Review
"Haunting black-and-white studies of children, shown here as surprisingly sensual and often distant beings, the magical keepers of some obscure and vaguely frightening secrets."--Karen Lipson, Newsday

"Sally Mann's photography is a clear pane...not intrusion, but revelation. These young women distill something for the eye...something beautiful and sad and moving, something purely female."--Diane Sawyer

"Sally Mann is the real thing. Just look at these photographs! At Twelve is an American classic."--Annie Dillard


Book Description
At Twelve is Sally Mann's revealing, collective portrait of twelve-year-old girls on the verge of adulthood. To be young and female in America is a time of tremendous excitement and social possibilities; it is a trying time as well, caught between childhood and adulthood, when the difference is not entirely understood. As Ann Beattie writes in her perceptive introduction, "These girls still exist in an innocent world in which a pose is only a pose-- what adults make of that pose may be the issue." The consequences of this misunderstanding can be real: destitution, abuse, unwanted pregnancy. Mann does not deny this reality, but records it, both in the faces of her subjects and in written stories that accompany thirteen of the portraits, adding another dimension to our understanding of "childhood."

The young women in Mann's unflinching, large-format photographs, however, are not victims. They return the viewer's gaze with a disturbing equanimity. Poet Jonathan Williams writes, "Sally Mann's girls are the ones who do the hard looking in At Twelve-- be up to it!" Partly this is a result of the remarkable rapport that Mann is able to establish with her subjects.

Herself the mother of three, Mann has lived most of her life in Lexington, Virginia, where all of these pictures were taken. In fact, many of the families of the young women were cared for by her father, who was the town doctor for over forty years. So while At Twelve is an intensely personal vision of what it means, now, to be twelve and female, each of Mann's subjects is allowed the opportunity to frankly return our wondering, reminiscent gaze and to have a history of her own, rooted in a specific place at a particular moment-- at twelve.


About the Author
Sally Mann has exhibited and taught nationally. Her work is in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, the Chrysler Museum, the Corcoran Gallery, the San Francisco Museum of Modern Art, and other major collections around the country. She has received grants from the NEA, the NEH, the Friends of Photography, and the John Simon Guggenheim Foundation. Her first book was Second Sight. She lives in Virginia with her husband and three children who are the subject of Immediate Family (Aperture, 1992). In July 2001, Time magazine named Sally Mann "America's Best Photographer."

Ann Beattie, a preeminent writer of her generation, has written several books, including the novels Chilly Scenes of Winter and Falling in Place; the short-story collections Distortions and Where You'll Find Me; and Alex Katz, a monograph of the painter's work.

ANNOTATION

Photographs that are both windows and mirrors: poem-like reflections on these young women's lives and self-portraits of memory and desire.

FROM THE PUBLISHER

At Twelve: Portraits of Young Women. Photographs by Sally Mann. Introduction by Ann Beattie. At Twelve offers a composite portrait that is both universal and intimately personal. As Ann Beattie writes in her perceptive introduction, "These girls still exist in an innocent world in which a pose is only a posewhat adults make of that pose may be the issue." Sally Mann's work is in the collections of major museums across the country. 37 blackandwhite duotone photographs, 9 3/8 X 10 7/8, 56 pages. paperback and hardback available;

"Haunting black-and-white studies of children, shown here as surprisingly sensual and often distant beings, the magical keepers of some obscure and vaguely frightening secrets."

Karen Lipson, Newsday

"Sally Mann's photography is a clear pane...not intrusion, but revelation. These young women distill something for the eye...something beautiful and sad and moving, something purely female."

Diane Sawyer