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Miss Eyre listened in silence, perplexed but determined to be obedient to the directions of the doctor, whose kindness she and her family had good cause to know. She made strong tea; she helped the young men liberally in Mr Gibson's absence, as well as in his presence, and she found the way to unloosen their tongues, whenever their master was away, by talking to them on trivial subjects in her pleasant homely way.
The Merriam-Webster Encyclopedia of Literature
Novel by Elizabeth Gaskell, first published serially in the Cornhill Magazine (August 1864-January 1866) and then in book form in 1866; it was unfinished at the time of her death in November 1865. Known as her last, longest, and perhaps finest work, it concerns the interlocking fortunes of several families in the country town of Hollingford. Wives and Daughters chronicles the maturation of Molly Gibson, a sincere young woman whose widowed father, the town doctor, marries Hyacinth Kirkpatrick, a charming but petty widow and former governess in the household of Lord Cumnor. Although Molly resents her stepmother, she befriends her stepsister Cynthia, who is secretly engaged to Lord Cumnor's land agent, Mr. Preston. Molly is warmly received at the home of Squire Hamley and his disabled wife. The Hamleys' two sons are Osborne, a clever but shallow man who marries unwisely and dies young, and Roger, an honest scientist who eventually marries Molly after being engaged to Cynthia, who ultimately weds a London barrister.
Wives and Daughters FROM THE PUBLISHER
Set in English society before the 1832 Reform Bill, Wives and Daughters centres on the story of youthful Molly Gibson, brought up from childhood by her father. When he remarries, a new step-sister enters Molly's quiet life - loveable, but worldly and troubling, Cynthia. The narrative traces the development of the two girls into womanhood within the gossiping and watchful society of Hollingford. Wives and Daughters is far more than a nostalgic evocation of village life; it offers an ironic critique of mid-Victorian society. 'No nineteenth-century novel contains a more devastating rejection than this of the Victorian male assumption of moral authority', writes Pam Morris in her introduction to this new edition, in which she explores the novel's main themes - the role of women, Darwinism and the concept of Englishness - and its literary and social context.