From Library Journal
At the turn of the century, the United States was on the verge of a golden age of sport; sport was about to become "one of the most important and obsessive American mass preoccupations ever." At the same time, a young Nashville reporter named Grantand Rice was beginning to cover sports, and the man and the era were a perfect match?he gave it voice and it stirred him to speak. Sportswriter Harper gives a fascinating account of our games and times as seen by Rice in the first half of this century. Ironically, his shortcoming is in presenting Rice the man. We see Rice as hale-fellow-well-met, as a moral (though racially prejudiced) man, and as a booster of sport, but we seldom see deeper. Harper does confront this problem ("So self-effacing was Rice that even in his memoirs he fairly well excluded himself"), but it still detracts from an otherwise excellent work. Recommended for larger libraries.?Jim G. Burns, Ottumwa P.L., IACopyright 1999 Reed Business Information, Inc.


From Kirkus Reviews
A portrait of a true original who pioneered modern sports journalism, though he may be best remembered for his doggerel. Fresh out of Vanderbilt in 1901, native Tennessean Rice took a job as a reporter for the Nashville Daily News. Harper (Purdue Univ.) zestfully recreates the backdrop for Rice's first piecea 300-word story on a Southern League baseball gameand includes the quaint fact that he brought his typewriter with him. That was the beginning of a career that spanned 53 years and produced 67 million words, including 22,000 columns and 14 books. Rice wrote about, and often became friends with, the greatest names in sport: heavyweight champion Jack Dempsey; Bill Tilden, the preeminent tennis star of the 1920s; Babe Ruth; ``The Galloping Ghost,'' Red Grange; the great woman athlete Babe Didrickson; and Ty Cobb, the baseball legend whom Rice took credit for discovering. He also numbered among his friends and drinking buddies fellow writers Ring Lardner and Don Marquis and President Warren G. Herding. Harper includes a lot of information and has apparently exhausted the archives in writing of Rice's career and friendships; it may seem too much for those only glancingly familiar with his importance. But he had considerable clout in his day and his megaselling autobiography, The Tumult and the Shouting, remains an important, if dated, contribution to sports history. Unfortunately, Harper also takes Rice's poetry a bit too seriously (``But now the fast years hurry by . . . / Like meteors against the sky''). Though he did write the most memorableand perhaps bestlead in sports history when he immortalized the 1924 Notre Dame backfield: ``Outlined against a blue-gray October sky, the Four Horsemen rode again.'' Harper's style never quite gets to the inner man, but it almost doesn't matter. His talent lies in sorting out his extensive research. (38 photos, not seen) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.

FROM THE PUBLISHER

Centering around the life and times of the revered American sportswriter Grantland Rice (1880-1954), How You Played the Game takes us back to those magical days of sporting tales and mythic heroes. Through Rice's eyes we behold such sports as bicycle racing, boxing, golf, baseball, football, and tennis as they were played before 1950. We witness ups and downs in the careers of such legendary figures as Christy Mathewson, Jack Dempsey, Ty Cobb, Babe Ruth, Jim Thorpe, Red Grange, Bobby Jones, Bill Tilden, Notre Dame's Four Horsemen, Gene Tunney, and Babe Didrikson - all of whom Rice helped become household names. As a pioneer in American sportswriting, Rice helped establish and dignify the profession, sitting shoulder to shoulder in press boxes around the nation with the likes of Ring Lardner, Damon Runyon, Heywood Broun, and Red Smith. Besides being a first-rate reporter, Rice was also a columinist, poet, magazine and book writer, film producer, family man, war veteran, fund-raiser, and skillful golfer. His personal accomplishments over a half century as an advocate for sports and good sportsmanship are astounding by any standard. What truly set Rice apart from so many of his peers, however, was the idea behind his sports reporting and writing. He believed that good sportsmanship was capable of lifting individuals, societies, and even nations to remarkable heights of moral and social action.

FROM THE CRITICS

Library Journal

At the turn of the century, the United States was on the verge of a golden age of sport; sport was about to become "one of the most important and obsessive American mass preoccupations ever." At the same time, a young Nashville reporter named Grantand Rice was beginning to cover sports, and the man and the era were a perfect match--he gave it voice and it stirred him to speak. Sportswriter Harper gives a fascinating account of our games and times as seen by Rice in the first half of this century. Ironically, his shortcoming is in presenting Rice the man. We see Rice as hale-fellow-well-met, as a moral (though racially prejudiced) man, and as a booster of sport, but we seldom see deeper. Harper does confront this problem ("So self-effacing was Rice that even in his memoirs he fairly well excluded himself"), but it still detracts from an otherwise excellent work. Recommended for larger libraries.--Jim G. Burns, Ottumwa P.L., IA

Kirkus Reviews

A portrait of a true original who pioneered modern sports journalism, though he may be best remembered for his doggerel. Fresh out of Vanderbilt in 1901, native Tennessean Rice took a job as a reporter for the Nashville Daily News. Harper (Purdue Univ.) zestfully recreates the backdrop for Rice's first piece-a 300-word story on a Southern League baseball game-and includes the quaint fact that he brought his typewriter with him. That was the beginning of a career that spanned 53 years and produced 67 million words, including 22,000 columns and 14 books. Rice wrote about, and often became friends with, the greatest names in sport: heavyweight champion Jack Dempsey; Bill Tilden, the preeminent tennis star of the 1920s; Babe Ruth; "The Galloping Ghost," Red Grange; the great woman athlete Babe Didrickson; and Ty Cobb, the baseball legend whom Rice took credit for discovering. He also numbered among his friends and drinking buddies fellow writers Ring Lardner and Don Marquis and President Warren G. Herding. Harper includes a lot of information and has apparently exhausted the archives in writing of Rice's career and friendships; it may seem too much for those only glancingly familiar with his importance. But he had considerable clout in his day and his megaselling autobiography, The Tumult and the Shouting, remains an important, if dated, contribution to sports history. Unfortunately, Harper also takes Rice's poetry a bit too seriously ("But now the fast years hurry by / Like meteors against the sky"). Though he did write the most memorable-and perhaps best-lead in sports history when he immortalized the 1924 Notre Dame backfield: "Outlined against a blue-gray October sky, the FourHorsemen rode again." Harper's style never quite gets to the inner man, but it almost doesn't matter. His talent lies in sorting out his extensive research. (38 photos, not seen) .

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