NAPRA Review
"Perfectly conveys the Zen simplicity and stillness." -NAPRA Review


Review
"Perfectly conveys the Zen simplicity and stillness." -NAPRA Review


Book Description
This extended essay in words and pictures universalizes the Japanese traditional rustic aesthetic of wabi-sabi that was developed over hundreds of years by Zen priests and teamasters. Wabi-sabi functions today as a prototypical "complete" aesthetic, nature-based and "soft" in contrast to the "hard" digital aesthetics of modern computer-age design. As such, it offers designers and other creative people a wealth of insight into materials and process.


About the Author
Trained as an artist and architect, Leonard Koren has written numerous books on aesthetics and design, including Undesigning the Bath, How to Take a Japanese Bath, and Gardens of Gravel and Sand. He lives in San Francisco and Tokyo.


Excerpted from Wabi-Sabi: for Artists, Designers, Poets & Philosophers by Leonard Koren. Copyright © 1994. Reprinted by permission. All rights reserved.
Wabi-sabi is the most conspicuous and characteristic feature of what we think of as traditional Japanese beauty. It occupies roughly the same position in the Japanese pantheon of aesthetic values as do the Greek ideals of beauty and perfection in the West. Wabi-sabi can in its fullest expression be a way of life. At the very least, it is a particular type of beauty. The closest English word to wabi-sabi is probably "rustic." Webster's defines "rustic" as "simple, artless, or unsophisticated . . . [with] surfaces rough or irregular." While "rustic" represents only a limited dimension of the wabi-sabi aesthetic, it is the initial impression many people have when they first see a wabi-sabi expression . . . Originally, the Japanese words "wabi" and "sabi" had quite different meanings. "Sabi" originally meant "chill," "lean," or "withered." "Wabi" originally meant the misery of living alone in nature, away from society, and suggested a discouraged, dispirited, cheerless emotional state. Around the 14th century, the meanings of both words began to evolve in the direction of more positive aesthetic values. The self-imposed isolation and voluntary poverty of the hermit and ascetic came to be considered opportunities for spiritual richness. For the poetically inclined, this kind of life fostered an appreciation of the minor details of everyday life and insights into the beauty of inconspicuous and overlooked aspects of nature. In turn, unprepossessing simplicity took on new meaning as the basis for a new, pure beauty.

FROM THE PUBLISHER

This extended essay in words and pictures universalizes the Japanese traditional rustic aesthetic of wabi-sabi that was developed over hundreds of years by Zen priests and teamasters. Wabi-sabi functions today as a prototypical "complete" aesthetic, nature-based and "soft" in contrast to the "hard" digital aesthetics of modern computer-age design. As such, it offers designers and other creative people a wealth of insight into materials and process.

Author Biography: Trained as an artist and architect, Leonard Koren has written numerous books on aesthetics and design, including Undesigning the Bath, How to Take a Japanese Bath, and Gardens of Gravel and Sand. He lives in San Francisco and Tokyo.

SYNOPSIS