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   Book Info

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Christopher and His Kind  
Author: Christopher Isherwood
ISBN: 0816638632
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review
Christopher and His Kind

ANNOTATION

Ten years in the writers life -- from 1929 when he left England to spend a week in Berlin and decided to stay there indefinitely, to the beginning of 1939.

FROM THE PUBLISHER

Christopher and His Kind is an intriguing slice of autobiography. It covers ten years in the writer's life-from 1929, when Isherwood left England to spend a week in Berlin and decided to stay there indefinitely, to the beginning of 1939, when he arrived in New York to start a life in the States. The book revealingly contrasts fact with fiction-the real people Isherwood met in Germany with the portraits of them in his two Berlin novels, who then appeared again, fictionalized to an even greater degree, in I Am a Camera and Cabaret. But one does not need to be familiar with his body of work to appreciate the powerful and compelling story he tells here. Isherwood left Berlin in 1933, after Hitler came to power. For the next four years, he wandered around Europe-through Greece, Spain, Portugal, Denmark, Holland, Belgium, and France-with a German boy named Heinz. The characters in the book include W.H. Auden, Stephen Spender, and E.M. Forster as well as the literary circles of Somerset Maugham and Virginia Woolf. Chronicling German refugees and the British colony in Portugal, the Group Theatre company (which performed the three Auden-Isherwood plays) and the film studio where he worked and which he used as the setting for Prater Violet, Christopher and His Kind is an engrossing and powerfully rendered portrait of a decade in the life of a major writer.

FROM THE CRITICS

Gore Vidal - Gore Vidal, The New York Review of Books

The best prose writer in English... The later Isherwood is even better than the early cameraman.

Peter Stansky

Indispensable for admirers of this truly masterly writer.
The New York Times Book Review

Paul Piazza - The Washington Post

Isherwood freely discusses a dimension of his experience previously repressed in his fiction, his homosexuality. And in telling the truth about himself, he ultimately transcends the limits of autobiography to write what is, in effect, another novel.

     



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