From Publishers Weekly
"Time is a face on the water," stretching and contorting reality as gunslingers Roland, Eddie, Susannah, Jake and their talking pet "billy-bumbler" Oy continue their quest to prevent the destruction of the Dark Tower and, consequently, save all worlds from Chaos and the Crimson King's evil, red-eyed glare. Roland-the primary hero of King's epic tale, the first volume of which appeared in 1982-and company momentarily fall off the "Path of The Beam" to help the residents of Calla Bryn Sturgis, a farm town. But as Dark Tower fans know, everything follows The Beam, so what looks like a detour may really serve the will of "ka" (destiny). Roland and his posse learn that every 20-odd years the "Wolves" kidnap one child from each set of the Calla's twins, bring them to the Tower and, weeks later, send them back mentally and physically impaired. Meanwhile, back in 1977 New York City (the alternate world of Roland's surrogate son, Jake), bookstore owner Calvin Tower is being threatened by a group of thugs (readers will recognize them from The Drawing of the Three, 1987) to sell them a vacant lot in midtown Manhattan. In the lot stands a rose, or rather the Rose, which is our world's manifestation of the Dark Tower. With the help of the Old Fella (also known to `Salem's Lot readers as Father Callahan), the gunslingers must devise a plan against evil in both worlds. The task, however, is further complicated as Roland and his gang start noticing behavioral changes in wheelchair-bound, recovered schizophrenic Susannah.As the players near the Tower, readers will keep finding exciting ties between the Dark Tower universe and King's other books, with links to Black House, Insomnia, The Eyes of the Dragon, The Stand, `Salem's Lot and Hearts in Atlantis. The high suspense and extensive character development here (especially concerning Jake's coming-of-age), plus the enormity of King's ever-expanding universe, will surely keep his "Constant Readers" in awe.Copyright 2003 Reed Business Information, Inc.

From AudioFile
In their continuing journey toward the Dark Tower, Roland and his KA-TET--three twentieth-century New Yorkers, now gunslingers--encounter a peaceful village, Calla Bryn Sturgis, which is suffering attacks on its children by violent robotic wolves. Through sinister understatement, George Guidall conveys the horror of the wolves and the growing tension of the group's arrival at their destination. Guidall shows startling ineptitude for the protagonist's Maine accent but invests the Calla people with a language all their own, identifiable and consistent throughout the production. His characterization of series character Susannah Dean somewhat reprises Frank Muller's excellent portrayal, but, for the most part, Guidall underplays vocal distinctions among the characters. R.P.L. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine

From Booklist
Wizard and Glass (1997), volume 4 of King's massive, postapocalyptic, chivalrized western, The Dark Tower, was rather a snooze, not for lack of action but because it was primarily a flashback that drew unmercifully on King's stash of horse-opera cliches. "'S'all very nice," one thought, "but let's move it, Steve!" Volume 5--this book--moves it, despite not getting Roland the Gunslinger much nearer the Dark Tower, taking another big backward glance, and continuing to mine an open pit of oater conceits. Roland's ka-tet--himself and three twentieth-century New Yorkers, all of them now fellow gunslingers--approach a ranching and farming community anticipating a recurrent pestilence. After 23 years, the Wolves are coming from the evil-darkened East to abduct one of every pair of prepubescent twins older than three. The children will be returned, but nearly witless and sterile, doomed to grow immensely and enormously painfully in their middle teens, serve (if not too stupid) as workhorses, and suddenly, painfully wither and die in their early thirties. An erstwhile priest in the community knows what Roland and company are, and he persuades a community to send a committee to ask for their help. Of course, once asked, the code of the gunslinger compels acceptance. Gonna be a humdinger of a fight! Fore and aft of the showdown, King stuffs the book with juice, like the big flashback, in which Pere Callahan reveals his past in . . . 'Salem's Lot. One of the greatest cavalcades in popular fiction is back on track. Ray Olson
Copyright © American Library Association. All rights reserved

Review
People The master of the macabre....[King] is still quite the entertainer

Book Description
Roland Deschain and his ka-tet are bearing southeast through the forests of Mid-World, the almost timeless landscape that seems to stretch from the wreckage of civility that defined Roland's youth to the crimson chaos that seems the future's only promise. Readers of Stephen King's epic series know Roland well, or as well as this enigmatic hero can be known. They also know the companions who have been drawn to his quest for the Dark Tower: Eddie Dean and his wife, Susannah; Jake Chambers, the boy who has come twice through the doorway of death into Roland's world; and Oy, the Billy-Bumbler. In this long-awaited fifth novel in the saga, their path takes them to the outskirts of Calla Bryn Sturgis, a tranquil valley community of farmers and ranchers on Mid-World's borderlands. Beyond the town, the rocky ground rises toward the hulking darkness of Thunderclap, the source of a terrible affliction that is slowly stealing the community's soul. One of the town's residents is Pere Callahan, a ruined priest who, like Susannah, Eddie, and Jake, passed through one of the portals that lead both into and out of Roland's world. As Father Callahan tells the ka-tet the astonishing story of what happened following his shamed departure from Maine in 1977, his connection to the Dark Tower becomes clear, as does the danger facing a single red rose in a vacant lot off Second Avenue in midtown Manhattan. For Calla Bryn Sturgis, danger gathers in the east like a storm cloud. The Wolves of Thunderclap and their unspeakable depredation are coming. To resist them is to risk all, but these are odds the gunslingers are used to, and they can give the Calla-folken both courage and cunning. Their guns, however, will not be enough.

