A seminal work of American Literature that still commands deep praise and still elicits controversy, Adventures of Huckleberry Finn is essential to the understanding of the American soul. The recent discovery of the first half of Twain's manuscript, long thought lost, made front-page news. And this unprecedented edition, which contains for the first time omitted episodes and other variations present in the first half of the handwritten manuscript, as well as facsimile reproductions of thirty manuscript pages, is indispensable to a full understanding of the novel. The changes, deletions, and additions made in the first half of the manuscript indicate that Mark Twain frequently checked his impulse to write an even darker, more confrontational book than the one he finally published.


From Publishers Weekly
In this centenary year of the first American edition of Huckleberry Finn, Neider, who has worked long and well in the thickets of Twain scholarship (this is the ninth Twain volume he has edited), offers a most fitting tribute, for which he will be thanked in some quarters, damned in others. Neider's contribution is twofold: he has restored to its rightful place the great rafting chapter, which the author had lifted from the manuscript-in-progress and dropped into Life on the Mississippi, and he has abridged some of the childish larkiness in the portions in which Huck's friend Tom Sawyer intrudes into this novel. For decades, critics have lamented the absence of the "missing" chapter and deplored the jarring presence of Tom in episodes that slow the narrative, but not until now has anyone had the temerity to set matters right. In paring back the "Tom" chapters (which he fully documents in his lengthy, spirited introduction, with literal line counts of the excised material), Neider has achieved a brisker read. Though there may be some brickbats thrown at him for this "sacrilege," few should object to the belated appearance of the transplanted rafting chapter in the novel in which it clearly belongs. October 25Copyright 1985 Reed Business Information, Inc.


From School Library Journal
Grade 9 Up-All the highwater tales of Huck's journey are in this abridged versionAhis faked death, the Jackson Island sojourn, the Grangerford-Shepherdson feud, the Duke and the King, and his reunion with Tom Sawyer. Along the way, we are treated to a sensual feast of the sights, smells, and rhythms of the Mississippi River and the humanistic education of Huck that culminates in his assisting in Jim's escape. The familiar adventures of Huck and runaway slave Jim's odyssey on a raft floating down the Mississippi have been well documented previously in audio format with noted versions read by Ed Begley, Will Wheaton (both from Dove), and the 1985 Grammy nominated Durkin Hayes production read by Dick Cavett. This version, beautifully read by actor Mike McShane, is a wonderful contribution to the recorded Twain canon. McShane handles multiple characterizations well, but excels in Huck's folksy narrative voice and Jim's understated power and dignity. School and public libraries should not miss this excellent rendition.Barry X. Miller, Austin Public Library, TX Copyright 2000 Reed Business Information, Inc.


From Library Journal
This paperback release of the restored edition of Finn includes four previously unknown episodes discovered in 1990 when the first half of the original handwritten manuscript was unearthed (Classic Returns, LJ 4/15/96). It also includes the original illustrations and reproductions of 29 original pages. Considering the book's importance to American letters, this complete edition is essential for all libraries.Copyright 1997 Reed Business Information, Inc.


Justin Kaplan, from the Introduction
We see at work a writer with a new-perfect ear for the right word and the right shading of idiom as he maneuvers between his purpose as a...literary artist and the diplomatic or expedient concessions he sometimes felt he had to make to the conventional taste of his audience and the demands of the book business.


From AudioFile
One of the better unabridged recordings of Mark Twain's masterpiece is on par with others vis-à-vis interpretation and excels in sheer beauty. In this impeccably quiet release, Tom Parker (aka Grover Gardner) contributes a resonant announcer's baritone, superb technique, musical expressiveness, and a fond, intelligent understanding. He is less a narrator here than a storyteller, one of the best this reviewer has heard, sounding as if he were speaking extemporaneously. Of the half-dozen recorded renditions I've auditioned, this is the one that best expresses the brilliance of Twain's rendering of dialect and a rural boy's sensibility. A judicious use of sound processing enhances his performance. Y.R. Winner of AudioFile Earphones Award © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine

ANNOTATION

The adventures of a boy and a runaway slave as they travel down the Mississippi River on a raft.

FROM THE PUBLISHER

Revered by all of the town's children and dreaded by all of its mothers, Huckleberry Finn is indisputably the most appealing child-hero in American literature.

Unlike the tall-tale, idyllic world of Tom Sawyer, The Adventures of Huckleberry Finn is firmly grounded in early reality. From the abusive drunkard who serves as Huckleberry's father, to Huck's first tentative grappling with issues of personal liberty and the unknown, Huckleberry Finn endeavors to delve quite a bit deeper into the complexities-both joyful and tragic of life.

SYNOPSIS

Floating down the Mississippi on their raft, Huckleberry Finn and Jim, a runaway slave, find life filled with excitement and the spirit of adventure. Join Huck and Jim and their old friend Tom Sawyer as they come up against low-down thieves and murderers, whilst being chased by Huck's evil, drunken father who is after Huck's treasure. It is a trip that you will never tire of.

WHAT PEOPLE ARE SAYING

All modern American literature comes from one book by Mark Twain called Huckleberry Finn. All American writing comes from that. There was nothing before. There has been nothing as good since. — Ernest Hemingway

One can read it at ten and then annually ever after, and each year find that it is as fresh as the year before... — Lionel Trilling