's Best of 2001
Penzler Pick, December 2001: You'd have to hammer apart an armored tank to find a surface harder than that of Richard Stark's antihero Parker. A thief and a killer, Parker is the protagonist of a contemporary series that has the legendary status of vintage noir. The films Point Blank (with Lee Marvin) and Payback (with Mel Gibson) were both made from the first Parker novel, The Hunter. After an absence from print of over two decades, Parker began breaking all the commandments again in 1997's Comeback.

However, since Stark is, as the dust jacket informs readers, also at times the mystery Grand Master Donald E. Westlake, there's a curious phenomenon worth noting in the pages of this, the 21st Parker novel. Larry Lloyd, a crook by virtue of his (bad) temper if not his temperament, seems to be a second-banana character who's strolled out of a Westlake comic caper into a Stark scenario and can't quite figure out what he's doing here. Practically a textbook definition of a loose cannon, he comes on board the team planning to rob a billionaire techno-geek's remote mountain hideaway because of his own electronics expertise. OK, so he has a violent streak and is willing to put a bullet through a guy's eyeball, but he's still more Walter Mitty than James Cagney.

As he's about to help get the heist back on track at the last minute, Parker asks him if he thinks he's 007. "Are you kidding?" he says. "The last few weeks, I've been scaling cliffs, shooting people, getting rid of bodies, stealing ambulances, I am James Bond."

Since this comes from the hugely fertile mind of Westlake/Stark, this is not the story's only plotline. There is another, more twisty one running on a track parallel to the one with Parker and his robbery-minded pals on it. Revenge may be a dish best eaten cold, but when it's a matter of kill or be killed, Parker is not likely to be one of the leftovers.

Sometimes, a series loses some of its freshness and originality after it reaches a certain number. Amazingly, after 39 years and 21 books, this novel is as good as any in the series, which should be taken as the highest praise it's possible to give without seeming to be sycophantic. --Otto Penzler


From Publishers Weekly
Parker and crew have their eyes on the contents of a secret vault in a billionaire's hunting lodge in this typically taut thriller written by Donald E. Westlake under his nom de noir, but first the tough antihero must deal, roughly, with some people trying to whack him. A Russian hit man provides the overture action as Parker attracts the attention of enemies from the past and meets the killer mercilessly. Parker spends much of the rest of the book seeking out the source of the contract, gradually learning that his current job has brought his name and whereabouts to the surface. The job is one his old partners, Elkins and Wiss, have put on the table: a stash of paintings by Old Masters stolen from museums around the world and kept in dot-com mogul Paxton Marino's Montana lodge for his personal pleasure. To get past Marino's sophisticated electronic safeguards, they need help from a computer-nerd-gone-bad, really bad, named Lloyd. The author delivers this novel with the economy of a 1950s paperback original ("Twelve thousand dollars in twenties and fifties was rolled into an orange juice concentrate can in the freezer"), but slips in enough plot twists and surprises to satisfy the most modern audience (no heist ever written by Stark/Westlake comes off without lots of hitches). That Parker, on general principles, doesn't bump off Lloyd at first sight almost seems like a sign of weakness, but it's the only one in this deliciously nasty read. (Nov. 14)Forecast: Coming on the heels of Flashfire (2000), the last Parker novel, this one promises to be just as big a hit for MWA Grand Master and three-time Edgar-winner Westlake.Copyright 2001 Cahners Business Information, Inc.


From Library Journal
Stark (Backflash, LJ 9/1/98), a pseudonym for prolific crime-fiction writer Donald E. Westlake, offers another adventure in his long-running "Parker" series. This latest shows that Stark retains the gift for careful plotting and darkly humorous circumstances that can make his books a joy to read for patrons who don't mind the violence. Parker, once described by critic Stanley Bart as a thief who "gets annoyed and kills everybody," has mellowed a bit over time. Though the novel begins with Parker's calmly killing a man while being called to the phone, he keeps his rampages to a minimum as the book progresses. He stays focused on the jobs at hand, first helping to steal a treasure trove of art that a dot-com billionaire has secreted away and then finding out who sent the man in the garage to kill him. Parker is amoral and ruthless, but he's not cruel. He is surrounded by people who are also amoral but evil or stupid as well, which allows him to play the hero's role by being calm and thorough and by being a survivor. Recommended for public libraries. Patrick J. Wall, University City P.L., MO Copyright 2001 Reed Business Information, Inc.


