fine theater history, but it is most notable as a biography of a woman who was true to herself. Michele Leber
Copyright © American Library Association. All rights reserved


Review
"The intrigues and sub-plots and unforgettable characters in Charlotte seem to have erupted from a movie screen in full color. Kathryn Shevelow's command of her subject is evident in the irresistible abundance of detail that brings the underworld of 18th Century theatre vividly to life."
--Diane Middlebrook, author of Suits Me: the Double Life of Billy Tipton

"Precocious, gifted, charismatic, and eccentric, Charlotte Charke illuminated the Eighteenth Century with the fleeting brightness of a shooting star. An actress both on stage and off, she lived her life as though it were a comic tragedy fit only for villains and heroes. Kathryn Shevelow has written a remarkable book which admirably captures this most elusive of social rebels."
--Amanda Foreman, author of Georgiana: Duchess of Devonshire

"Charlotte is a remarkably learned and even more remarkably entertaining history-not only of a truly fascinating and startlingly-original woman, but also of her times and culture. Kathryn Shevelow brings to life the madness, absurdity and baseness of 18th-century Britain, and recreates for modern readers the fascinating peculiarities of its theater world. This is a brilliant piece of popular history."
--David Liss, author of A Conspiracy of Paper and The Coffee-Trader

"A fascinating account of this eccentric dynamo's adventures in eighteenth-century trade, theatre and love, Shevelow's book should win Charlotte Cibber Charke the multitudes of admirers she deserves."
--Emma Donoghue, author of Slammerkin and Life Mask




Book Description
The life of actress Charlotte Charke transports us through the splendors and scandals of eighteenth-century London and its wicked theatrical world

Her father, Colley Cibber, was one of the eighteenth century's great actor/playwrights-the toast of the British aristocracy, a favorite of the king. When his high-spirited, often rebellious daughter, Charlotte, revealed a fondness for things theatrical, it was thought that the young actress would follow in his footsteps at the legendary Drury Lane, creating a brilliant career on the London stage. But this was not to be. And it was not that Charlotte lacked talent-she was gifted, particularly at comedy. Troublesome, however, was her habit of dressing in men's clothes-a preference first revealed onstage but adopted elsewhere after her disastrous marriage to an actor, who became the last man she ever loved.

Kathryn Shevelow, an expert on the sophisticated world of eighteenth-century London (the setting for classics such as Tom Jones and Moll Flanders), re-creates Charlotte's downfall from the heights of London's theatrical world to its lascivious lows (the domain of fire-eaters, puppeteers, wastrels, gender-bending cross-dressers, wenches, and scandalous sorts of every variety) and her comeback as the author of one of the first autobiographies ever written by a woman. Beyond the appealingly unorthodox Charlotte, Shevelow masterfully recalls for us a historical era of extraordinary stylishness, artifice, character, interest, and intrigue.



About the Author
A specialist in eighteenth-century British literature and culture, Kathryn Shevelow has been an award-winning professor at the University of California in San Diego for twenty years and regularly taught classes in Restoration and eighteenth-century drama. She has published widely on eighteenth-century topics and is the author of Woman and Print Culture: The Construction of Femininity in the Early Periodical. She lives in Solana Beach, California.

FROM THE PUBLISHER

"A woman of rare talents and high spirits, Charlotte Charke (1713-1760) was an actress who delighted in scandalizing proper society - whenever she could. Her London was a stage writ large where bejeweled ladies rode in carriages past prostitutes and pickpockets, crowds munched gingerbread while watching hangings, and Mrs. Mapp the bonesetter realigned kneecaps for fascinated crowds. Yet even among the spectacles of her stylish, savage metropolis, Charlotte stood out as a self-described "Nonpareil of the Age." Every day of her life was a grand performance." "The daughter of Colley Cibber, a brilliant comic actor famous for foppery, Charlotte was unconventional - even by the standards of her theatrical family. She raised eyebrows with her disdain for needlework and her taste for guns, but when she stepped on stage, none of it mattered. After making her reputation by playing men, she began dressing in breeches offstage as well. When her father and family disowned her, her life became a picaresque adventure extending from the pinnacles of posh London to its dangerous depths." Kathryn Shevelow captures Charlotte - artist, survivor, mother, wife, and ultimately, husband, too - in all her guises, from her time among the dueling divas of the glamorous Drury Land Theatre to her trials as a strolling player and puppeteer, to her comeback as the author of My Unaccountable Life, one of the first autobiographies ever written by a woman.

FROM THE CRITICS

Publishers Weekly

Shevelow entertainingly raises the curtain on author-actress Charlotte Cibber Charke (1713-1760), a cross-dresser famed for her portrayal of male characters. The author, a specialist in 18th-century British literature and culture, offers a full-scale biography of this enigmatic eccentric, who also wrote plays and novels (including Henry Dumont). She was the youngest daughter of England's poet laureate, the actor-playwright Colley Cibber. Estranged from him and abandoned by her philandering husband, Charke supported herself and her daughter by acting, often in male roles, and then began wearing male clothing offstage. After a 1737 cutback in productions, she worked traditionally male jobs (grocer, innkeeper, pastry cook, proofreader, puppeteer, sausage seller, valet), assuming a male identity for years under the name Charles Brown. Contrasting Charke's early theatrical triumphs with her later misfortunes, poverty and despair, Shevelow quotes extensively from Charke's autobiography, A Narrative of the Life of Mrs. Charlotte Charke (1755), and ends with 30 pages of notes and a bibliography. With more than a few speculative passages, this splendiferous recreation of the past is rich in period detail, and theater buffs will applaud. Illus. not seen by PW. Agent, Amy Rennert at the Rennert Agency. (Apr. 4) Copyright 2005 Reed Business Information.

Kirkus Reviews