From Publishers Weekly
Kertesz ( Kaddish for an Unborn Child ), who, as a youth, spent a year as a prisoner in Auschwitz, has crafted a superb, haunting novel that follows Gyorgy Koves, a 14-year old Hungarian Jew, during the year he is imprisoned in Auschwitz and Buchenwald. Fighting to retain his equilibrium when his world turns upside down, Gyorgy rationalizes that certain events are "probably natural" or "probably a mistake." Gradual starvation and what he experiences as grinding boredom become a way of life for him, yet Gyorgy describes both Buchenwald and its guards as "beautiful"; as he asks "who can judge what is possible or believable in a concentration camp?" Gyorgy also comes to a sense of himself as a Jew. At first, he experiences a strong distaste for the Jewish-looking prisoners; he doesn't know Hebrew (for talking to God) or Yiddish (for talking to other Jews). Fellow inmates even claim Gyorgy is "no Jew," and make him feel he isn't "entirely okay." Kertesz's spare, understated prose and the almost ironic perspective of Gyorgy, limited both by his youth and his inability to perceive the enormity of what he is caught up in, give the novel an intensity that will make it difficult to forget. One learns something of concentration camp life here, even while becoming convinced that one cannot understand that life at all--not the way Kertesz does. Copyright 1992 Reed Business Information, Inc.

From Book News, Inc.
A novel of the Holocaust. Annotation copyright Book News, Inc. Portland, Or.

Review
"[A] superb, haunting novel." Publisher's Weekly


Book Description
One of Publishers Weekly's Fifty Best Books of 1992

Fateless is a moving and disturbing novel about a Hungarian Jewish boy’s experiences in German concentration camps and his attempts to reconcile himself to those experiences after the war. Upon his return to his native Budapest still clad in his striped prison clothes, fourteen-year-old George Koves senses the indifference, even hostility, of people on the street. His former neighbors and friends urge him to put the ordeal out of his mind, while a sympathetic journalist refers to the camps as "the lowest circle of hell." The boy can relate to neither cliche and is left to ponder the meaning of his experience alone.

George's response to his experience is curiously ambivalent. In the camps he tries to adjust to his ever-worsening situation by imputing human motives to his inhumane captors. By imposing his logic--that of a bright, sensitive, though in many ways ordinary teenager - he maintains a precarious semblance of normalcy. Once freed, he must contend with the "banality of evil" to which he has become accustomed: when asked why he uses words like "naturally," "undeniably," and "without question" to describe the most horrendous of experiences, he responds, "In the concentration camp it was natural." Without emotional or spiritual ties to his Jewish heritage and rejected by his country, he ultimately comes to the conclusion that neither his Hungarianness nor his Jewishness was really at the heart of his fate: rather, there are only "given situations, and within these, further givens."


Language Notes
Text: English (translation)
Original Language: Hungarian

FROM THE PUBLISHER

Fateless is a moving and disturbing novel about a Hungarian Jewish boy's experiences in German concentration camps and his attempts to reconcile himself to those experiences after the war. Upon his return to his native Budapest still clad in his striped prison clothes, fourteen-year-old George Koves senses the indifference, even hostility, of people on the street. His former neighbors and friends urge him to put the ordeal out of his mind, while a sympathetic journalist refers to the camps as "the lowest circle of hell." The boy can relate to neither cliche and is left to ponder the meaning of his experience alone.George's response to his experience is curiously ambivalent. In the camps he tries to adjust to his ever-worsening situation by imputing human motives to his inhumane captors. By imposing his logic--that of a bright, sensitive, though in many ways ordinary teenager - he maintains a precarious semblance of normalcy. Once freed, he must contend with the "banality of evil" to which he has become accustomed: when asked why he uses words like "naturally," "undeniably," and "without question" to describe the most horrendous of experiences, he responds, "In the concentration camp it was natural." Without emotional or spiritual ties to his Jewish heritage and rejected by his country, he ultimately comes to the conclusion that neither his Hungarianness nor his Jewishness was really at the heart of his fate: rather, there are only "given situations, and within these, further givens."

FROM THE CRITICS

Publishers Weekly

Kertesz ( Kaddish for an Unborn Child ), who, as a youth, spent a year as a prisoner in Auschwitz, has crafted a superb, haunting novel that follows Gyorgy Koves, a 14-year old Hungarian Jew, during the year he is imprisoned in Auschwitz and Buchenwald. Fighting to retain his equilibrium when his world turns upside down, Gyorgy rationalizes that certain events are ``probably natural'' or ``probably a mistake.'' Gradual starvation and what he experiences as grinding boredom become a way of life for him, yet Gyorgy describes both Buchenwald and its guards as ``beautiful''; as he asks ``who can judge what is possible or believable in a concentration camp?'' Gyorgy also comes to a sense of himself as a Jew. At first, he experiences a strong distaste for the Jewish-looking prisoners; he doesn't know Hebrew (for talking to God) or Yiddish (for talking to other Jews). Fellow inmates even claim Gyorgy is ``no Jew,'' and make him feel he isn't ``entirely okay.'' Kertesz's spare, understated prose and the almost ironic perspective of Gyorgy, limited both by his youth and his inability to perceive the enormity of what he is caught up in, give the novel an intensity that will make it difficult to forget. One learns something of concentration camp life here, even while becoming convinced that one cannot understand that life at all--not the way Kertesz does. (Oct.)

"[A] superb, haunting novel."Publisher's Weekly

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