From AudioFile
[Editor's Note: The following is a combined review with JUSTINE, MOUNTOLIVE, and CLEA.]--The four linked novels that comprise English author Lawrence Durrell's masterpiece, THE ALEXANDRIA QUARTET, are set in Alexandria, Egypt, around the time of WWII. The four novels explore the city's polyglot society, full of intrigue, mystery, and sensuality, telling essentially the same story from different points of view. JUSTINE focuses on the beautiful Jewish wife of a wealthy Copt. Her story is told by Darley, her English lover. In BALTHAZAR, Darley reconsiders and retells the story he told in Justine, using information from a mysterious new character, Balthazar. In MOUNTOLIVE, as war begins to loom, British Ambassador David Mountolive enters the intrigues of the interwoven community of characters. In CLEA, Darley returns to a war-fevered Alexandria as the stories of the many characters move toward conclusion. Narrator Nigel Anthony provides a brilliant reading, keeping the variety of voices--English, French, Egyptian--distinct throughout. He offers a one-man play, conveying the passions, disappointments, and triumphs of the complex cast. The classical music interludes that delineate sections of this beautifully produced and packaged set help transport the listener to back- streets of Alexandria. R.E.K. Winner of AudioFile Earphones Award © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine

FROM THE PUBLISHER

The dazzling second volume of The Alexandria Quartet - and enthralling and deeply disturbing work of gorgeous surfaces and endless deceptions.

In Alexandria in the years before the Second World War, an exiled Irish school teacher seeks to unravel his sexual obsession with two women: the tubercular cafe dancer, Melissa, and Justine, the alluring Jewish wife of a wealthy Coptic Christian. What emerges in his sessions with the psychiatrist Balthazar, however, is something far more complex - and unfathomably more sinister - than neurosis. Lawrence Durrell's kaleidoscopic narrative ushers us into a world in which no perception is reliable - and love itself is always an act of treachery.

FROM THE CRITICS

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