The publisher, Peter Lang Publishing
This study analyzes the psychological and structural dynamic of three postmodern novels: Samuel Beckett's Malone Dies, Doris Lessing's The Golden Notebook, and Philip Roth's The Counterlife. Storytelling becomes here the dangerous activity of a guilty outsider who has come to expect hostile disapproval from all quarters. The result is a sadomasochistic confrontation between these postmodern writers and their imagined audiences: the pleasure of storytelling is linked to the pain the authors inflict upon their readers in retaliation for their anticipated disapproval. The structural consequence is serial negation the constant agonistic oscillation between text and countertext, reflecting the authors' determined efforts to sidestep criticism and maintain artistic control.
Text - Countertext: Postmodern Paranoia in Samuel Beckett, Doris Lessing and Philip Roth FROM THE PUBLISHER
Text/Countertext: Postmodern Paranoia in Samuel Beckett, Doris Lessing, and Philip Roth analyzes the psychological and structural dynamic of three postmodern novels: Samuel Beckett's Malone Dies, Doris Lessing's The Golden Notebook, and Philip Roth's The Counterlife. Storytelling becomes here the dangerous activity of a guilty outsider who has come to expect hostile disapproval from all quarters. The result is a sadomasochistic confrontation between these postmodern writers and their imagined audiences: the pleasure of storytelling is linked to the pain the authors inflict upon their readers in retaliation for their anticipated disapproval. The structural consequence is "serial negation" - the constant agonistic oscillation between text and countertext, reflecting the authors' determined efforts to sidestep criticism and maintain artistic control.
FROM THE CRITICS
Booknews
Analyzes the psychological and structural dynamics of three
postmodern novels: Beckett's "Malone Dies", Lessing's "The Golden
Notebook", and Roth's "The Counterlife". Links the pleasure of
storytellng to the pain the authors inflict on their readers in
retaliation for their anticipated disapproval and explores the
constant agonistic oscillation between text and countertext which
reflect the authors' efforts to sidestep criticism and maintain
artistic control.
Annotation c. by Book News, Inc., Portland, Or.