Unless you're a mathematician, the chances of you reading any novels about geometry are probably slender. But if you read only two in your life, these are the ones. Taken together, they form a couple of accessible and charming explanations of geometry and physics for the curious non-mathematician. Flatland, which is also available under separate cover, was published in 1880 and imagines a two-dimensional world inhabited by sentient geometric shapes who think their planar world is all there is. But one Flatlander, a Square, discovers the existence of a third dimension and the limits of his world's assumptions about reality and comes to understand the confusing problem of higher dimensions. The book is also quite a funny satire on society and class distinctions of Victorian England. The further mathematical fantasy, Sphereland, published 60 years later, revisits the world of Flatland in time to explore the mind-bending theories created by Albert Einstein, whose work so completely altered the scientific understanding of space, time, and matter. Among Einstein's many challenges to common sense were the ideas of curved space, an expanding universe and the fact that light does not travel in a straight line. Without use of the mathematical formulae that bar most non-scientists from an understanding of Einstein's theories, Sphereland gives lay readers ways to start comprehending these confusing but fundamental questions of our reality.


From Book News, Inc.
Reprint of the classic essay on the fourth dimension originally published in 1884. Cited in . Book News, Inc.®, Portland, OR

ANNOTATION

Century-old classic of British letters that charmed and fascinated generations of readers; witty satire of Victorian society and unique insights into the fourth dimension.

FROM THE PUBLISHER

With wry humor and penetrating satire, Flatland takes us on a mind-expanding journey into a different world to give us a new vision of our own. A. Square, the slightly befuddled narrator, is born into a place which is limited to two dimensions—irrevocably flat—and peopled by a hierarchy of geometrical forms. In a Gulliver-like tour of his bizarre homeland, A. Square spins a fascinating tale of domestic drama and political turmoil, from sex among consenting triangles to the intentional subjugation of Flatland's females. He tells of visits to Lineland, the world of one dimension, and Pointland, the world of no dimension. But when A. Square dares to speak openly of a third, even a fourth dimension, his tragic fate climaxes a brilliant parody of Victorian society.

An underground favorite since its publication in England in 1884, Flatland is as prophetic a science-fiction classic as the works of H.G. Wells, introducing aspects of relativity and hyperspace years before Einstein's famous theories, and it does so with a wonderful, enduring enchantment.

FROM THE CRITICS

Asimov - The Forward

The best introduction one can find into the manner of perceiving dimensions.

Saturday Review

"This pre-Einstein geometrical fantasy is one of the best things of its kind that has ever been written, for it is more than an ingeniously sustained fantasy: it is a social satire, with wit as sharp as the sub-lutrous end of a Flatland woman; it is an easy philosophical introduction to the Fourth Dimension; and it is a rebuke to everyone who holds that there is no reality beyond what is perceptible by human senses."

Isaac Asimov - The Forward

The best introduction one can find into the manner of perceiving dimensions.

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