Unlike so many biographies of dance maestros, Merce Cunningham: Fifty Years offers no litany of substance or psychological abuse. The volume, assembled by the archivist of Merce Cunningham's world-renowned U.S. company, records and analyzes Cunningham's work process and documents the provenance of his modern dance classics. Heavily spiced with biographical detail, Merce Cunningham packages the choreographer's life story in a lovely design that respects his whole body and conveys a rare sense of movement in its mass of still photos.
From Library Journal
For over 50 years, modern dancer and choreographer Cunningham (b. 1919) has been creating dances that challenge performers and audiences alike. His remarkable journey of discovery has been marked by four events: his work with composer John Cage to separate the music from the dance; the adoption of chance operations in choreography; the influence of film and video; and the use of LifeForms, a computer application or "three-dimensional human animation system." The dance company's archivist for more than 20 years, Vaughan documents performances, tours, residencies, and grants, beginning with Cunningham's first work in 1942, and lets the recollections of principals?dancers, designers, and composers?serve as descriptions of each work. Excerpts from Cunningham's eloquent and provocative writings and interviews are interspersed throughout. Vaughan's writing is in keeping with Cunningham's stated preference "to speak of dancing in terms of `facts,' " yet this adherence to "facts" is the volume's one limitation?we hear more about uncomfortable accommodations while on tour than the 1992 death of Cage, Cunningham's lifelong partner and colleague. Handsomely illustrated, this accurate and extensive accounting of Cunningham's illustrious career is an essential addition to dance collections.?Joan Stahl, National Museum of American Art, Washington, DCCopyright 1998 Reed Business Information, Inc.
The New York Times, Jennifer Dunning
The book on Cunningham aims at, and is, as complete and clear a portrait of the modern-dance choreographer and his epochal work as has ever been published.... The surprise of the Cunningham book is the grace with which it almost definitively sums up Cunningham's 63-year life in dance.... Vaughan is able to knit together a vast amount of data and succinct yet telling information about the choreographer's creative processes.
Review
"The book on Mr. Cunningham aims at, and is, as complete and clear a portrait of the modern dance choreographer and his epochal work as has ever been published... The surprise of the Cunningham book is the grace with which it almost definitively sums up Mr. Cunningham's 63-year life in dance . . . Merce Cunningham: Fifty Years is a compelling portrait of a simple yet complex man and an artist who has seldom faltered in his explorations of life and art on the simplest and most complex levels."--Jennifer Dunning, The New York Times
"What emerges from this dispassionate, scrupulous account is much more than the chronicle of fifty years in the amazing and creative life of Merce Cunningham. . . Kudos to David Vaughan who has given us a noble work. As archivist for the Cunningham company for twenty years, he knows better than anyone how to turn this book about a great artist and about the art of this century into a work of art in itself."--Mikhail Baryshnikov
Book Description
Merce Cunningham celebrates the career of one of the most important artists of the twentieth century, from his first innovative and explosive solo dances to the present. This unique book incorporates images of performances by many world-renowned photographers, including Imogen Cunningham, Barbara Morgan, Annie Leibovitz, Peter Hujar, and Arnold Eagle.
Merce Cunningham: Fifty Years FROM THE PUBLISHER
Merce Cunningham: Fifty Years incorporates images of performances and rehearsals, along with candid photographs by many important photographers, including Imogen Cunningham, Arnold Eagle, Peter Hujar, James Klosty, Annie Leibovitz, Barbara Morgan, and Max Waldman. The book also features examples of Cunningham's choreographic notes, as well as scores, and set and costume designs by the artists with whom he has collaborated over the years, including William Anastasi, Dove Bradshaw, John Cage, Morris Graves, Jasper Johns, Takehisa Kosugi, Mark Lancaster, Robert Morris, Bruce Nauman, Isamu Noguchi, Nam June Paik, Robert Rauschenberg, Marsha Skinner, Frank Stella, David Tudor, and Andy Warhol. Realized in collaboration with Cunningham and the Merce Cunningham Dance Foundation, the publication includes essays by Cunningham (gathered together for the first time), and a biographical profile - peppered throughout with Cunningham's voice - by writer and dance historian David Vaughan.
SYNOPSIS
Merce Cunningham celebrates the career of one of the most important artists of the twentieth century, from his first innovative and explosive solo dances to the present. This unique book incorporates images of performances by many world-renowned photographers, including Imogen Cunningham, Barbara Morgan, Annie Leibovitz, Peter Hujar, and Arnold Eagle. Now available in paperback.
FROM THE CRITICS
Library Journal
For over 50 years, modern dancer and choreographer Cunningham (b. 1919) has been creating dances that challenge performers and audiences alike. His remarkable journey of discovery has been marked by four events: his work with composer John Cage to separate the music from the dance; the adoption of chance operations in choreography; the influence of film and video; and the use of LifeForms, a computer application or "three-dimensional human animation system." The dance company's archivist for more than 20 years, Vaughan documents performances, tours, residencies, and grants, beginning with Cunningham's first work in 1942, and lets the recollections of principalsdancers, designers, and composersserve as descriptions of each work. Excerpts from Cunningham's eloquent and provocative writings and interviews are interspersed throughout. Vaughan's writing is in keeping with Cunningham's stated preference "to speak of dancing in terms of `facts,' " yet this adherence to "facts" is the volume's one limitationwe hear more about uncomfortable accommodations while on tour than the 1992 death of Cage, Cunningham's lifelong partner and colleague. Handsomely illustrated, this accurate and extensive accounting of Cunningham's illustrious career is an essential addition to dance collections.Joan Stahl, National Museum of American Art, Washington, DC
Booknews
Realized in collaboration with Cunningham and the Merce Cunningham Dance Foundation, this celebration and documentation of the choreographer and his work includes essays by Cunningham (gathered together for the first time); a biographical profile by writer and dance historian Vaughan; an illustrated chronology of Cunningham's dances, videos, films, and events; and numerous color and b&w images (many full page) showing performances and rehearsals, candid photographs by important photographers, choreographic notes, scores, and set and costume designs. Arrangement of the material is chronological by decade, beginning with his early years and his first works, which were presented in August 1942 when he was a soloist in Martha Graham's company. That occasion also saw the beginning of his collaboration with composer John Cage (1912-1992), to whom the book is dedicated. Oversize: 10x12.25 Annotation c. by Book News, Inc., Portland, Or.
Art & Photography
Book Info
