Broken Vessels, Andre Dubus's first collection of essays, was written between 1977 and 1990. During this period, Dubus hit his peak as an essayist, survived an accident that almost destroyed his will to write, and went on to regain and exceed his earlier power as a writer. Reading this book is almost as rich an experience as meeting a fascinating person: you'll learn the best way to scramble eggs, why baseball is a transcendental experience, the risks and rewards of idealistic poverty, and what it's like to see ghosts. Dubus writes as a Catholic, and most of his essays speak explicitly of the sacramental nature of his everyday experiences. Particularly effective are the essays describing Dubus's struggle to recover from a traffic accident that occurred after he stopped to help stranded motorists on a roadside in 1986. "Lights of the Long Night" is among the best of these, containing the kind of writing that makes you close the book immediately, knowing you've seen so deeply into a person's soul that you have to sit with what you've learned and wait for some sense of how to respond before you're entitled to keep turning the pages. --Michael Joseph Gross

From Publishers Weekly
Dubus writes with searing candor, grace and tenderness in these autobiographical essays. Copyright 1992 Reed Business Information, Inc.

FROM THE CRITICS

Publishers Weekly

Dubus writes with searing candor, grace and tenderness in these autobiographical essays. ( Nov. )

Library Journal

Dubus's first volume of nonfiction is a collection of personal essays written over the last 13 years. The adjective moving is overused but entirely appropriate to these wonderful pieces. One deals with the futility of literature in the face of poverty and suffering, another with our culture's tendency to violence, a tendency Dubus freely admits to sharing. ``On Charon's Wharf'' celebrates ``that loveliest of all sacraments between man and woman.'' Most striking is Dubus's description of the automobile accident that cost him one leg and the use of the other. Quite simply, this is an exceptional volume that belongs in collections of contemporary American literature and all libraries where essays are read.-- Grove Koger, Boise P.L., Id.

Kirkus Reviews

In his first volume of nonfiction, short-story writer Dubus (The Last Worthless Thing, 1986, etc.) reveals the passions, struggles, and strengths underlying his art, life, and arduous recovery from personal tragedy. Sparing few of life's messy details and contradictions, these 22 deeply personal essays, dating from 1977 to 1990 and strongly reminiscent of the author's fictional themes, offer an unflinching view of one man's search for truth. In "Of Robin Hood and Womanhood," a childhood tendency toward "angelic devotion to the female" yields slowly to an effort "to see women as they are...creatures like me." "On Charon's Wharf" connects the mysteries of the Eucharist—"without touch, God is a monologue...he must touch and be touched"—to the dissolution of a marriage once words suffocate action. Here are the joys of writing and the frustrations of publishing (in five essays that move from childhood storytelling to a tribute to writer Richard Yates); the search for social justice ("The Judge and Other Snakes"); the pleasures and responsibilities of fatherhood (throughout). Here also are moments of shimmering lyricism, as in "Under the Lights," when a rare home-run ball hit by a Class C journeyman appears as "a bright and vanishing sphere of human possibility, soaring into the darkness beyond our vision." The last third of the book, a wrenching chronicle of loss and reaffirmation, deals with the highway accident that cost Dubus the use of his legs, the subsequent breakup of his third marriage, and the ensuing battle for physical and spiritual peace. We are left with a view of life as an overlapping sequence of stories, answering a "need to speak into the silence of mortality,"informed by the quest for connection, the "sacrament" of "shared ritual" so ably served by this collection. A beautifully written, moving, and altogether wonderful book.