Home | Best Seller | FAQ | Contact Us
Browse
Art & Photography
Biographies & Autobiography
Body,Mind & Health
Business & Economics
Children's Book
Computers & Internet
Cooking
Crafts,Hobbies & Gardening
Entertainment
Family & Parenting
History
Horror
Literature & Fiction
Mystery & Detective
Nonfiction
Professional & Technology
Reference
Religion
Romance
Science
Science Fiction & Fantasy
Sports & Outdoors
Travel & Geography
   Book Info

enlarge picture

Reading Art, Reading Irigaray: The Politics of Art by Women  
Author: Hilary Robinson
ISBN: 186064953X
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review

Book Description
Feminist theorist Luce Irigaray's influential work in philosophy, gender, linguistics and psychoanalysis is now well established and widely discussed. Taught and read across a broad range of disciplines, the implications of this challenging body of work for art itself is as yet only implied, and rarely elucidated. In this much-needed book, Hilary Robinson brings it to a wider audience through a clear exploration of her central ideas and arguments. Crucially, it asks, if language is gendered, as Irigaray believes, and if art is a language, what are the ramifications for the visual "languages" employed by women? How do women artists work and express themselves through this work? Drawing out the implications of such issues as "the speculum", "mucous", masquerade, mimicry and the maternal in relation to the "language" of art, the book employs case-studies of well-known works by women artists including Louise Bourgeois, Rachel Whiteread, Bridget Riley and Jenny Saville.





Reading Art, Reading Irigaray: The Politics of Art by Women

FROM THE PUBLISHER

Feminist theorist Luce Irigaray's influential work in philosophy, gender, linguistics and psychoanalysis is now well established and widely discussed. Taught and read across a broad range of disciplines, the implications of this challenging body of work for art itself is as yet only implied, and rarely elucidated. In this much-needed book, Hilary Robinson brings it to a wider audience through a clear exploration of her central ideas and arguments. Crucially, it asks, if language is gendered, as Irigaray believes, and if art is a language, what are the ramifications for the visual "languages" employed by women? How do women artists work and express themselves through this work? Drawing out the implications of such issues as "the speculum", "mucous", masquerade, mimicry and the maternal in relation to the "language" of art, the book employs case-studies of well-known works by women artists including Louise Bourgeois, Rachel Whiteread, Bridget Riley and Jenny Saville.

     



Home | Private Policy | Contact Us
@copyright 2001-2005 ReadingBee.com