From Library Journal
Frank W. Benson (1862-1951), who had dreamed of being an ornithological illustrator while studying at the Boston Museum, where he later became a teacher and director, had a full, award-filled career as a portraitist and painter of plein-air canvases. However, at midlife he chose to change direction and combine his life as an artist with his other passions: wildlife and sporting. Bedford, Benson's biographer (Frank W. Benson: An American Impressionist. o.p.) and guest curator of the retrospective of Benson's work that resulted in Frank W. Benson: New England Impressionist (Peabody Essex Museum, 2000), focuses here on this later period of his work. She draws on family memories and photos, diaries, and letters to acquaint us with an artist of international renown, presenting a devoted family man, keen observer, and consummate sportsman. Benson's etching, lithography, watercolor, and oil illuminate his world through images of geese in flight, hunters and dogs, a lone fisherman, and misty lakes and landscapes. Bedford also includes a chronology of the artist. These two lushly illustrated works make good companions, showing the great talent of American impressionists from a similar period and style. Bedford's is recommended for extensive collections of American art; Larkin's unique study is recommended for all collections. Joseph Hewgley, Nashville P.L. Copyright 2001 Reed Business Information, Inc.
Book Description
This new catalogue of works from the Goetz Collection documents the Arte Povera movement which began in Italy in the 1960s, and features many of its major artists, including Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz, Giulio Paolini, Pino Pascali, Guiseppe Penone, Michelangelo Pistoletto, Emilio Prini, and Gilberto Zorio.
Arte Povera: Works and Documents from the Goetz Collection 1958 until Today FROM THE PUBLISHER
This new catalogue of works from the Goetz Collection documents the Arte Povera movement which began in Italy in the 1960s, and features many of its major artists, including Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Luciano Fabro, Jannis Kounellis, Mario Merz, Giulio Paolini, Pino Pascali, Guiseppe Penone, Michelangelo Pistoletto, Emilio Prini, and Gilberto Zorio.
FROM THE CRITICS
Library Journal
Frank W. Benson (1862-1951), who had dreamed of being an ornithological illustrator while studying at the Boston Museum, where he later became a teacher and director, had a full, award-filled career as a portraitist and painter of plein-air canvases. However, at midlife he chose to change direction and combine his life as an artist with his other passions: wildlife and sporting. Bedford, Benson's biographer (Frank W. Benson: An American Impressionist. o.p.) and guest curator of the retrospective of Benson's work that resulted in Frank W. Benson: New England Impressionist (Peabody Essex Museum, 2000), focuses here on this later period of his work. She draws on family memories and photos, diaries, and letters to acquaint us with an artist of international renown, presenting a devoted family man, keen observer, and consummate sportsman. Benson's etching, lithography, watercolor, and oil illuminate his world through images of geese in flight, hunters and dogs, a lone fisherman, and misty lakes and landscapes. Bedford also includes a chronology of the artist. These two lushly illustrated works make good companions, showing the great talent of American impressionists from a similar period and style. Bedford's is recommended for extensive collections of American art; Larkin's unique study is recommended for all collections. Joseph Hewgley, Nashville P.L. Copyright 2001 Cahners Business Information.
Art & Photography
Book Info
