From Library Journal
Like the Carroll volume above, this edition of the seasoned veteran provides a new twist. Crane's Badge was originally serialized in the New York Press in 1894, a year before the story was published in novel form. This volume offers both the slightly different serial version and the finished work. Though every library no doubt has numerous copies of Red Badge, academic and public libraries supporting American literature curricula should pop for this one, too, especially at the price.Copyright 1999 Reed Business Information, Inc.

New York Times
A classic work of American literature . . . in full, as the author wrote it.

Boston Globe
This is Red Badge as Crane actually wrote it.

From AudioFile
Crane's classic story of Henry Fleming's rite of passage in the Civil War is superbly narrated by Walter Lewis. His voice is extremely versatile and expressive. Although Henry and the men of his regiment are from New York, Lewis's Midwestern accent ably conveys the rural character of the personalities in the work. The narration is done just as well; when hearing of the panic of Henry's regiment at the second Confederate assault, one can sense the terror that can so quickly seize and carry away men in battle. There is music interspersed in the action, usually to indicate chapter or side breaks. The effect is mixed. Some listeners (as well as this reviewer) may expect music from the period, martial or popular, rather than the orchestral pieces presented. The cover notes, for the most part, are equal to the performance. M.T.F. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile, Portland, Maine

FROM OUR EDITORS

One of the greatest war novels of all time, this is the story of the Civil War through the eyes of Henry Fleming, an ordinary farm boy turned soldier. Marks a departure from the traditional treatment of war in fiction as it captures the sights and sounds of war while creating the intricate inner world of Henry. Probes the personal reactions of unknown foot soldiers fighting unknown enemies. Henry Fleming is motivated not by courage or patriotism but by cowardice, fear, and finally egoism, and events are filtered through his consciousness.

ANNOTATION

During his service in the Civil War a young Union soldier matures to manhood and finds peace of mind as he comes to grips with his conflicting emotions about war.

FROM THE PUBLISHER

When Henry Fielding joined the Union army, he was filled with romantic illusions of warfare. These illusions soon disappeared under the harsh, brutal reality of war. Forces beyond his control and random chance soon drive him to cowardice in battle. The same forces later combine to make his heroism. The Red Badge of Courage is one of the most realistic and frightening desciptions of warfare ever written.

The Red Badge of Courage is Stephen Crane's (1871-1900) masterpiece. It earned Crane an international reputation, but little financially.

SYNOPSIS

Published thirty years after the Civil War, this "impressionistic" American classic tells a war story in a thoroughly modern way - without a trace of romanticizing. Through the eyes of ordinary soldier Henry Fleming, we follow his psychological turmoil, from the excitement of patriotism to the bloody realities of battle and his flight from it. In the end, he overcomes his fear and disillusionment, and fights with courage.

FROM THE CRITICS

AudioFile

Crane's classic story of Henry Fleming's rite of passage in the Civil War is superbly narrated by Walter Lewis. His voice is extremely versatile and expressive. Although Henry and the men of his regiment are from New York, Lewis's Midwestern accent ably conveys the rural character of the personalities in the work. The narration is done just as well; when hearing of the panic of Henry's regiment at the second Confederate assault, one can sense the terror that can so quickly seize and carry away men in battle. There is music interspersed in the action, usually to indicate chapter or side breaks. The effect is mixed. Some listeners (as well as this reviewer) may expect music from the period, martial or popular, rather than the orchestral pieces presented. The cover notes, for the most part, are equal to the performance. M.T.F. © AudioFile 2001, Portland, Maine

WHAT PEOPLE ARE SAYING