From Library Journal
By now, the tale of Toole's sprawling comic novel of New Orleans, A Confederacy of Dunces, lives on as a modern literary legend. A young novelist writes what he thinks is his masterpiece, is rejected by a famous New York publisher, and commits suicide only to be published posthumously and win the Pulitzer. But in this almost hagiographic account, first-time authors Nevils and Hardy reveal a story that is not quite so simple. Raised in New Orleans by a mostly distant and later mentally disturbed father and a clinging mother, Toole developed the love of reading early. When he finished Confederacy, he sent it to Simon and Schuster, where the famous Robert Gottlieb championed the manuscript and encouraged Toole to make some changes so that the book would be more publishable. Toole refused, asked for the manuscript back, and eventually descended into depression and paranoia, blaming Gottlieb for the novel's failure. After his death, his mother urged Walker Percy to publish Confederacy. The rest is history. Here, mother and son seem to have stepped right out of the Southern Gothic of a Tennessee Williams play, but this is a sad tale of one family's descent into despair and lonely ascent into posthumous fame. Recommended for most collections, especially where Confederacy is popular. Henry Carrigan, Lancaster, PA Copyright 2001 Reed Business Information, Inc.
Ignatius Rising: The Life of John Kennedy Toole FROM THE PUBLISHER
"In Ignatius Rising, Rene Pol Nevils and Deborah George Hardy present the first biography of John Kennedy Toole, a work based upon scores of interviews with contemporaries of the writer and acquaintances of his mother, Thelma, as well as unpublished letters, documents, and photographs. Known variously as "Ken," "Tooley," and "John," Toole is revealed to have been many things: a coddled only child; an academic prodigy; a soul tortured by conflicting feelings for his mother and about his sexual identity; a fun-loving cut-up, a master of mimicry, and a conversationalist nonpareil; an impeccable, popular college teacher; a straitlaced constant worrier by day and a back-street blues devotee at night; a writer who cherished the many nuances of his native city, New Orleans; and a man ultimately depressed, overweight, hard-drinking, promiscuous, and mad."--BOOK JACKET.
FROM THE CRITICS
Kirkus Reviews
An oddly entertaining biography of a tormented writer and his unlikely legacy. John Kennedy Toole's story has become the stuff of publishing legend: Boy wonder writes a dense, picaresque novel called A Confederacy of Dunces (a "rambling story about an obese, flatulent man"); no one wants to publish same; despondent boy wonder commits suicide; boy wonder's mother recruits famous writer to find a publisher for the manuscript; the novel is published and becomes a bestseller. As Nevils and Hardy—former writing students of NPR commentator Andrei Codrescu at Louisiana State University—demonstrate, the truth of the story is considerably more complex. Born in 1936, Toole grew up to be a complex, self-hating man—but one whose talents were clearly appreciated. Far from being shunned as a provincial nobody by the powers that be in New York publishing, as the Toole myth would have it, the author of Confederacy was taken seriously at many houses (including Simon & Schuster, whose chief editor Robert Gottlieb devoted considerable time to suggesting ways in which the ungainly novel could be trimmed and focused). Too close to the work at that point, Toole was psychically unprepared to undertake revisions. His suicide, however, was not the response to rejection that his mother claimed it to have been; it was instead an escape from a long and gruesome slide into madness. A minor author by any measure, Toole would not merit a book-length study were it not for his whirlwind of a mother, who pressed the manuscript on novelist Walker Percy and hounded him until he arranged for its publication. Thelma Ducoing Toole emerges as a self-absorbed harridan of the first order in this account,conniving and utterly awful, whom everyone connected with Toole's posthumous good fortune took pains to avoid—but who made that good fortune possible through her unwavering belief in her son's brilliance. Unpleasant and demanding, she—and not her unlucky son—is the real hero of this engagingly told footnote to American literary history.
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