From Publishers Weekly
Despite its epic scope, Paterson is often chosen by nonspecialists, such as the social critic Robert Coles, as the way in to a discovery of Williams' exuberant and humane career as a poet. The going is made easier and the way is clarified by this invaluable new edition, for in it Williams' achievement can be seen in its proper context. His social concern, for instance, in contrast to that of other modernists, becomes more apparent. Misprints have been corrected, fugitive verses or sources have been tracked down, tab spaces have been restored and the crowded typography of recent editions has been opened up. Textual notes are thorough. We learn, for instance, that Williams changed the phrase "seldom dig" in a letter of Allen Ginsberg's excerpted here to "seldom did," probably because the older poet did not know the Beat usage. Williams at his strongest is as good an American poet as there has been; still, it must be noted that not all of the five books of Paterson (plus fragments of a sixth) are up to that level. Yet, with this edition, the important project of re-editing Williams' poetry is skillfully completed. The work of an experimental master is laid out in a definitive edition. Copyright 1992 Reed Business Information, Inc.


From Library Journal
With this appearance of his magnum opus, the publisher's laudable project of republishing Williams's poetic oeuvre in modern scholarly editions has been completed. The high quality of the two volumes of Collected Poems ( LJ 7/88; LJ 10/86) is replicated here. MacGowan's fine edition sorts out the poem's complicated textual history. His notes will be most useful to future readers, students, and scholars, as they elucidate difficulties and clarify the provenance of the many prose excerpts from various sources included in this unique work. A modernist classic, Paterson is a nativist's answer to the cosmopolitan Pound and Eliot, "a reply to Greek and Latin with the bare hands." By exploring the local, Williams sought to descry the universal and to find in city and landscape symbolic analogues for the essential issues of human life. Highly recommended.- Frank J. Lepkowski, Oakland Univ., Rochester, Mich.Copyright 1992 Reed Business Information, Inc.


From Book News, Inc.
Throw out your dog-eared, your pencil-scrawled, your pale, fading copies of earlier incarnations. This is the definitive edition of Williams' compassionate but clear-eyed poem about man and modernity in America, revised and annotated by Christopher MacGowan. Published by New Directions Publishing, 80 Eighth Avenue, New York, NY 10011. Annotation copyright Book News, Inc. Portland, Or.

FROM THE PUBLISHER

Long recognized as a masterpiece of modern American poetry, William Carlos Williams' Paterson is one man's testament and vision, "a humanist manifesto enacted in five books, a grammar to help us to live" (Denis Donoghue). Paterson is both a place - the New Jersey city near which Williams lived - and a man: the symbolic figure in whom the person (the poet's own life) and the public (the history of the region) are combined. Originally four books (published individually between 1946 and 1951), the structure of Paterson (in Dr. Williams' words) "follows the course of the Passaic River, whose life seemed more and more to resemble my own: the river above the Falls, the catastrophe of the Falls itself, the river below the Falls and the entrance at the end into the great sea." Book Five, published in 1958, when the poet was seventy-five, affirms the triumphant life of the imagination, in spite of age and death. This edition has been completely re-edited by noted Williams scholar Christopher MacGowan of the College of William and Mary and, in addition to presenting the most authoritative text possible, contains invaluable notes identifying Williams' sources and references.

FROM THE CRITICS

Publishers Weekly

Despite its epic scope, Paterson is often chosen by nonspecialists, such as the social critic Robert Coles, as the way in to a discovery of Williams' exuberant and humane career as a poet. The going is made easier and the way is clarified by this invaluable new edition, for in it Williams' achievement can be seen in its proper context. His social concern, for instance, in contrast to that of other modernists, becomes more apparent. Misprints have been corrected, fugitive verses or sources have been tracked down, tab spaces have been restored and the crowded typography of recent editions has been opened up. Textual notes are thorough. We learn, for instance, that Williams changed the phrase ``seldom dig'' in a letter of Allen Ginsberg's excerpted here to ``seldom did,'' probably because the older poet did not know the Beat usage. Williams at his strongest is as good an American poet as there has been; still, it must be noted that not all of the five books of Paterson (plus fragments of a sixth) are up to that level. Yet, with this edition, the important project of re-editing Williams' poetry is skillfully completed. The work of an experimental master is laid out in a definitive edition. (Nov.)

Library Journal

With this appearance of his magnum opus, the publisher's laudable project of republishing Williams's poetic oeuvre in modern scholarly editions has been completed. The high quality of the two volumes of Collected Poems ( LJ 7/88; LJ 10/86) is replicated here. MacGowan's fine edition sorts out the poem's complicated textual history. His notes will be most useful to future readers, students, and scholars, as they elucidate difficulties and clarify the provenance of the many prose excerpts from various sources included in this unique work. A modernist classic, Paterson is a nativist's answer to the cosmopolitan Pound and Eliot, ``a reply to Greek and Latin with the bare hands.'' By exploring the local, Williams sought to descry the universal and to find in city and landscape symbolic analogues for the essential issues of human life. Highly recommended.-- Frank J. Lepkowski, Oakland Univ., Rochester, Mich.

Booknews

Throw out your dog-eared, your pencil-scrawled, your pale, fading copies of earlier incarnations. This is the definitive edition of Williams' compassionate but clear-eyed poem about man and modernity in America, revised and annotated by Christopher MacGowan. Published by New Directions Publishing, 80 Eighth Avenue, New York, NY 10011. Annotation c. Book News, Inc., Portland, OR (booknews.com)

WHAT PEOPLE ARE SAYING

"'Paterson' is Whitman's America, grown pathetic and tragic, brutalized by inequality, disorganized by industrialized chaos, and faced with annihilation. This new poet has written a verse with such a combination of brilliance, sympathy, an experience, with such alertness and energy." — Robert Lowell