From Library Journal
Giovanni Antonio Canal (1697-1768), the painter extraordinaire of Venice who was known as Canaletto, is the subject of this exhibition catalog from a recent show at the Metropolitan Museum of Art. It brings together a wealth of paintings and drawings avidly collected in his day by the English aristocracy and, especially with regard to those assembled from the Royal Collection of Her Majesty Queen Elizabeth II, generally unseen before in this country. The five short essays by noted authorities succeed in capturing many of the essentials of the artist, which are easily digested by the nonspecialist. The extensive catalog following the essays contains splendid color reproductions with descriptive text on each work covered. While the book may not change significantly what is known of Canaletto, it is the record of an important American museum show and of paintings that ought to be savored by a wide audience. A welcome addition to most art book collections.- Ellen Bates, New YorkCopyright 1990 Reed Business Information, Inc.


From the Publisher
Giovanni Antonio Canal (1697-1768), known as Canaletto, is one of the most popular of all old master painters. His views of Venice and London are much celebrated and admired. First published in 1982, and revised in 1994, this book is here reissued in paperback, tracing Canaletto's career from his beginnings as a scene-painter with his father to the work of his later years. Canaletto was interested in depicting the world around him, but unlike most of his fellow artists, he was more than a mere recorder of the amazing scenery of Venice or of Georgian England. He had the power, in the words of one of his contemporaries, to paint so that "the eye is deceived and truly believes it is the real thing it sees", and his insight and technical skills were so dazzling that it was thought he must rely on some sort of optical apparatus. His first views of Venice were painted around 1725 for Stefano Conti of Lucca. Soon after he came into contact with Joseph Smith, British Consul in Venice, who was to become his most important patron. Through Smith's influence, he came to England between about 1746 and 1756 during which time he painted many London scenes including views of Westminster Bridge, Whitehall, the Old Horse Guards, St James's Park and Somerset House as well as views of Warwick Castle and Eton College. These and many others of Canaletto's best paintings and watercolours are reproduced in the book's much expanded range of colour illustrations.