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   Book Info

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Art of the Postmodern Era: From the Late 1960s to the Early 1990s  
Author: Irving Sandler
ISBN: 0813334330
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


From Library Journal
A luminary critic, Sandler (art history SUNY, Purchase) specializes in American art from Abstract Expressionism onward. His lengthy but informative new book charts the tremendous diversity of the counterculture decades, defining both the myriad art movements and the fascinating ups and downs of squabbling theoreticians. In this final volume in a series on contemporary art (e.g., The New York School, LJ 9/1/78), Sandler covers everything from specific defined movements to changes in markets. New Image Painting, Bad Art, Deconstruction Art, Commodity Art, Neo-Geo, and even so-called "pathetic art" are called on, as well as the better-known Feminist Art, Pattern Painting, and so on. This major survey is lucid, sympathetic, exhaustive, and generally objective, whether speaking of political correctness, money and fashion, or explicit sexual taboos as art. Endnotes are lengthy and important. Highly recommended.?Mary Hamel-Schwulst, Towson State Univ., Md.Copyright 1996 Reed Business Information, Inc.


Book Description
Irving Sandler discusses the major and minor artists and their works; movements, ideas, attitudes, and styles; and the social and cultural context of the period. He covers postmodernist art theory, the art market, and consumer society. American and European art and artists are included.




Art of the Postmodern Era: From the Late 1960s to the Early 1990s

FROM THE PUBLISHER

This is the fourth volume of Irving Sandler's major history of American art since 1945. Sandler shows how, beginning in the late 1960s, new directions in art emerged - diverse postminimal styles, pattern and decoration painting, and new image painting. The 1980s brought other new tendencies - neoexpressionism and media, deconstruction, and commodity art. Sandler discusses the major and minor artists and their works; movements, ideas, attitudes, and styles; and the social and cultural context of the period. He covers postmodernist art theory, the art market, and consumer society. Unlike the previous volumes, this one also includes both American and European art and artists. Among the artists discussed are Robert Morris, Eva Hesse, Lucas Samaras, Richard Serra, Sol Lewitt, Joel Shapiro, Nancy Graves, Joseph Benys, Marcel Broodthaers, Louise Bourgeois, Hannah Wilke, Judy Chicago, Nancy Spero, Robert Kushner, Judy Pfaff, Robert Irwin, Nancy Holt, Susan Rothenberg, Robert Colescott, Jennifer Bartlett, Jonathan Borofsky, Julian Schnabel, David Salle, Eric Fischl, Elizabeth Murray, Leon Golub, April Gornik, Sean Scully, Francesco Clemente, Gerhard Richter, Anselm Kiefer, Barbara Kruger, Hans Haacke, Cindy Sherman, Jeff Koons, Philip Taaffe, Adrian Piper, Robert Mapplethorpe, and Magdalena Abakanowicz. The end of the postmodern era came in the early 1990s, and Sandler charts its finale.

     



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