From Publishers Weekly
These journal entries by Nirvana front man Cobain record his thoughts from the late 1980s until his suicide in 1994. There are no real answers to his death to be found in this collection of scrawled notes, first drafts of letters, shopping lists, and ballpoint pen drawings, although the nature of Cobain's fame will make it hard for readers not to look for them. At best, a series of intimate portraits emerge: a kid from high school; a cousin and neighbor; a bright, sensitive, fun-loving and morbid punk rocker who became spokesman for a generation he largely detested. Cobain's journals remind fans of how unlikely was his rise to fame: here was a kid from Aberdeen, dreaming of being in the next Meat Puppets, not the next Doors, who signed on with an independent label named SupPop, and ended up changing the course of commercial radio. Cobain's early letters to fellow rockers in the grunge scene also remind readers of how small and close that community was, and of the fairly incendiary politics it had developed through the Reagan years. For a true punk believer like Cobain, the loss of that community was also the loss of himself. Copyright 2002 Reed Business Information, Inc.

From Library Journal
The question of how to package Cobain's journals (originally contained in more than 20 notebooks) became as important as whether they should be published. Courtney Love, Cobain's widow, ultimately decided to go with Riverhead, and her choice appears to have been a good one. Reproduced here are actual notebook pages, filled with the musician's drawings, thoughts, desires, moods, lists, and declarations, showcasing his many talents, as much as his penchant for morbidity, in an amalgamation of handwritings. While this collection offers another level of intimacy for fans who have already experienced the musician's life via records, news clippings, album art, and several biographies, no one involved with the project provides any context, and this absence is keenly felt. Notes are scattered and applied to things that are of little interest, while other confusing pieces are left without the slightest comment. Given Love's vigilance in all matters Nirvana and Cobain, it is surprising that she was not more hands-on here. Still, Journals remains a good complement to Charles R. Cross's Heavier Than Heaven, which references the notebooks, and a unique addition to popular music collections.Rachel Collins, "Library Journal"Copyright 2002 Reed Business Information, Inc.

From Booklist
Reading a diary offers a thrilling--and dangerous--immediacy ofaccess to the author's thoughts. When those private pages arepublished, however, the impersonality of typesetting and crisp marginsholds us at a distance. This volume, culled from more than 20spiral-bound journals the musician left behind after his 1994 death,brings us closer by using facsimile pages to present Cobain in his ownuneven handwriting. There are diary entries, song lyrics, guitarchords, comic strips, letters, drafts of promotional material, andstream-of-consciousness scrawlings. Although they're so varied thatit's hard to fill in a complete picture of the man, maybe that isthe complete picture: a fragmented, immensely talented individual whowas only able to put the pieces together during his cathartic, chaoticlive performances. Some writings reflect his efforts to get earlyversions of Nirvana on track professionally, and others reveal hisconflicting emotions at having succeeded in a musical milieu wheresuccess itself was often seen as the enemy. Some giveaways areentirely inadvertent--it's strangely touching that Cobain, whostruggled with heroin addiction, couldn't even spell the word properly(he added an e on the end). With a Nirvana greatest-hits CD justhitting the stores after protracted legal wrangling between his widowand his former bandmates, there's bound to be a resurgence of interestin the straw-haired lost boy of alternative rock. But after readinghis journals, you may conclude that the spotlight was the one thingthis artist didn't need. Keir Graff
Copyright © American Library Association. All rights reserved

FROM THE PUBLISHER

Kurt Cobain filled dozens of notebooks with lyrics, drawings, and writings about his plans for Nirvana and his thoughts about fame, the state of music, and the people who bought and sold him and his music. Over twenty of these notebooks survived his many moves and travels and have been locked in a safe since his death. His journals reveal an artist who loved records, who knew the history of rock, and who was determined to define his place in that history.

FROM THE CRITICS

Publishers Weekly

These journal entries by Nirvana front man Cobain record his thoughts from the late 1980s until his suicide in 1994. There are no real answers to his death to be found in this collection of scrawled notes, first drafts of letters, shopping lists, and ballpoint pen drawings, although the nature of Cobain's fame will make it hard for readers not to look for them. At best, a series of intimate portraits emerge: a kid from high school; a cousin and neighbor; a bright, sensitive, fun-loving and morbid punk rocker who became spokesman for a generation he largely detested. Cobain's journals remind fans of how unlikely was his rise to fame: here was a kid from Aberdeen, dreaming of being in the next Meat Puppets, not the next Doors, who signed on with an independent label named SupPop, and ended up changing the course of commercial radio. Cobain's early letters to fellow rockers in the grunge scene also remind readers of how small and close that community was, and of the fairly incendiary politics it had developed through the Reagan years. For a true punk believer like Cobain, the loss of that community was also the loss of himself. (Nov.) Copyright 2003 Cahners Business Information.

Library Journal