From Publishers Weekly
With this book, Follett risks all and comes out a clear winner, escaping the narrow genre of suspense thrillers to take credit for a historical novel of gripping readability, authentic atmosphere and detail and memorable characterization. Set in 12th-century England, the narrative concerns the building of a cathedral in the fictional town of Kingsbridge. The ambitions of three men merge, conflict and collide through four decades during which social and political upheaval and the internal politics of the church affect the progress of the cathedral and the fortunes of the protagonists. The insightful portrayals of an idealistic master builder, a pious, dogmatic but compassionate prior and an unscrupulous, ruthless bishop are balanced by those of a trio of independent, resourceful women (one of them quite loathesome) who can stand on their own as memorable characters in any genre. Beginning with a mystery that casts its shadow on ensuing events, the narrative is a seesaw of tension in which circumstances change with shocking but true-to-life unpredictability. Follett's impeccable pacing builds suspense in a balanced narrative that offers action, intrigue, violence and passion as well as the step-by-step description of an edifice rising in slow stages, its progress tied to the vicissitudes of fortune and the permutations of evolving architectural style. Follett's depiction of the precarious balance of power between monarchy and religion in the Middle Ages, and of the effects of social upheavals and the forces of nature (storms, famines) on political events; his ability to convey the fine points of architecture so that the cathedral becomes clearly visualized in the reader's mind; and above all, his portrayals of the enduring human emotions of ambition, greed, bravery, dedication, revenge and love, result in a highly engrossing narrative. Manipulating a complex plot in which the characters interact against a broad canvas of medieval life, Follett has written a novel that entertains, instructs and satisfies on a grand scale. 400,000 first printing; $400,000 ad/promo; Literary Guild main dual selection; author tour. Copyright 1989 Reed Business Information, Inc.

From Library Journal
A radical departure from Follett's novels of international suspense and intrigue, this chronicles the vicissitudes of a prior, his master builder, and their community as they struggle to build a cathedral and protect themselves during the tumultuous 12th century, when the empress Maud and Stephen are fighting for the crown of England after the death of Henry I. The plot is less tightly controlled than those in Follett's contemporary works, and despite the wealth of historical detail, especially concerning architecture and construction, much of the language as well as the psychology of the characters and their relationships remains firmly rooted in the 20th century. This will appeal more to lovers of exciting adventure stories than true devotees of historical fiction. Literary Guild dual main selection.- Cynthia Johnson Whealler, Cary Memorial Lib., Lexington, Mass.Copyright 1989 Reed Business Information, Inc.

Book Description
The "Pillars of the Earth" sweeps through four decades of 12th Century England drawing the listener into the raw, flamboyant middle ages. It is a shining saga of good and evil, treachery and intrigue, violence and beauty. Not-so-noble knights, righteous heroes, valiant heroines and both virtuous and immoral men of God highlight this story. They manipulate, and are in turn manipulated by, the political turmoil and unrest between the reigns of Henry I and Henry II.

The listener will cheer on the fates of the virtuous and hiss at the evil-doers. A truly fascinating story that the listener will never forget.

ANNOTATION

Ken Follett, internationally-acclaimed master of split-second suspense, author of six #1 bestsellers, reaches beyond the expected to achieve his most brilliant and remarkable novel. The epic story of the building of a cathedral in 12th century England and the lives of the people entwined with it and each other is a sensuous, enduring narrative, and a gripping tale of faith, ambition, bloodshed and betrayal.

FROM THE PUBLISHER

As a new age dawns in England's twelfth century, the building of a mighty Gothic cathedral sets the stage for a story of intrigue and power, revenge and betrayal.

FROM THE CRITICS

Cecilia Holland

For roughly 500 pages, half the book, cathedrals and rapine are enough. Mr. Follett's male characters are chess pieces, clearly labeled Good Guy and Bad Guy. There is a saintly churchman and a bad one; the saint plays politics just as much as the sinner, but we know which one is the villain because he wears black. Mr. Follett's female characters are virtually indistinguishable from one another, plucky types whom men must nonetheless rescue from any real danger....Like a cathedral built too high, Mr. Follett's story develops cracks, and chunks of it fall into the crypt. The plot, which theoretically centers on the building of a cathedral, spills off into too many different directions, including a whirlwind tour of Europe and a completely obvious mystery. The characters never grow, and without some deepening emotional discovery, the world of the novel becomes trite, the incidentsThe vigor and intensity of the first half of the book may bring The Pillars of the Earth popular success. But half a book isn't good enough, especially at these prices. repetitious. -- New York Times

Publishers Weekly

With this book, Follett risks all and comes out a clear winner, escaping the narrow genre of suspense thrillers to take credit for a historical novel of gripping readability, authentic atmosphere and detail and memorable characterization. Set in 12th-century England, the narrative concerns the building of a cathedral in the fictional town of Kingsbridge. The ambitions of three men merge, conflict and collide through four decades during which social and political upheaval and the internal politics of the church affect the progress of the cathedral and the fortunes of the protagonists. The insightful portrayals of an idealistic master builder, a pious, dogmatic but compassionate prior and an unscrupulous, ruthless bishop are balanced by those of a trio of independent, resourceful women (one of them quite loathesome) who can stand on their own as memorable characters in any genre. Beginning with a mystery that casts its shadow on ensuing events, the narrative is a seesaw of tension in which circumstances change with shocking but true-to-life unpredictability. Follett's impeccable pacing builds suspense in a balanced narrative that offers action, intrigue, violence and passion as well as the step-by-step description of an edifice rising in slow stages, its progress tied to the vicissitudes of fortune and the permutations of evolving architectural style. Follett's depiction of the precarious balance of power between monarchy and religion in the Middle Ages, and of the effects of social upheavals and the forces of nature (storms, famines) on political events; his ability to convey the fine points of architecture so that the cathedral becomes clearly visualized in the reader's mind; and above all, his portrayals of the enduring human emotions of ambition, greed, bravery, dedication, revenge and love, result in a highly engrossing narrative. Manipulating a complex plot in which the characters interact against a broad canvas of medieval life, Follett has written a novel that entertains, instructs and satisfies on a grand scale.

Library Journal