Caveat emptor: if readers of Our Private Lives are hoping for the unexpurgated musings of famous people they might be disappointed. As Daniel Halpern explains in his preface, "We will never know which of these come to us as they were written, in the heat of the daily moment; which appeared here after some sprucing up; and which were written as if they had been part of a pre-existing journal." Some of the contributors to this book really are inveterate journal keepers; others agreed to keep one as a specific assignment. Perhaps half the fun in reading these entries is trying to guess which are which. Excerpts from Roy Blount Jr., for example, really do seem like the extemporaneous jottings of an active mind: character quirks ("Vereen speculates that the reason for men's generalized consternation about women is that women are the only people men get to know that well"); story possibilities ("Reagan accession shocks man into realization life is not real. He stops keeping up with the news. Hence diminished role of government in his life. Paradoxically life becomes more real); and snippets from the headlines ("Hogs Loosed after Collision: Create Havoc on a Highway) nestle cheek by jowl on the page. Gail Godwin's piece, "A Diarist on Diarists," on the other hand, seems to have been custom-ordered just for this volume.
But what counts in the end is the quality of the lives being chronicled, and what's here is stellar. There's a remarkable range of personalities on display: Bill Clinton's speeches, Paul Bowles's ascerbic Tangier journal, poet Donald Hall's working journal, and much, much more from the likes of Oliver Sacks, V.S. Naipaul, Ursula Le Guin, and Dimitri Nabokov, to name just a few. These journals may (or may not) be sanitized for the reading public, but one has to admit, they sure cleaned up pretty. --Margaret Prior
Book Description
Journals and diaries are the most intimate form of writing. But by defintion, these wellsprings of self-reflection are meant for the writer's eye alone, depriving the reading public of insight into a crucial step in the creative process. This invaluable anthology, re-issued by Ecco, gathers the private thoughts of many of the most praised novelists, essayists, and poets (and one American president) of our time and exposes the writerly sensibilty at its purest, freshest, and least constrained. Paul Bowles observes the daily violence in his quarter of Tangier. Lawrence Durrell muses on the orgasm -- "the heart's pacemaker." Dmitri Nabokov records his vigil at his father's deathbed. And Edna O'Brien gossips snidely about the literary gossips of London. Witty, eloquent, sardonic, or pleasingly mundane, these forty selections pierce the writers' solitude and allow us to enter their very private world.
Our Private Lives FROM THE PUBLISHER
Journals and diaries are the most intimate form of writing. But by defintion, these wellsprings of self-reflection are meant for the writer's eye alone, depriving the reading public of insight into a crucial step in the creative process. This invaluable anthology, re-issued by Ecco, gathers the private thoughts of many of the most praised novelists, essayists, and poets (and one American president) of our time and exposes the writerly sensibilty at its purest, freshest, and least constrained. Paul Bowles observes the daily violence in his quarter of Tangier. Lawrence Durrell muses on the orgasm -- "the heart's pacemaker." Dmitri Nabokov records his vigil at his father's deathbed. And Edna O'Brien gossips snidely about the literary gossips of London. Witty, eloquent, sardonic, or pleasingly mundane, these forty selections pierce the writers' solitude and allow us to enter their very private world.