From Booklist
Parker, master thief and unrelenting hard case, is between jobs when he gets a call from a couple of former associates who have a line on a dot.com millionaire's illegally obtained art collection. Parker is in, but before he can join his colleagues to case the millionaire's heavily secured hunting lodge in the Pacific Northwest, he needs to dispose of the body in his garage. (The dead man is an assassin hired by one of Parker's many enemies.) The art job requires a technogeek to crack the sophisticated security system, and Parker starts hearing warning bells when he learns that Larry Lloyd, still under electronic surveillance after serving time for computer fraud, has agreed to do the job. Matters get further complicated when a federal agent specializing in art theft also becomes suspicious of the millionaire. Like all of Stark's (aka Donald Westlake) Parker novels, this is a brutal yet compelling glimpse into the amoral world of crime and revenge. In Parker's world, crime may go unpunished, but no score goes unsettled. Wes Lukowsky
Copyright © American Library Association. All rights reserved


Book Description
When the telephone rang, Parker was out in the garage killing a man. Someone from his past had hired a soon-to-be-departed assassin-and Parker wasn't one to give a guy a second chance. But where there's one cockroach, a whole nest isn't far behind. Now, with one eye over his shoulder, Parker's gotta keep focused on the project at hand: breaking into a computer mogul's compound to retrieve some priceless, purloined works of art. With new hit men on his tail and his cronies turning up the heat, Parker is feeling the pressure. Thankfully, he's always at his dead-on best when he's got a deadline.


About the Author
Richard Stark is also Mystery Writers of America Grand Master Donald E. Westlake. He lives in upstate New York.

FROM THE PUBLISHER

"Parker put down the body and answered the phone. And from that moment on he had two jobs to do. One was to rob a remote Montana lodge where a dot-com billionaire hid stolen art treasures in his basement. The other was to find out why a hit man had come to Parker's home - and who had sent him. Parker couldn't do one job if he didn't finish the other." "The master thief wasn't the only one in his crew with scores to settle. Recently released from prison, Lloyd is the brains behind the Montana heist, the only guy who can crack the lodge's alarm system. But Lloyd had a quarrel with some former partners - and a temper. And when he explodes, and shoots a guy through the eye, Parker just happens to be by his side." Now Parker and his would-be partner are both cutting swaths of destruction on their way to Montana. With broken bodies and broken promises piling up behind them, one question remains: Is there enough room in this heist for both men to come out alive?

SYNOPSIS

Parker has two jobs to do. One is to rob a remote Montana lodge of its stolen art treasures. The other is to find out why a hit man came to his home. He can't do the one job if he doesn't finish the other.

FROM THE CRITICS

Publishers Weekly

Parker and crew have their eyes on the contents of a secret vault in a billionaire's hunting lodge in this typically taut thriller written by Donald E. Westlake under his nom de noir, but first the tough antihero must deal, roughly, with some people trying to whack him. A Russian hit man provides the overture action as Parker attracts the attention of enemies from the past and meets the killer mercilessly. Parker spends much of the rest of the book seeking out the source of the contract, gradually learning that his current job has brought his name and whereabouts to the surface. The job is one his old partners, Elkins and Wiss, have put on the table: a stash of paintings by Old Masters stolen from museums around the world and kept in dot-com mogul Paxton Marino's Montana lodge for his personal pleasure. To get past Marino's sophisticated electronic safeguards, they need help from a computer-nerd-gone-bad, really bad, named Lloyd. The author delivers this novel with the economy of a 1950s paperback original ("Twelve thousand dollars in twenties and fifties was rolled into an orange juice concentrate can in the freezer"), but slips in enough plot twists and surprises to satisfy the most modern audience (no heist ever written by Stark/Westlake comes off without lots of hitches). That Parker, on general principles, doesn't bump off Lloyd at first sight almost seems like a sign of weakness, but it's the only one in this deliciously nasty read. (Nov. 14) Forecast: Coming on the heels of Flashfire (2000), the last Parker novel, this one promises to be just as big a hit for MWA Grand Master and three-time Edgar-winner Westlake. Copyright 2001 Cahners Business Information.

Library Journal