Download Description
"Roland Deschain and his ka-tet are bearing southeast through the forests of Mid-World, the almost timeless landscape that seems to stretch from the wreckage of civility that defined Roland's youth to the crimson chaos that seems the future's only promise. Readers of Stephen King's epic series know Roland well, or as well as this enigmatic hero can be known. They also know the companions who have been drawn to his quest for the Dark Tower: Eddie Dean and his wife, Susannah; Jake Chambers, the boy who has come twice through the doorway of death into Roland's world; and Oy, the Billy-Bumbler. In this long-awaited fifth novel in the saga, their path takes them to the outskirts of Calla Bryn Sturgis, a tranquil valley community of farmers and ranchers on Mid-World's borderlands. Beyond the town, the rocky ground rises toward the hulking darkness of Thunderclap, the source of a terrible affliction that is slowly stealing the community's soul. One of the town's residents is Pere Callahan, a ruined priest who, like Susannah, Eddie, and Jake, passed through one of the portals that lead both into and out of Roland's world. As Father Callahan tells the ka-tet the astonishing story of what happened following his shamed departure from Maine in 1977, his connection to the Dark Tower becomes clear, as does the danger facing a single red rose in a vacant lot off Second Avenue in midtown Manhattan. For Calla Bryn Sturgis, danger gathers in the east like a storm cloud. The Wolves of Thunderclap and their unspeakable depredation are coming. To resist them is to risk all, but these are odds the gunslingers are used to, and they can give the Calla-folken both courage and cunning. Their guns, however, will not be enough. "

About the Author
Stephen King, since writing the opening sentence of The Gunslinger, has written more than forty novels and two hundred short stories. He has won the World Fantasy Award, several Bram Stoker Awards, the O. Henry Award for his story "The Man in the Black Suit," and the National Book Foundation Medal for Distinguished Contribution to American Letters.

FROM THE PUBLISHER

Roland Deschain and his ka-tet are bearing southeast through the forests of Mid-World, the almost timeless landscape that seems to stretch from the wreckage of civility that defined Roland's youth to the crimson chaos that seems the future's only promise. Readers of Stephen King's epic series know Roland well, or as well as this enigmatic hero can be known. They also know the companions who have been drawn to his quest for the Dark Tower: Eddie Dean and his wife, Susannah; Jake Chambers, the boy who has come twice through the doorway of death into Roland's world; and Oy, the Billy-Bumbler.

In this long-awaited fifth novel in the saga, their path takes them to the outskirts of Calla Bryn Sturgis, a tranquil valley community of farmers and ranchers on Mid-World's borderlands. Beyond the town, the rocky ground rises toward the hulking darkness of Thunderclap, the source of a terrible affliction that is slowly stealing the community's soul. One of the town's residents is Pere Callahan, a ruined priest who, like Susannah, Eddie, and Jake, passed through one of the portals that lead both into and out of Roland's world.

As Father Callahan tells the ka-tet the astonishing story of what happened following his shamed departure from Maine in 1977, his connection to the Dark Tower becomes clear, as does the danger facing a single red rose in a vacant lot off Second Avenue in midtown Manhattan. For Calla Bryn Sturgis, danger gathers in the east like a storm cloud. The Wolves of Thunderclap and their unspeakable depredation are coming. To resist them is to risk all, but these are odds the gunslingers are used to, and they can give the Calla-folken both courage and cunning. Their guns, however, will not be enough.

FROM THE CRITICS

The New York Times

The Dark Tower is nothing if not ambitious: it seeks to blend disparate styles of popular narrative, from Arthurian legend to Sergio Leone western to apocalyptic science fiction. More than that, it tries to knit the bulk of King's fiction together into a single universe (or a set of interlocking universes), and on some level even to accommodate all stories, known and unknown, into a master narrative that encompasses the whole of creation. — Andrew O'Hehir

Philadelphia Inquirer

The man can spin a yarn, and a great one at that.

People

The master of the macabre....[King] is still quite the entertainer

San Francisco Chronicle

One gets the feeling that this colossal story means a lot to King, that he's telling it because he has to....he's giving "The Dark Tower" everything he's got.

New York Times Book Review