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   Book Info

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Glass Houses  
Author: Stella Cameron
ISBN: 0821768166
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


From Publishers Weekly
Ever-popular Cameron (Once and for Always) executes a tried-and-true formula of romance and suspense and adds a dash of blackmail, Internet hijinks and transatlantic sleuthing with her latest, rollicking novel. Aiden Flynn is an NYPD detective whose social life is the pits; he's a Mustang fanatic and dog lover addicted to the emotional safety of online conversations in place of the dating rat race. He's housesitting a vacationing colleague's orchids when he starts snooping through his absent associate's e-mails. Desperate missives from a London photographer named Olivia FitzDurham catch Aiden's eye. Apparently, Olivia took some photos for a magazine style spread, and soon a man was stalking her, claiming to be from the magazine, clamoring for the negatives and offering a "kill fee" for them. Aiden urges her to come to New York City for sanctuary, but not long after her arrival, he finds himself framed as a cop-gone-bad, and the budding romantic duo are forced to take their love on the run. Cameron's characterizations are winning: Aiden is rugged without being annoyingly macho, Olivia is eccentric, self-deprecating yet charming, and there's a pair of bumbling British crooks who are a lethal version of Laurel and Hardy. The Judas character is spotted early on, there's an overlong denouement and some of the dialogue is corny, but these flaws are nothing a good screenwriter couldn't fix: this fast-paced book couldn't be more camera-ready. (Aug.) Copyright 2000 Reed Business Information, Inc.


From Booklist
Cameron's new romantic thriller begins with Aiden Flynn reading fellow New York police detective Ryan Hill's e-mail. His snooping puts him in touch with Olivia FitzDurham, a London photographer who is terrified by threats concerning photos she took for an interior decorator. Aiden convinces Olivia to come to New York so he can protect her from Hill, whom he believes is a bad cop, and from whomever in London is threatening her. But Olivia and Aiden are accused of being the masterminds behind an art theft ring and so begin a cross-country odyssey to clear their names and find out what the photos reveal. Naturally, sparks start flying as they unravel the mystery. This sensual, fast-paced thriller is a stay-up-late read with wonderful comic relief in the form of two inept and constantly bickering art thieves aptly named Moody and Fish. A great follow-up to Cameron's Key West , this should earn her new fans, especially readers who like Sandra Brown. Patty Engelmann
Copyright © American Library Association. All rights reserved


About the Author
Stella Cameron is the New York Times/USAToday/Washington Post best-selling, award-winning author of sixty historical and contemporary novels and novellas. Each of her single-title releases has appeared on the WALDENBOOKS mass market, and romance lists, and on the BARNES AND NOBLE list. Stella has won the ROMANTIC TIMES Career Achievement Award for Romantic Suspense and the ROMANTIC TIMES best Romantic Suspense of the Year Award. She has been a RITA finalist, and is the recipient of the Pacific Northwest Writers' Association Achievement Award for distinguished professional achievement and for enhancing the stature of the Northwest literary community. Current titles include 7B, the third book in the 1820s Mayfair Square series (THE ORPHAN is the fourth book and due out in March, 2002), FRENCH QUARTER, KEY WEST, GLASS HOUSES, all contemporary romantic suspense novels, and the contemporary romantic drama, FINDING IAN. TELL ME WHY, contemporary romantic suspense, is due out in September (2001) and SLOW HEAT, a contemporary anthology is now on sale.




Glass Houses

FROM OUR EDITORS

Our Review
A Passionate Parable of Peril
In league with the likes of Tami Hoag and Linda Howard, Stella Cameron is one of the world's most popular writers of romantic suspense. Cameron continues the thrills with her latest parable of peril, Glass Houses, a hot little number with a cold-blooded killer.

London photographer Olivia FitzDurham gets what seems to be a plum assignment. She has been hired by an interior decorator who is doing a feature for a trendy magazine on the remodeling of a home in Notting Hill. Olivia's glee is short-lived, however, when a man claiming to be from the magazine contacts her, offering a kill fee in return for the negatives and all copies of the shots she has taken. At first Olivia agrees, but then, thinking it an odd offer, she calls the magazine back, only to discover that they were not the ones who contacted her. After a hair-raising episode in the subway with the man who did contact her, Olivia fears the term "kill fee" may be taken more literally than she would like.

Back in New York, police detective Aiden Flynn is house-sitting for his fellow copper, Ryan Hill. Never a big fan of Ryan's, Aiden can't resist snooping in the guy's email, where he discovers some curious exchanges with a London woman named Olivia. It seems that Hill has been leading the woman on, pretending to be someone he's not and encouraging her confidences, calling himself Sam and claiming to be an FBI agent. When Aiden reads a new email from Olivia describing the funny business with the photos and her idea of fleeing London, he decides to take over and impersonate Ryan's character himself.

Fearing for her life and knowing her pictures contain something that someone wants very badly, Olivia heads for New York City and the person she thinks is her Internet friend, Sam, who has promised to help and protect her. It is actually Aiden who meets her, and while he isn't sure just what is going on, he has gleaned enough to know that Ryan is up to no good. Aiden's subterfuge as Sam doesn't last long, and once Ryan realizes he's been duped, he frames Aiden and sets out after him and Olivia, intent on killing them both. By the time Olivia learns the truth, she and Aiden are on the run from several killers as well as the law, and their close quarters and dire circumstances serve as sparks to ignite a fire of passion between them.

Olivia, whose naïve determination and fish-out-of-water innocence provide some awkward but funny moments, gives the story a pleasingly light touch. A couple of argumentative and bumbling criminals provide some comic relief as well. On the serious side, the calculating coldness of Ryan Hill generates more than a few spinal chills. However, between Olivia and Aiden's liaisons and those of a certain criminal femme fatale, Cameron also manages to generate plenty of heat.

--Beth Amos

Beth Amos is the author of several novels, including Second Sight, Eyes of Night, and Cold White Fury.

FROM THE CRITICS

Publishers Weekly

Ever-popular Cameron (Once and for Always) executes a tried-and-true formula of romance and suspense and adds a dash of blackmail, Internet hijinks and transatlantic sleuthing with her latest, rollicking novel. Aiden Flynn is an NYPD detective whose social life is the pits; he's a Mustang fanatic and dog lover addicted to the emotional safety of online conversations in place of the dating rat race. He's housesitting a vacationing colleague's orchids when he starts snooping through his absent associate's e-mails. Desperate missives from a London photographer named Olivia FitzDurham catch Aiden's eye. Apparently, Olivia took some photos for a magazine style spread, and soon a man was stalking her, claiming to be from the magazine, clamoring for the negatives and offering a "kill fee" for them. Aiden urges her to come to New York City for sanctuary, but not long after her arrival, he finds himself framed as a cop-gone-bad, and the budding romantic duo are forced to take their love on the run. Cameron's characterizations are winning: Aiden is rugged without being annoyingly macho, Olivia is eccentric, self-deprecating yet charming, and there's a pair of bumbling British crooks who are a lethal version of Laurel and Hardy. The Judas character is spotted early on, there's an overlong denouement and some of the dialogue is corny, but these flaws are nothing a good screenwriter couldn't fix: this fast-paced book couldn't be more camera-ready. (Aug.) Copyright 2000 Cahners Business Information.

WHAT PEOPLE ARE SAYING

If you enjoy Tami Hoag and Linda Howard, you'll love Stella Cameron! — Susan ELizabeth Phillips

     



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