From Publishers Weekly
In his 10th adventure, Alex Cross, now working full time for the FBI, is confronted by two of his most deadly foes: the faceless ex-KGB agent from last year's Big Bad Wolf, who's known as "The Wolf" and is threatening four metropolises with nuclear destruction; and the insane serial killer The Weasel, last seen in Patterson's Pop Goes the Weasel. Patterson's action is fast and furious, and narrators Fernandez and O'Hare do a fine job of keeping up with him. O'Hare does especially well with his performance of The Wolf, giving the Russian-accented villain a calm, almost soothing vocalization that nicely counters his sadistic actions. Fernandez brings a warm humanity to Cross, especially in scenes with his family, giving listeners a break from the murder and mayhem that rule much of the book. The narrators' performances are accompanied by well-placed music and sound effects. Each chapter opens with an ominous ticking clock and an electronically distorted voice announcing the chapter title, a technique that at first seems fitting for the book's style and tone, but soon becomes more annoying than effective. Still, this one quibble will not stop Patterson's fans from thoroughly enjoying the latest installment in the Cross series. Simultaneous release with the Little, Brown hardcover (Forecasts, Nov. 8, 2004). (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From AudioFile
James Patterson's newest book in the Alex Cross series just might be his best to date. The dual delivery by Peter J. Fernandez and Denis O'Hare invites the reader into the frightening world of Cross's old enemies, the Wolf and the Weasel, who appear to have joined forces to inflict unspeakable terror on the people of the United States. The production is enhanced through the use of the two distinct voices; accents and background noises also help keep the listener in a constant state of anticipation. The narrators convey the stark evil that permeates the world of anti-American terrorism and leave listeners thankful that good guys exist. S.K.P. © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine

FROM THE PUBLISHER

Alex Cross is back--and so is the Big Bad Wolf.

Terrorists have seized the worlds largest cities. London, Washington, DC, New York, and Frankfurt will be destroyed, unless their demands are met--and their demands are impossible. After a city in the western United States is fire bombed--a practice run--Alex Cross knows that it is only a matter of time before the bombers threats to the other cities are brutally executed.

Heading up the investigation by the FBI, CIA, and Interpol, Alex Cross is stunned when surveillance photos show Geoffrey Shafer, the Weasel, near one of the bombing sites. He senses the presence of the Wolf as well, the most vicious predator he has ever battled. With millions of lives in the balance, Cross has to see if the most powerful law enforcement agencies in the world can stay ahead of these two men's cunning.

FROM THE CRITICS

Publishers Weekly

Any thriller writer, wannabe or actual, would do well to study Patterson's 10th Alex Cross novel. A sequel to last year's The Big Bad Wolf, the book is a model of economy, delivering a full package of suspense, emotion and characterization in a minimum number of words. The story brings back not only Big Bad Wolf's arch-villain, the Russian mobster known as the Wolf, but also an earlier Patterson bad guy, the Weasel, recruited by the Wolf to further his plans. These involve extorting Western powers for billions of dollars to avoid major terrorist attacks on New York, London, Washington and Frankfurt-attacks the Wolf offers a preview of by wiping out a town in Nevada by aerial bombardment after hustling its citizens to safety, then by doing the same to a village in England without evacuating the populace. The novel features numerous exciting scenes, most notably one in which Cross is kidnapped, then shackled to a suitcase atomic bomb. It's not the steady tension, the numerous colorful locales, the reliable action climaxes nor the novel's effective doomsday gloss that makes this thriller work so well, though. It is, of course, the characters, and in Cross, Patterson continues to elaborate his finest hero, cerebral yet emotional, dedicated yet flawed, caught between duty and family. Regrettably, the novel is marred in its final chapters by a series of surprises that skirt playing unfair with the reader, but most Patterson fans probably won't mind and they are legion enough to send this to the top of the charts, for good reason. (Nov. 8) Copyright 2004 Reed Business Information.

Library Journal

It's Alex Cross vs. the Big Bad Wolf again, even as terrorists grab major world cities from New York to Frankfurt. Copyright 2004 Reed Business Information.

AudioFile