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From Allegri to Laetus-Lieto: the shaping of Correggio's artistic distinctiveness. : An article from: The Art Bulletin [HTML]  
Author: Giancarla Periti
ISBN: B00084B7K0
Format: Handover
Publish Date: June, 2005
 
     
     
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Book Description
This digital document is an article from The Art Bulletin, published by College Art Association on September 1, 2004. The length of the article is 17971 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Digital Locker immediately after purchase. You can view it with any web browser.Citation Details
Title: From Allegri to Laetus-Lieto: the shaping of Correggio's artistic distinctiveness.
Author: Giancarla Periti
Publication: The Art Bulletin (Refereed)
Date: September 1, 2004
Publisher: College Art Association
Volume: 86 Issue: 3 Page: 459(18)Distributed by Thompson Gale

Excerpt. © Reprinted by permission. All rights reserved.
The placing of artists' signatures on works of art has been viewed as an act that communicates the masters' presence and authenticates the authorship. Signatures usually consist of artists' names or monograms, but they also appear as visual, phonetic, emblematic, or literary transformations of the masters' names. These alternative forms of self-identification may occur not only as signatures on works of art but also as the artists' chosen name in records. This essay focuses on a paradigmatic case of an artist's self-naming, exploring the denotative force of the name and how it contributed to forging both the master's personal and professional persona. Names were part of the metaphoric way of thinking about individuals and their identities in the...




     



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