From 500 Great Books by Women; review by Donna Nichols-White
Kindred utilizes the devices of science fiction in order to answer the question "how could anybody be a slave?" A woman from the twentieth century, Dana is repeatedly brought back in time by her slave-owning ancestor Rufus when his life is endangered. She chooses to save him, knowing that because of her actions a free-born black woman will eventually become his slave and her own grandmother. When forced to live the life of a slave, Dana realizes she is not as strong as her ancestors. Unable to will herself back to her own time and unable to tolerate the institution of slavery, she attempts to run away and is caught within a few hours. Her illiterate ancestor Alice succeeds in eluding capture for four days even though "She knew only the area she'd been born and raised in, and she couldn't read a map." Alice is captured, beaten, and sold as a slave to Rufus. As Dana is sent back and forth through time, she continues to save Rufus's life, attempting during each visit to care for Alice, even as she is encouraging Alice to allow Rufus to rape her and thus ensure Dana's own birth. As a twentieth-century African-American woman trying to endure the brutalities of nineteenth-century slavery, Dana answers the question, "See how easily slaves are made?" For Dana, to choose to preserve an institution, to save a life, and nurture victimization is to choose to survive. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14.
Book Description
Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. With more than 100,000 copies in print, Kindred is a classic timetravel novel by an acclaimed African-American science fictionwriter.
Kindred FROM THE PUBLISHER
Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned across the years to save him. After this first summons, Dana is drawn back again and again to the plantation to protect Rufus and ensure that he will grow to manhood and father the daughter who will become Dana's ancestor. Yet each time the stays grow longer and more dangerous until it is uncertain whether or not Dana's life will end, long before it has even begun.
FROM THE CRITICS
Sacred Life
Using the techniques of science fiction, Octavia Butler in Kindred tangles in a startlingly unique and imaginative way with some of the most fundamental questions about slavery:
How does one become mentally enslaved? What is the nature of the slave-master relationship? What is the relevance of slavery to modern-day descendants of slaves?
Dana Franklin, a black woman writer, is celebrating her twenty-sixth birthday in 1976 when she is snatched from her Southern California home and transported to the bank of a river in the antebellum South where she saves the life of a young white child who appears to be drowning. When the child's parents arrive, they begin to beat Dana; when the child's father attempts to shoot her, she is transported back to the twentieth century. The child is Rufus Weylin, whom Dana later discovers is to be the father of one of her ancestors, a child born of Weylin's rape of Alice Greenwood, one of his slaves. Thus, the preservation of his life is critical to Dana's survival. She is transported to the nineteenth century whenever his life is in danger, and she returns to the twentieth century whenever her life is in danger.
She begins to develop an attachment to Rufus; in every life-saving encounter with him, she attempts to teach him not to fall into the racism endemic in his family and southern society. In essence, she tries to save both his body and his soul. But her trips back in time are too infrequent to have any lasting effect on Weylin, who buys into the racist and sexist system that surrounds him. Dana takes an interest in the Weylin slaves, particularly Alice, and uses her literacy and knowledge of modern medical skills to help them. But in order to guarantee her own existence
in the future, she also must encourage Alice to have sex with Rufus. Eventually, Dana too is made a slave and forced into an intimate understanding of the horrors of slavery and her own limitations.
The tension of the oddly symbiotic relationship between Dana and Weylin makes this book a riveting read. By transporting a modern-day African American woman into slavery, Butler vividly brings to life the hardships endured by the slaves. Dana frequently compares her strength and survival skills to those of the enslaved women and finds herself wanting. In the end, Dana finds the strength to break free of her physical slavery and the hold that the past has on her, while ensuring her own survival in the present, but she can never again forget the struggles of her exploited ancestors.
AudioFile - Joyce E. McCarty
Being transported in time to the ante-bellum South would hardly be the first choice of a young black woman of the 1970's--even if it's to save the life of the slaveholder who otherwise might never grow up to be her ancestor. This may seem farfetched to some, but it provides the framework for a poignant and thought_provoking novel about slavery, survival and human nature. Kim Staunton removes any sense of strangeness for the reader and moves skillfully between the time periods as this unusual time_link continues. Her use of accents not only directs the listener through the changing settings, but also showcases the dynamic attitudes and emotions of the characters and their relationships with each other and the shifting social contexts in which they find themselves. J.E.M. ᄑAudioFile, Portland, Maine