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   Book Info

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Seagram Building  
Author: Ezra Stoller
ISBN: 1568982011
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


House & Garden
"Ezra Stoller is the Annie Leibovitz of modern architecture."-House & Garden


Book Description
These new titles in the Building Blocks series showcase four more icons of modern architecture, as portrayed by renowned architectural photographer Ezra Stoller. Two buildings by Frank Lloyd Wright, Fallingwater and Taliesin West, Louis Kahn's Salk Institute, and Mies van der Rohe's Seagram Building are shown in original condition, with original furnishings, as the architects intended them to be seen. Wright's integration of architecture and landscape, Kahn's dramatic yet humane monumentality, and Mies's austere elegance are revealed and preserved in Stoller's classic compositions. Small, elegant, and affordable, each volume presents the photo-graphs that made these structures famous. With 60 rich duotone plates (and 16 color plates for Taliesin West), a brief introduction, and newly drawn plans, sections, and elevations, these books constitute the essential photographic histories of the most important works of modernism.


About the Author
Ezra Stoller, one of the world's preeminent architectural photographers, is also the founder of the Esto Photographics agency.




Seagram Building

FROM THE PUBLISHER

Set back from the street by a wide marble plaza, Mies van der Rohe's preternaturally elegant Seagram Building exudes a cool command over its International Style brethren along New York's Park Avenue. The sine qua non of late-modern skyscrapers, it has been deemed the greatest building constructed over the last thousand years by no less an authority than New York Times architecture critic Herbert Muschamp.. "Animated by evenly spaced I-beams running vertically up and down its facades, the Seagram Building defined "modern classicism" and launched countless imitations. The ultimate in commercial prestige architecture, the building earned the dubious honor of an added luxury levy from the New York Tax Commission.. "Acclaimed architectural photographer Ezra Stoller shot his iconic images of the building in two stages: the first, in 1958, just after its completion, and again in 1991, with the surrounding neighborhood dramatically changed.. "Mies biographer Frank Schulze provides an introduction describing the history and significance of the building.

SYNOPSIS

|These new titles in the Building Blocks series showcase four more icons of modern architecture, as portrayed by renowned architectural photographer Ezra Stoller.Two buildings by Frank Lloyd Wright, Fallingwater and Taliesin West, Louis Kahn's Salk Institute, and Mies van der Rohe's Seagram Building are shown in original condition, with original furnishings, as the architects intended them to be seen. Wright's integration of architecture and landscape, Kahn's dramatic yet humane monumentality, and Mies's austere elegance are revealed and preserved in Stoller's classic compositions.Small, elegant, and affordable, each volume presents the photo-graphs that made these structures famous. With 60 rich duotone plates (and 16 color plates for Taliesin West), a brief introduction, and newly drawn plans, sections, and elevations, these books constitute the essential photographic histories of the most important works of modernism.

FROM THE CRITICS

Architects Journal

The books are pocket-sized but Stoller's images, well-reproduced, are still effective in this small format. Not just his eye and technique impress but also his tolerance and apt inclusion of people.

Elle Decor

Architectural photographer Ezra Stoller's stunning oeuvre forms the basis for Princeton Architectural Press's "Building Block" series of books saluting landmarks of 20th-century architecture. The first titles: The TWA Terminal, The Chapel at Ronchamp, The United Nations, and The Yale Art and Architecture Building.

WHAT PEOPLE ARE SAYING

These books are telling, not only about their subjects (shown in lush duotones), but also about how modern architecture came to be perceived by historians, architects, and the public. — Cathy Lang Ho

     



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