In honor of the United Nations-sponsored International Year of the Family in 1994, award-winning photojournalist Peter Menzel brought together 16 of the world's leading photographers to create a visual portrait of life in 30 nations. Material World tackles its wide subject by zooming in, allowing one household to represent an entire nation. Photographers spent one week living with a "statistically average" family in each country, learning about their work, their attitudes toward their possessions, and their hopes for the future. Then a "big picture" shot of the family was taken outside the dwelling, surrounded by all their (many or few) material goods.

The book provides sidebars offering statistics and a brief history for each country, as well as personal notes from the photographers about their experiences. But it is the "big pictures" that tell most of the story. In one, a British family pauses before a meal of tea and crumpets under a cloudy sky. In another, wary Bosnians sit beside mattresses used as sniper barricades. A Malian family composed of a husband, his two wives, and their children rests before a few cooking and washing implements in golden afternoon light. Material World is a lesson in economics and geography, reminding us of the world's inequities, but also of humanity's common threads. An engrossing, enlightening book. --Maria Dolan

From School Library Journal
YA?A fascinating look at the material possessions of families throughout the world. These people have been determined "average" for their countries and have agreed to have photographers move the contents of their houses outside in order to create visible representations of their relative standards of living. The dirt house and few possessions of Mali residents contrast with the 4 cars, 45-foot long sofa, and 12+ oriental carpets lined up outside the luxury home of a family from Kuwait. Each chapter includes the original spread of possessions, statistics about each family and country, as well as further pictures of daily life and some observations by the photographer. Interspersed among the chapters, which are divided by region, are pictorial representations of such interesting comparisons as televisions, meals, and toilets. Almost all of the pictures are in full color. Menzel hoped this would be "a unique tool for grasping cross-cultural realities." It is that and much more.?Susan H. Woodcock, King's Park Library, Burke, VACopyright 1995 Reed Business Information, Inc.

From Library Journal
Although Material World might appear to fall into the genre epitomized by Edward Steichen's The Family of Man (1955), the book truly defies facile classification; it seems at once art, photojournalism, human geography, and visual anthropology. It is a remarkable and captivating coupling of photographic art with economic and demographic statistics. Very largely the work of 16 photographers, including Menzel, the book is most outstanding in its color photographic portraits of 30 families with their material possessions arrayed nearby. Each family represents one of 30 different countries-some poor, some rich-and each approximates what World Bank and UN statisticians deemed to be "average" for its country. Tables associated with the photographs provide statistical portraits of the families and their nations; photographers' notes on their specific projects enlighten the viewer. Though the format allows superficial browsing, the combination of detailed photographic presentations of material goods with the commentaries and statistics invites careful reading and cross-cultural comparison. Readers should find the comparison worth making. Strongly recommended for all libraries. [A CD-ROM of the same title is available; for more information, see p. 21.-Ed.]-James D. Haug, East Carolina Univ. Lib., Greenville, N.C.--James D. Haug, East Carolina Univ. Lib., Greenville, N.C.Copyright 1994 Reed Business Information, Inc.

From Book News, Inc.
A fascinating project--sponsored by a number of international organizations--resulting in this richly intriguing book (it will get well-deserved promotion and distribution via all sorts of media). Sixteen photographers traveled to 30 nations to live for a week with families that are "statistically average" for that nation. At the end of each visit, photographer and subjects collaborated on a portrait of the family, outside of its home, surrounded by all of its material possessions--a few jars and jugs for some, an abundance of electronic gadgetry for others. The 360 color photos are accompanied by information about the standard of living in each country, notes by the photographers about their experiences, and profiles of family members and their lives. Annotation copyright Book News, Inc. Portland, Or.

About the Author
Peter Menzel has photographed stories for National Geographic, Paris Match, Stern, The New York Times Magazine, and Time. He lives in Napa, California. Charles C. Mann is a contributing editor of Atlantic Monthly. He has covered scientific and environmental issues for The New York Times Magazine and other publications. He lives in New York City.

ANNOTATION

Menzel photographed average families in each of 30 nations, posed with their possessions gathered around them. As they depict the meaning of material wealth around the world, these dramatic photos ask a fundamental question: Can all five billion of us have everything we want? "A record of striking value."--Scientific American. 359 color photos.

FROM THE CRITICS

Library Journal

Although Material World might appear to fall into the genre epitomized by Edward Steichen's The Family of Man (1955), the book truly defies facile classification; it seems at once art, photojournalism, human geography, and visual anthropology. It is a remarkable and captivating coupling of photographic art with economic and demographic statistics. Very largely the work of 16 photographers, including Menzel, the book is most outstanding in its color photographic portraits of 30 families with their material possessions arrayed nearby. Each family represents one of 30 different countries-some poor, some rich-and each approximates what World Bank and UN statisticians deemed to be "average" for its country. Tables associated with the photographs provide statistical portraits of the families and their nations; photographers' notes on their specific projects enlighten the viewer. Though the format allows superficial browsing, the combination of detailed photographic presentations of material goods with the commentaries and statistics invites careful reading and cross-cultural comparison. Readers should find the comparison worth making. Strongly recommended for all libraries. [A CD-ROM of the same title is available; for more information, see p. 21.-Ed.]-James D. Haug, East Carolina Univ. Lib., Greenville, N.C.

School Library Journal

YA-A fascinating look at the material possessions of families throughout the world. These people have been determined ``average'' for their countries and have agreed to have photographers move the contents of their houses outside in order to create visible representations of their relative standards of living. The dirt house and few possessions of Mali residents contrast with the 4 cars, 45-foot long sofa, and 12+ oriental carpets lined up outside the luxury home of a family from Kuwait. Each chapter includes the original spread of possessions, statistics about each family and country, as well as further pictures of daily life and some observations by the photographer. Interspersed among the chapters, which are divided by region, are pictorial representations of such interesting comparisons as televisions, meals, and toilets. Almost all of the pictures are in full color. Menzel hoped this would be ``a unique tool for grasping cross-cultural realities.'' It is that and much more.-Susan H. Woodcock, King's Park Library, Burke, VA

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